Raúl Gustavo Aguirre

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Raúl Gustavo Aguirre (born January 2, 1927 in Buenos Aires , † January 18, 1983 in Olivos , Province of Buenos Aires ) was an Argentine literary critic and poet.

In 1950 Aguirre took over the editorial management of the magazine “Poesía Buenos Aires” together with Nicolás Espiro . This was considered the mouthpiece of the Grupo Madi (Manifiesto invencionista) and emerged from Surrealism based on the models of Vicente Huidobro and Guillaume Apollinaire .

reception

By his own admission, Aguirre saw poetry as "... one of the few, perhaps the only means of true human communication".

After the First World War , modern Argentine literature split into two camps, Grupo Florida and Grupo Boedo . Aguirre, also influenced by ultraism , belongs to the former as an advocate of a strengthened neo-humanism .

Works (selection)

  • Algundo memoria . 1960.
  • Cuaderno de notas . 1957.
  • Cuerpo del horizonte . 1951.
  • La danza nupcial . 1954.
  • Networks and powers (“Redes y violencias”). Hensel, Berlin 1971, ISBN 3-87329-077-4 .
  • Senales de vida . 1962.
  • El tiempo de la rosa . 1945.

literature

  • Cesar F. Moreno: La realidad y los papeles. Panorama y muestra de la poesía argentina contemporanea . Aguilar, Madrid 1967.
  • Dieter Reichardt: Latin American authors. Literary dictionary and bibliography of German translations . Erdmann Verlag, Tübingen 1972, ISBN 3-7711-0152-2 , p. 27.

Individual evidence

  1. ^ Profile of Raúl Gustavo Aguirre