William Basinski

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William Basinski

William James Basinski (born June 25, 1958 in Houston , Texas ) is an American ambient - avant-garde composer . He is also a clarinetist, saxophonist, sound and video artist . He is best known for his four-part album The Disintegration Loops (2002-03), which consists of recordings of decaying old tapes of his earlier ambient music.

Life

William Basinski was born in Houston in 1958. A classically trained clarinetist, he studied jazz saxophone and composition at North Texas State University in the late 1970s . In 1978 he began to develop his own music , inspired by minimal music work by musicians such as Steve Reich and Brian Eno . He used old tape loops and cassettes as well as short, looped melodies, which were reproduced several times and layered on top of each other, thus creating feedback . Thereby he inspired musicians like Philip Jeck .

His first release was Shortwave Music . Although it was produced in 1983, it was released in a limited edition in 1998 on the German Raster Noton label. This was followed by Watermusic , which was produced and distributed by Basinski's own record label 2062 Records . A 2CD set Variations: A Movement in Chrome Primitive: 1980 followed in 2004. It was released by David Tibet on the Durtro / Die Stadt label. At the time the album was made (1980), Basinski was experimenting with compositions for piano and tapes.

In the 1980s, Basinski created a large archive of experimental works using tape loops and echo devices, objets trouvés and shortwave radio noise. He was a member of experimental bands such as Gretchen Langheld Ensemble and House Afire. In 1989 he opened his gallery and the Arcadia cultural center . In the 1990s he performed there with various artists from New York, such as Antony Hegarty, Diamanda Galás , Rasputina and The Murmurs . He also produced and sold his records there and organized concerts for befriended acts and bands. He also promoted his own improvisation band Life on Mars on such occasions .

The Disintegration Loops

In August and September 2001 he set to work on his most famous work to date: The four- fold album The Disintegration Loops . When Basinski tried to digitize his own tape loops from the 1980s, the magnetic layer came off the tapes due to wear and tear. The composer took up this self-destruction and decay of the material.

Discography

  • 1998: Shortwave Music ( Raster-Noton Vinyl; 2007 CD, 2062)
  • 2000: Watermusic (2062 Records)
  • 2002: The Disintegration Loops (2062)
  • 2002: The River (Raster-Noton) (2008 CD)
  • 2003: The Disintegration Loops II (2062)
  • 2003: Watermusic II (2062)
  • 2003: Melancholia (2062)
  • 2003: The Disintegration Loops III (2062)
  • 2003: A Red Score in Tile (Three Poplars)
  • 2003: The Disintegration Loops IV (2062)
  • 2004: Variations: A Movement in Chrome Primitive (Durtro / Die Stadt )
  • 2004: Silent Night (2062)
  • 2006: The Garden of Brokenness (2062)
  • 2006: Variations for Piano and Tape (2062)
  • 2007: El Camino Real (2062)
  • 2009: 92982 (2062)
  • 2009: Vivian & Ondine (2062)
  • 2013: Aurora Liminalis (with Richard Chartier ) (Line)
  • 2013: Nocturnes (2062)
  • 2015: Cascade (2062)
  • 2015: The Deluge (Temporary Residence)
  • 2015: Divertissement (with Richard Chartier) (Important Records)
  • 2017: A Shadow in Time (2062)
  • 2018: Selva Oscura (with Lawrence English) (TRR)
  • 2019: On Time Out of Time (TRR)

Web links

Individual evidence

  1. ^ William Basinski: The Disintegration Loops I-IV at pitchforkmedia.com, accessed September 17, 2019.
  2. Time Becomes a Loop: William Basinski Interviewed Interview with John Doran for The Quietus, November 15, 2012, accessed November 14, 2019.