Hedda Zinner

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Hedda Zinner, 1948

Hedda Zinner (born May 20, 1905 or 1907 in Lemberg , Galicia or Vienna , Austria-Hungary , † July 4, 1994 in Berlin ) was a German writer , actress , cabaret artist , reciter , journalist , director and radio director .

Life

Hedda Zinner (center), 1966

Hedda Zinner, who published under her maiden name and various pseudonyms (Elisabeth Frank, Hannchen Lobesam, Hedda), was born in Lemberg as the daughter of a civil servant. She attended the drama academy there from 1923 to 1925. Engagements took her to Stuttgart , Baden-Baden , Breslau and Zwickau . In 1928 she married the writer and journalist Fritz Erpenbeck . From 1929 she lived in Berlin, became a member of the KPD , worked as a writer and reciter. She read her own poems at political rallies .

From 1930 she published political-satirical and socially critical poems a. a. in the Rote Fahne , the workers' voice , in the AIZ , in the way of the woman , the magazine for all and the world in the evening . In 1933 she emigrated first to Vienna and then to Prague , where she founded and directed the political cabaret “Studio 1934”; from 1935 she lived with her husband in Moscow in the Soviet Union . She worked as a radio play author and commentator for Radio Moscow and for various literary magazines.

tomb

In 1945 she returned to Berlin, where she lived in the eastern part of Berlin-Pankow during the division of the city. She became the director of the radio station (since 1946) and worked as a writer until her death in 1994. Her husband died in 1975. She is buried in the cemetery of the Dorotheenstadt and Friedrichswerder communities in Berlin-Mitte. Her son is the physicist, philosopher and writer John Erpenbeck , whose daughter Jenny Erpenbeck is also a writer.

Awards

Works

Zinner's early works were satirical-agitational texts that took up everyday life as well as daily political issues. In connection with the work for the "Studio 1934" she turned to the drama; it kept the political topicality. Her play General Landt was a reaction to Carl Zuckmayer's drama Des Teufels General , which she found trivializing. In any case , the protest movement of West German scientists against nuclear war raised a suspicious theme . Furthermore, she took up historical topics (including the wars of liberation against Napoleon, the women's movement and the anti-fascist resistance ). Your trilogy of novels Ahnen und Erben has autobiographical traits.

  • Under the roofs. Poems, Moscow 1936.
  • That happened , poems, Moscow 1939.
  • Folk songs and folk poetry . Reseals, Kiev 1939.
  • Café Payer. Play, premiered in 1945. Made in 1940/41. Translates Czech and Hungarian.
  • Far and near . Poems, 1947.
  • Humanistic sonnet. 1947.
  • Everyday life in an unusual country. Reports, short stories and poems, 1950.
  • Game into life . Drama, 1951. Translated into Polish and Slovenian.
  • The man with the bird. Comedy, 1952.
  • Happy women and children . Stories, reports, poems, 1953.
  • The vicious circle. Drama, 1953. Translated into French, Czech, Japanese, Chinese.
  • We're going to Moscow. Children's book, 1953.
  • Just one woman. Novel about Louise Otto-Peters , 1954. Published in Germany in 1984.
  • First beginnings. and I'll never forget Stories in: Hammer und Feder , 1955.
  • Lützower. Drama, 1955.
  • General Landt. Drama, premiered in 1957. Made in 1950/51.
  • The judgment. Political review. In: ndl 1958/59.
  • What happened if …? Comedy, 1959.
  • Definitely suspicious . Drama, 1959.
  • Plautus in the nunnery . Retelling as libretto, 1959.
  • Fischer in Niezow . Libretto, 1959.
  • Performance control. Youth piece, 1960.
  • Ravensbrücker Ballad. Tragedy, 1961.
  • An American in Berlin. Posse, 1963.
  • When love dies Four novellas, 1965.
  • Elisabeth Trowe. Movie narration, 1969.
  • Ancestors and heirs. Novel trilogy.
    • Regina. 1968.
    • The sisters. 1970.
    • Fini. 1973.
  • We speak out what is. Studio 1934. In: Erlebte Geschichte , Volume 2, 1972, ed. by Günter Albrecht.
  • On the red carpet. Experiences, thoughts, impressions, 1978.
  • Katja. Roman, 1980. (FRG 1981)
  • The solution. Roman, 1981.
  • Arrangement with death. Roman, 1984. (FRG 1985)
  • The great impatience. Story 1988.
  • Self-questioning. Memoirs 1989, ISBN 3-371-00195-4 .

Film adaptations

Radio plays

literature

  • Zinner, Hedda : In: Lexicon of socialist German literature . Bibliographisches Institut, Leipzig 1964, pp. 563-565.
  • Simone Barck : Hedda Zinner . In: Literature of the German Democratic Republic . Volume 3. Volk and Wiisen, Berlin 1987, pp. 530-547 and pp. 639-643.
  • Uta Klaedtke, Martina Ölke: Remember and invent. GDR authors and 'Jewish identity' (Hedda Zinner, Monika Maron , Barbara Honigmann ) . In: Ariane Huml (ed.): Jewish intellectuals in the 20th century . Königshausen & Neumann, Würzburg, 2003. ISBN 3-8260-2310-2 , pp. 249-274.
  • Bernd-Rainer Barth , Peter ErlerZinner, Hedda . In: Who was who in the GDR? 5th edition. Volume 2. Ch. Links, Berlin 2010, ISBN 978-3-86153-561-4 .
  • Jana Rahders: Can you deny the truth all your life? The socialist worldview of the GDR author Hedda Zinner . In: Siegfried Lokatis (Ed.): From the author to the censorship file. Adventure in reading country GDR . Mitteldeutscher Verlag, Halle (Saale) 2014, pp. 73–80.

Web links

Commons : Hedda Zinner  - collection of pictures, videos and audio files

References and comments

  1. ЦИ́ННЕР (Zinner), Хедда , FEB
  2. ^ Biographical databases - Zinner, Hedda , bundesstiftung-aufverarbeitung.de
  3. ^ Valentina Choschewa: "VOICE OF RUSSIA celebrates 85th anniversary" . In: “Voice of Russia, October 28, 2014”. Retrieved October 29, 2014.
  4. ^ Gisela Brinker-Gabler, Karola Ludwig, Angela Wöffen: Lexicon of German-speaking women writers 1800–1945. dtv Munich, 1986. ISBN 3-423-03282-0 . P. 336 ff.