Black Box BRD
Movie | |
---|---|
Original title | Black Box BRD |
Country of production | Germany |
original language | German |
Publishing year | 2001 |
length | 101 minutes |
Age rating | FSK 12 |
Rod | |
Director | Andres Veiel |
script | Andres Veiel |
production | Thomas Kufus |
music | Jan Tilman What a shame |
camera | Jörg Jeshel |
cut | Katja Dringenberg |
occupation | |
|
Black Box BRD is an award-winning documentary film by director Andres Veiel , which was released in May 2001 and has since been shown more than 20 times on television. In addition, the director published a non-fiction book under the same title, which contains additional research results beyond the film.
action
On the basis of statements from friends, acquaintances and colleagues, the biographies of the Deutsche Bank board spokesman Alfred Herrhausen, who was murdered by the Red Army Faction , and the RAF terrorist Wolfgang Grams are traced. The filmmaker seemed to be well aware that Wolfgang Grams could not prove his involvement in the assassination attempt on Alfred Herrhausen. The biographies are juxtaposed and parallelized in the film as examples of different political actions.
Awards
- European Film Award 2001: Best Documentary
- German Film Award 2002: Best Documentary Film
- Bavarian Film Prize 2002: Documentary Film Prize
- Hessian Film Award 2001: Best Documentary Film
- Golden Camera 2002: Cut in a documentary / cultural film for Katja Dringenberg
- Golden Camera 2002: nomination for camera in a documentary in a cultural film for Jörg Jeshel
Book about the film
Based on his research for the film, Veiel wrote a non-fiction book that appeared under the same title. The SZ -Redakteur Heribert Prantl called it "one of the best books about the RAF time I have ever read." As
- Andres Veiel: Black Box BRD. Alfred Herrhausen, Deutsche Bank, RAF and Wolfgang Grams. 2nd Edition. DVA, Stuttgart, Munich 2002, ISBN 3-421-05468-1 ; Fischer Taschenbuch, Frankfurt am Main 2004, ISBN 3-59615-985-7 .
literature
- Rachel Palfreyman: The fourth generation: Legacies of violence as a quest for identity in post-unification terrorism films. In: David Clarke (Ed.): German Cinema: Since Unification. Continuum, London, New York 2006, pp. 11–42, especially pp. 28–33 (preview) .
- Jamie H. Trnka: “The Struggle Is Over, the Wounds Are Open”. Cinematic Tropes, History, and the RAF in Recent German Film. In: New German Critique. No. 101, 2007, pp. 1-26.
- Chris Homewood: Challenging the Taboo: The Memory of West Germany's Terrorist Past in Andres Veiel's Black Box BRD (2001). In: New Cinemas: Journal of Contemporary Film. Vol. 5, No. 2, 2007, pp. 115-126.
- Chris Homewood: Making Invisible Memory Visible: Communicative Memory and Taboo in Andres Veiel's Black Box BRD. In: German Monitor. Volume 70, 2008: Baader-Meinhof Returns: History and Cultural Memory of German Left-Wing Terrorism. Edited by Gerrit-Jan Berendse and Ingo Cornils. Pp. 231-249.
- Anne-Kathrin Griese: The familiar view. Andres Veiel Black Box BRD & Christoph Hein A garden in his early childhood . In: Inge Stephan, Alexandra Tacke (Hrsg.): NachBilder der RAF. Böhlau, Cologne et al. 2008, ISBN 978-3-412-20077-0 , pp. 165-180 (preview) .
- Waltraud Wende : When films tell story (s): film analysis as media culture analysis. Königshausen & Neumann, Würzburg 2011, chapter “The spectators will not be able to calm down. Black Box BRD (2001) and Der Kick (2005/2006) ”, especially pp. 242–252 (preview) .
Web links
- Black Box BRD in the Internet Movie Database (English)
- Black Box BRD at Filmportal.de
- Official German website for the film
- Film booklet of the German Federal Agency for Civic Education (PDF file)
Individual evidence
- ↑ Review note at Perlentaucher .