Le Chef-d'œuvre inconnu

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Le Chef-d'œuvre inconnu
Illustration by Pierre Vidal of a scene from "Le Chef-d'œuvre inconnu"
AuthorHonoré de Balzac
IllustratorPierre Vidal
CountryFrance
LanguageFrench
SeriesLa Comédie humaine
PublisherCharles-Béchet
Publication date
1831

"Le Chef-d'œuvre inconnu" (English: "The Unknown Masterpiece") is a short story by Honoré de Balzac. It was first published in the newspaper L'Artiste with the title "Maître Frenhofer" (English: "Master Frenhofer") in August 1831. It appeared again later in the same year under the title "Catherine Lescault, conte fantastique". It was published in Balzac's Études philosophiques in 1837 and was integrated into La Comédie humaine in 1846. The work is separated into two chapters: "Gillette"[1] and "Catherine Lescault".[2]

"Le Chef-d'œuvre inconnu" is a reflection on art, and has had an important influence on modernist artists.

Plot summary[edit]

Young Nicolas Poussin, as yet unknown, visits the painter Porbus in his workshop. He is accompanied by the old master Frenhofer, who comments expertly on the large tableau that Porbus has just finished. The painting is of Mary of Egypt, and while Frenhofer sings her praises, he hints that the work seems unfinished. With some slight touches of the paintbrush, Frenhofer transforms Porbus' painting such that Mary the Egyptian appears to come alive before their very eyes. Although Frenhofer has mastered his technique, he admits that he has been unable to find a suitable model for his own masterpiece, which depicts a beautiful courtesan called Catherine Lescault, known as La Belle noiseuse. He has been working on this future masterpiece that no one has yet seen for ten years. Poussin offers his own lover, Gillette, as a model. Gillette is so beautiful that Frenhofer is inspired to finish his project quickly. Poussin and Porbus come to admire the painting, but all they can see is part of a foot that has been lost in a swirl of colors. Their disappointment drives Frenhofer to madness, and he burns his paintings and dies that night.

Historical background[edit]

Unlike most other stories in La Comédie humaine, this is set in the 17th century, in the year 1612. Of the three artists depicted in this story, Poussin and Porbus were real artists of the 17th century. Frenhofer is a purely fictional character. In the case of Porbus, Balzac used the gallicized version of the surname of Frans Pourbus.[3]

Influence on artists[edit]

Commemorative plaque at 7 rue des Grands-Augustins.

Paul Cézanne strongly identified with Frenhofer, once saying "Frenhofer, c'est moi" (I am Frenhofer). Critic Jon Kear argues that Cézanne's own attempts to paint the nude were heavily influenced by Balzac's portrayal of Frenhofer's work.[4]

In 1927, Ambroise Vollard asked Picasso to illustrate "Le Chef-d'œuvre inconnu". Picasso was fascinated by the text and identified with Frenhofer so much that he moved to the rue des Grands-Augustins in Paris where Balzac located Porbus' studio. There he painted his own masterpiece, Guernica. Picasso lived here during World War II.[5][6]

Adaptations[edit]

Sidney Peterson's 1949 avant-garde film Mr Frenhofer and the Minotaur was based on the link between the short story and the work of Picasso. It draws on Picasso's Minotauromachy, bringing Picasso's work to life with the characters of Gillette, Poussin and Porbus participating.[7]

"Le Chef-d'œuvre inconnu" inspired the film La Belle Noiseuse by Jacques Rivette (1991).[8]

References[edit]

  1. ^ "Gillette". Gallica. Retrieved 27 February 2021.
  2. ^ "Catherine Lescault". Gallica. Retrieved 27 February 2021.
  3. ^ Danto, Arthur C. (2001). "Introduction". The Unknown Masterpiece. NYRB Classics.
  4. ^ Kear, John, "'Frenhofer, c'est moi': Cézanne's Nudes and Balzac's Le Chef-d'œuvre inconnu", Cambridge Quarterly, Volume 35, Issue 4, pp. 345–360. JSTOR 42971760.
  5. ^ Mark Harris (1996). "Balzac's Unknown Masterpiece". Retrieved 11 March 2018.
  6. ^ "PICASSO'S STUDIO, 7 RUE GRANDS AUGUSTINS, PARIS". Museo Nacional Centro de Arte Reina Sofía. Retrieved 12 March 2021.
  7. ^ P. Adams (2003). Visionary Film: The American Avant-Garde, 1943–2000 (3rd ed.). Oxford University Press. ISBN 9780195148855. OCLC 47023642.
  8. ^ Darragh O'Donoghue (May 2007). "La belle noiseuse". Senses of Cinema. Retrieved 3 January 2021.

External links[edit]

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