Hors-champ
Hors-champ is a film science term that describes the invisible field (French hors de champ = outside the field) of the world shown (for example a voice from the off ).
In contrast to this, the hors-cadre (French hors de cadre for 'outside the frame / picture') describes the invisible space in which the film is made and presented (for example the film studio).
According to Jörg Türschmann, this distinction is “theoretically and ideologically controversial”.
literature
(This literature list is based on Karl Sierek and Jörg Türschmann.)
- Bonitzer, Pascal: Des hors champs , in ders .: Le regard et la voix , Paris 1976 [1972], pp. 8-24
- Bonitzer, Pascal: Le Champ aveugle , Paris 1982
- Burch, Noël: Nana, or the Two Kinds of Space , in ders .: Theory of film practice , Princeton 1981, pp. 17–31
- Burch, Noël: Praxis du cinéma , Paris 1969
- Seguin, Louis: L'Espace du cinéma (hors-champ, hors-d'œuvre, hors-jeu) , Toulouse 1999
- Sierek, Karl: Filmwissenschaft , in: Günzel, Stephan: Raumwissenschaften , Frankfurt / Main 2009, pp. 125–141
- Türschmann, Jörg: champ / hors-champ , in: Lexicon of Film Terms : Film Lexicon of the University of Kiel
- Heath, Stephen: Narrative Space , in ders. (Ed.): Questions of Cinema , Bloomington 1981 [1976], pp. 19-75 (on Google Books )
credentials
- ↑ Sierek, Karl: "Film Studies", in: Günzel, Stephan: "Space Science", Frankfurt / Main 2009 S. 133rd
- ↑ Sierek, Karl: "Film Studies", ibid.
- ↑ See Türschmann, Jörg ( Filmlexikon der Uni Kiel ): "The extended spatial illusion that is reflected in the term hors-champ is theoretically and ideologically controversial."
- ↑ Sierek, Karl: Filmwissenschaft , pp. 125–141.
- ^ Türschmann, Jörg: champ / hors-champ film lexicon of the University of Kiel