Décollage

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Décollage (French: décoller = take off , loosen , separate , scrape off ) in art is the opposite of collage . Instead of putting together a picture from set pieces, parts of an original picture are removed. Forms of décollage are, for example, the "etrécissements" of the surrealist Marcel Mariën and the literary cut-up technique. In the 1950s and 1960s, the "poster demolition" developed in which several posters are stuck on top of each other and then recombined by partially tearing them off.

history

Since 1949 the décollage was used in France by Raymond Hains , Jacques de la Villeglé and from 1957 by François Dufrêne ; in 1960 they were among the founding members of the Nouveau Réalisme . The technique was also practiced by Mimmo Rotella and Wolf Vostell since the early 1950s . Furthermore, this technique was used in a modified form by Robert Rauschenberg , who blurred photographs and painted over images and texts; César and John Chamberlain pressed metal consumer goods of all kinds together.

Another form of décollage is the dé-coll / age by Wolf Vostell, who is not only interested in destruction, but also in making visible, in the sense of blurring and other forms such as wiping, bleaching, relining, distorting, blurring and printing over one another, went. On September 6, 1954 in Paris, Wolf Vostell found the word "décollage" on the cover of Le Figaro , which was used in connection with a Lockheed Super Constellation crashing into the Shannon . He carried the term over to his poster demolitions and happenings. In 1958 Wolf Vostell changed the spelling to Dé-coll / age . For Wolf Vostell, dé-coll / age became a design principle and a comprehensive concept of art. The Dé-coll / age des Happening aims at a consciousness-critical breakdown of absurd environmental conditions that harass people, for example to refer to the processes in everyday life, for example car traffic. In the dé-coll / age happenings of the early 1960s, materials were destroyed to the point of uselessness in a critical and provocative dismantling process.

See also

literature

  • Phases . Jürgen Becker and Wolf Vostell, foreword by Max Bense , Der Spiegel gallery , Cologne 1960.
  • TPL, Tombeau de Pierre Larousse . François Dufrêne, Alain Jouffroy, Wolf Vostell, Der Kalender Verlag, Wuppertal 1961.
  • Dufrene, Hains, Rotella, Villegle, Vostell . Torn posters from the Cremer Collection, Staatsgalerie Stuttgart, 1971 (without ISBN)
  • Karin Thomas : DuMont's small non-fiction dictionary on the art of the 20th century. From anti-art to zero . DuMont Buchverlag, Cologne 1977, ISBN 3-7701-0622-9 .
  • Sam Hunter, Mimmo Rotella. Décollages 1954 - 1964 . Galleria Marconi, Electa, Milan, 1986.
  • Raymond Hains. Akzente 1949–1995 . Ritter-Verlag, Klagenfurt 1995, ISBN 3854151802 .
  • Pierre Leguillon: Raymond Hains - J'AI La Memoire Qui Planche. Center Georges Pompidou Service Commercial, Paris 2001, ISBN 2844260624 .
  • Nouveau Réalisme . Museum of Modern Art Ludwig Foundation, Vienna, Publishing House for Modern Art Nuremberg, 2005. ISBN 3-938821-08-6 .
  • Ulrich Krempel: Nouveau Réalisme. Revolution of the everyday , Hatje Cantz Verlag, Ostfildern 2007, ISBN 978-3-7757-2058-8 .
  • Pierre Restany: Manifests des Nouveaux Réalistes . Éditions Dilecta, Paris 2007 (without ISBN)
  • Wolf Vostell. Dé-coll / age , Editorial Pintan Espadas No. 10, 2008, ISBN 978-84-7796-165-9 .
  • Mimmo Rotella. American Icons and Early Works. Meredith Malone, Mullen Books Inc., New York, 2009, ISBN 978-0-9820-7493-0 .
  • Klaus Gereon Beuckers : Dé-coll / age and happening . Studies on the work of Wolf Vostell. Ludwig, Kiel 2012, ISBN 978-3-86935-145-2 .
  • Klaus Gereon Beuckers, Hans-Edwin Friedrich and Sven Hanuschek: dé-coll / age as manifest, manifest as dé-coll / age . Manifestos, lectures and essays by Wolf Vostell. neoAvantgarden, Vol. 3, edition text + kritik: Munich 2014, ISBN 978-3-86916-260-7 .
  • Big city poetry. The Affichists . Bernard Blistène, Fritz Emslander, Esther Schlicht, Didier Semin, Dominique Stella. Snoeck publishing house. 2014. ISBN 978-3-9523990-8-8 .

Web links

Individual evidence

  1. ↑ See D-De ( Memento of April 24, 2005 in the Internet Archive ), ArtLex Art Dictionary. Retrieved October 17, 2007.
  2. ↑ see also: en: Marcel Mariën
  3. ^ Jacques de la Villeglé, Ahlers-Portale ( Memento of November 29, 2009 in the Internet Archive ) . Accessed November 10, 2013
  4. ^ Les Nouveaux Réalistes, contemporart.voila.net , accessed November 10, 2013.
  5. ↑ Wolf Vostell, NRW Museum , accessed on November 10, 2013.
  6. ↑ museums platform nrw - Wolf Vostell, "décollage", 1954 ( memento of the original from February 18, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Retrieved December 13, 2014. @1@ 2Template: Webachiv / IABot / www.nrw-museum.de
  7. ↑ Karin Thomas: DuMont's small non-fiction dictionary on the art of the 20th century. From anti-art to zero. DuMont Buchverlag, Cologne 1977, p. 56
  8. ↑ Term »Décollage« ( Memento of the original from September 26, 2010 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved December 13, 2014 @1@ 2Template: Webachiv / IABot / www.kapitalistischer-realismus.de
  9. ^ TPL, 1961 , accessed June 20, 2014.
  10. ^ Cremer Collection , accessed November 10, 2013.
  11. ↑ dé-coll / age as manifest, manifest as dé-coll / age . Manifestos, lectures and essays by Wolf Vostell , accessed on December 16, 2014.