Carmelo Gómez
Carmelo Gómez | |
|---|---|
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| Born | Carmelo Gómez Celada 2 January 1962 Sahagún, Spain |
| Occupation | Actor |
Carmelo Gómez Celada (born 2 January 1962) is a Spanish actor. He is the recipient of two Goya Awards, for best supporting actor in The Method and best leading actor in Running Out of Time. A very popular actor in 1990s Spanish cinema, working under the likes of Julio Medem, Pilar Miró and Imanol Uribe, he is a recurring co-star of Emma Suárez.[1]
Biography[edit]
Carmelo Gómez Celada was born on 2 January 1962 in Sahagún, province of León, and worked the land there as a farmer together with his father until moving to Salamanca, where he joined theatre groups.[2][3] He graduated from the Madrid's RESAD.[4] He made his feature film debut with a minor role in Voyage to Nowhere (1986), followed by another small role in Bajarse al moro (1988).[5][6][2]
In 2013, at the Gijón International Film Festival, he received the Nacho Martinez award.[7]
Filmography[edit]
 |
Film[edit]
| Year | Film | Role | Notes | Ref. |
|---|---|---|---|---|
| 1986 | El viaje a ninguna parte (Voyage to Nowhere) | [5] | ||
| 1988 | Bajarse al moro | [5] | ||
| 1991 | Vacas | Manuel / Ignacio / Peru Irigibel | [8] | |
| 1992 | Después del sueño | Amós | [9] | |
| 1993 | La ardilla roja (The Red Squirrel) | Félix | [10] | |
| 1994 | Canción de cuna (Cradle Song) | Pablo | [11] | |
| 1994 | Días contados (Running Out of Time) | Antonio | [12] | |
| 1994 | El detective y la muerte (The Death and the Detective) | The Dark Man | [13] | |
| 1995 | Entre rojas | |||
| 1996 | Tierra (Earth) | Ángel | [14] | |
| 1996 | Tu nombre envenena mis sueños (Your Name Poisons My Dreams) | Ángel Barciela | [15] | |
| 1996 | El perro del hortelano (The Dog in the Manger) | Teodoro | [16] | |
| 1997 | Territorio comanche (Comanche Territory) | José | [17] | |
| 1997 | Secretos del corazón (Secrets of the Heart) | Tío | [18] | |
| 1998 | Mararía | Fermín | [19] | |
| 1999 | Entre las piernas (Between Your Legs) | Félix | [20] | |
| 1999 | Extraños | Goyo Lamarca | [21] | |
| 2000 | El portero (The Goalkeeper) | Ramiro Forteza | [22] | |
| 2000 | La gran vida (Living It Up) | Martín | [23] | |
| 2002 | El viaje de Carol (Carol's Journey) | Adrián | [24] | |
| 2002 | Nos miran (They're Watching Us) | Juan | [25] | |
| 2002 | La playa de los galgos | Martín | [26] | |
| 2004 | Hay motivo | |||
| 2006 | La noche de los girasoles (The Night of the Sunflowers) | Esteban | [27] | |
| 2007 | Oviedo Express | Benjamín Olmo | [28] | |
| 2012 | Silencio en la nieve (Frozen Silence) | Sargento Espinosa | [29] | |
| 2015 | Tiempo sin aire (Breathless Time) | Iván | [30] | |
| 2022 | Llegaron de noche (What Lucia Saw) | Padre Tojeira | [31] |
Television[edit]
- La regenta as Fermín de Pas (Fernando Méndez Leite, 1995).
Stage[edit]
- La cena (2004–2005).
- Elling (2012).
References[edit]
- ^ Heredia, Sara (26 March 2021). "Qué fue de Carmelo Gómez: el actor de moda de los 90 que fue vetado y dejó el cine". Sensacine.
- ^ a b Amenedo, Nacho (11 November 2013). "Carmelo Gómez, premio "Nacho Martínez" en el Festival de Gijón". Aisge.
- ^ "Premio Nacional de Cinematografía Nacho Martínez" (PDF). Festival Internacional de Cine de Gijón 51. p. 16. Retrieved 9 June 2022.
- ^ Muñoz-Rojas, Ritama (27 October 1996). "La Escuela de Arte Dramático estrena sede por primera vez en sus cien años de existencia". El País.
- ^ a b c Stone 2007, p. 47.
- ^ Viñas, Verónica (14 November 2010). "Cinco leoneses de película".
- ^ "Gijón International Film Festival". imdb.com. Retrieved 22 August 2018.
- ^ Stone 2007, p. 214.
- ^ "'Después del sueño', de Mario Camus, en 'Historia de nuestro cine'". Diez Minutos. 8 November 2019.
- ^ Stone 2007, p. 215.
- ^ Durán Manso 2019, pp. 117–118.
- ^ Jordan & Morgan-Tamosunas 1998, p. 97.
- ^ Perriam 2003, pp. 98–99.
- ^ Davies 2009, p. 19; Fernández Soto & Checa y Olmos 2010, p. 85
- ^ Caparrós Lera 2005, p. 75.
- ^ Perriam 2003, pp. 34.
- ^ Caparrós Lera 2005, pp. 88–89.
- ^ Perriam 2003, pp. 86–87.
- ^ Perriam 2003, p. 113.
- ^ Perriam 2003, p. 83.
- ^ Caparrós Lera 2005, p. 152.
- ^ "La buena vida". Fotogramas. 29 May 2008.
- ^ Caparrós Lera 2005, p. 207.
- ^ Holland, Jonathan (7 October 2002). "They're Watching Us". Variety.
- ^ Caparrós Lera 2005, p. 200.
- ^ Whittaker 2013, p. 158; Heller-Nicholas 2021, p. 142.
- ^ Nogueira Otero 2018, p. 304.
- ^ "Carmelo Gómez y Juan Diego Botto protagonizan 'Silencio en la nieve'". Diario de Navarra. 17 January 2012.
- ^ Holland, Jonathan (28 May 2015). "'Breathless Time' ('Tiempo Sin Aire'): Film Review". The Hollywood Reporter.
- ^ "Tráiler de 'Llegaron de noche': Imanol Uribe recrea la masacre de los jesuitas en El Salvador". RTVE. 25 January 2022.
Bibliography[edit]
- Caparrós Lera, José María (2005). La Pantalla Popular. El cine español durante el Gobierno de la derecha (1996-2003). Tres Cantos: Ediciones Akal. ISBN 978-84-460-2414-9.
- Davies, Ann (2009). "Criminality and the left in Spanish retro noir films". Journal of Iberian and Latin American Studies. 15 (1). Routledge: 15–28. doi:10.1080/14701840903160085. S2CID 161930513.
- Durán Manso, Valeriano (2019). "Nostalgia y melodrama en el cine de José Luis Garci (1982-1996)". Área Abierta. Madrid: Ediciones Complutense. doi:10.5209/ARAB.60729. ISSN 2530-7592. S2CID 239586522.
- Fernández Soto, Concepción; Checa y Olmos, Francisco (2010). "El cine de Pilar Miró. Homenaje y puente hacia la literatura" [Pilar Miró's Films. A Tribute and Link to Literature]. Arbor. CLXXXVI (741). Madrid: Consejo Superior de Investigaciones Científicas: 79–88. doi:10.3989/arbor.2010.741n1008. ISSN 0210-1963.
- Heller-Nicholas, Alexandra (2021). Rape-Revenge Films: A Critical Study (2nd ed.). Jefferson, NC: McFarland & Company, Inc., Publishers. ISBN 978-1-4766-8649-3.
- Jordan, Barry; Morgan-Tamosunas, Rikki (1998). Contemporary Spanish Cinema. Manchester and New York: Manchester University Press. ISBN 9780719044137.
- Juan-Navarro, Santiago (2018). "Tierra (Earth) (1996)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. p. 370–371. ISBN 9781442271333.
- Nogueira Otero, Xosé (2018). "Oviedo Express, de Gonzalo Suárez: el género degenerado (una vez más)". Quintana (17). Santiago de Compostela: Universidade de Santiago de Compostela. doi:10.15304/qui.17.5181. S2CID 182719246.
- Perriam, Chris (2003). Stars and Masculinities in Spanish Cinema: From Banderas to Bardem. Oxford University Press. p. 98–99. ISBN 0-19-815996-X.
- Stone, Rob (2007). Spanish and Latin American Filmmakers: Julio Medem. Manchester and New York: Manchester University Press. p. 214. ISBN 978-0-7190-7200-0.
- Whittaker, Tom (2013). "La noche de los girasoles/Night of the Sunflowers (Jorge Sánchez-Cabezudo, 2006): palimpsests of genre, palimpsests of violence". In Delgado, Maria M.; Fiddian, Robbin (eds.). Spanish cinema 1973-2010. Auteurism, politics, landscape and memory. Manchester University Press. pp. 158–159. ISBN 978-0-7190-9658-7.
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