Siglind Bruhn
Siglind Bruhn (born October 11, 1951 in Hamburg ) is a German musicologist and concert pianist .
Life
Siglind Bruhn grew up as the daughter of the engineer Ernst Bruhn and the interpreter Leonore Bruhn, née Kieberger, in Hamburg . Even before graduating from high school in 1970, she studied three semesters in Eckart Besch's piano class at the Hamburg University of Music , then in the master class of Wladimir Horbowski at the Stuttgart University of Music ; 1975 State examination in music with a major in piano . She also took Romance studies , comparative literature and philosophy at the University of Munich; 1976 Magister Artium with a thesis on the drama Ramón del Valle-Incláns. During this time she met her future husband, the philosopher Gerhold K. Becker . In the years 1976-78 Siglind Bruhn wrote her first book, which combines the pedagogical legacy of her teacher Horbowski with her first own research. After a further four years of professional activity, she enrolled at the University of Vienna , where she received her doctorate summa cum laude in the spring of 1985 with an interdisciplinary dissertation in the subject area of music analysis and psychoanalysis . Two years later, she followed her husband, who had meanwhile taken a job in Hong Kong , to Asia and taught at Hong Kong University for six years . During her first sabbatical year from 1993-1994, which she spent at the University of Michigan , USA, she was appointed to the local humanities research institute, where she is now a research associate for life.
Career history
- 1975–1976 piano teacher at the Stuttgart music school
- 1977–1978 piano teacher, Conservatoire de musique de Genève
- 1978–1982 musical director, Unterhaching music school
- 1982–1987 director and lecturer, Institute for Musical Interpretation, Dinkelsbühl
- 1984–1987 director and lecturer, Pianist Academy, Ansbach
- 1987–1994 Music Director, School for Professional and Continuing Education, The University of Hong Kong
- 1993–1997 Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor
- since 1997 Life Research Associate, Institute for the Humanities, The University of Michigan, Ann Arbor
Awards
- 2001 election as a full member of the European Academy of Sciences and Arts
- 2002 Appointment as Distinguished Senior Research Fellow at the Center for Christianity and the Arts at the University of Copenhagen
- 2005 Appointment as Chercheur invité at the Institut d'esthétique des arts contemporains of the University Paris I - Sorbonne
- 2008 Honorary Doctorate (Dr. phil. Hc) from the University of Växjö (today: Linnaeus University), Sweden
Book publications (German)
- The art of musical design on the piano. Design criteria and design tools in Bach and classical piano music . Frankfurt etc .: Peter Lang 1981. ISBN 978-3-8204-5878-7
- The musical representation of psychological reality in Alban Berg's Wozzeck . Frankfurt etc .: Peter Lang 1986. ISBN 978-3-8204-8951-4 - on Google
- Musical symbolism in Olivier Messiaen's Christmas vignettes. Hermeneutic-analytical studies on the Vingt Regards sur l'Enfant-Jésus . Frankfurt etc .: Peter Lang 1997. ISBN 978-3-631-31097-7 - on Google
- The sounding museum: music of the 20th century interprets works of fine art . Waldkirch: Edition Gorz 2004. ISBN 3-938095-00-8 - http://edition-gorz.de/order-bru1.html
- Christ as an opera hero in the late 20th century . Waldkirch: Edition Gorz 2005. ISBN 3-938095-03-2 - http://edition-gorz.de/order-bru2.html
- Messiaen's musical language of faith: theological symbolism in the piano cycles Visions de l'Amen and Vingt Regards sur l'Enfant-Jésus . Waldkirch: Edition Gorz 2006. ISBN 3-938095-04-0 - JS Bach's Well-Tempered Clavier: Analysis and Design . Waldkirch: Edition Gorz 2006. ISBN 3-938095-05-9 - http://edition-gorz.de/order-bru3.html
- Olivier Messiaen, Troubadour: Understanding of love and musical symbolism in Poèmes pour Mi, Chants de terre et de ciel, Trois petites Liturgies de la présence divine, Harawi, Turangalîla Symphony and Cinq Rechants . Waldkirch: Edition Gorz 2007. ISBN 978-3-938095-07-2 - http://edition-gorz.de/order-bru5.html
- Messiaen's 'Summa theologica': Musical search for traces with Thomas Aquinas in La Transfiguration, Méditations and Saint François d'Assise . Waldkirch: Edition Gorz 2008. ISBN 978-3-938095-09-6 - http://edition-gorz.de/order-bru6.html
- Hindemith's great stage works. Hindemith Trilogy Volume I. Waldkirch: Edition Gorz 2009. ISBN 978-3-938095-11-9 - http://edition-gorz.de/order-bru7.html
- Hindemith's great vocal works. Hindemith Trilogy Volume II. Waldkirch: Edition Gorz 2010. ISBN 978-3-938095-14-0 - http://edition-gorz.de/order-bru8.html
- Hindemith's great instrumental works. Hindemith Trilogy Volume III. Waldkirch: Edition Gorz 2012. ISBN 978-3-938095-15-7 - http://edition-gorz.de/order-bru9.html
- Jörg Widmann's music . Waldkirch: Edition Gorz 2013. ISBN 978-3-938095-16-4 - http://edition-gorz.de/order-widm.html
- Europe's sounding images. A musical journey. Waldkirch: Edition Gorz 2013. ISBN 978-3-938095-18-8 - http://edition-gorz.de/order-bru11.html
- Schönberg's music 1899-1914. From tone poetry to play of timbres. Waldkirch: Edition Gorz 2015. ISBN 978-3-938095-20-1 - http://edition-gorz.de/order-bru12
- Aribert Reimann's vocal music. Waldkirch: Edition Gorz 2016. ISBN 978-3-938095-21-8 - http://edition-gorz.de/order-reimann.html
- Henri Dutilleux . Every note weighed on the gold scales. Waldkirch: Edition Gorz 2016. ISBN 978-3-938095-22-5 - http://edition-gorz.de/order-bru14.html
- Debussy's piano music and its visual inspirations. Waldkirch: Edition Gorz 2017. ISBN 978-3-938095-23-2 - http://edition-gorz.de/order-bru15
- Debussy's vocal music and its poetic evocations. Waldkirch: Edition Gorz 2018. ISBN 978-3-938095-24-9 - http://edition-gorz.de/order-bru16
- Debussy's instrumental music in a cultural context. Waldkirch: Edition Gorz 2019. ISBN 978-3-938095-25-6 - http://edition-gorz.de/order-bru17.html
- «Life is dark». Song symphonies on transience from Mahler to Penderecki . Waldkirch: Edition Gorz 2020. ISBN 978-3-938095-27-0 - http://edition-gorz.de/order-bru18.html
Book publications in English here
Editorial activity
Collections of articles published as co-author
- Messiaen's Language of Mystical Love . New York: Garland 1998. ISBN 0-8153-2747-1 - on Google [1]
- Encrypted Messages in Alban Berg's Music . New York: Garland 1998. ISBN 0-8153-2480-4 - on Google
- Signs in Musical Hermeneutic [ The American Journal of Semiotics 13 / 1-4], 1998. ISSN 0277-7126
- Voicing the Ineffable: Musical Representations of Religious Experience . Hillsdale, NY: Pendragon Press 2002. ISBN 1-57647-089-X - http://www.pendragonpress.com/book.php?id=569
- Sonic Transformations of Literary Texts: From Program Music to Musical Ekphrasis . Hillsdale, NY: Pendragon Press 2008. ISBN 1-57647-140-3 - http://www.pendragonpress.com/book.php?id=622
- Since 2000 supervision of the book series “Interplay: Music in Interdisciplinary Dialogue” published by Pendragon Press (initially together with Magnar Breivik, University of Trondheim, Norway) - Interplay
Concert activity
First piano recitals and solo appearances with orchestra from the age of 14. Since then, concert activity as a soloist and in various chamber music ensembles in 23 countries on all continents, radio recordings with most West German and several foreign radio stations.
- Maurice Ravel : Histoires Naturelles , Modest Mussorgski: Songs and Dances of Death . Cornelia Kallisch, mezzo-soprano; Siglind Bruhn, piano. LM-M E 2011 (1984).
- Paul Hindemith : Five Sonatas for String Instruments and Piano. [a] Andrew Jennings, violin; [b] Yizhak Schotten, viola; [c] Bruce Smith, viola d'amore; [d] Anthony Elliott, violoncello; [e] Derek Weller, double bass; Piano: Siglind Bruhn, [a], [c], [e], Katherine Collier [b], Anton Nel [d]. Equilibrium 1995.
- Paul Hindemith: Five sonatas for woodwind instruments and piano. [a] Leone Buyse, flute; [b] Harry Sargous, oboe; [c] Fred Ormand, clarinet; [d] Harry Sargous, English horn; [e] Richard Beene, bassoon; Piano: Siglind Bruhn, [a], [b], [e], Anton Nel [c], [d]. Equilibrium 1995.
- Paul Hindemith: Five sonatas for brass instruments and piano. [a] Charles Darval, trumpet; [b] Bryan Kennedy, Horn; [c] Charles Darval, alto horn; [d] H. Dennis Smith, trombone; [e] Fritz Kaenzig, tuba; Piano: Siglind Bruhn, [a], [b], [e], Robert Conway [c], Anton Nel [d]. Equilibrium 1996.
- Paul Hindemith: Ludus tonalis and series of small pieces . Siglind Bruhn, piano. Equilibrium 1996.
Since 2007 she has been organizing the chamber concerts "Am Bruckwald" in the southwest German town of Waldkirch.
Web links
- Literature by and about Siglind Bruhn in the catalog of the German National Library
- Personal page
personal data | |
---|---|
SURNAME | Bruhn, Siglind |
BRIEF DESCRIPTION | German musicologist and concert pianist |
DATE OF BIRTH | October 11, 1951 |
PLACE OF BIRTH | Hamburg |