Transmediality
With transmediality is called "Hiking phenomena" of content or forms between different media, for that is in the literature. B. the appearance of the same material or the implementation or the “rubbing off” (J. Eder) of a certain aesthetic or a certain type of discourse from one medium in or onto other media. The acceptance of a specific source medium is not required for this. Examples are myths that are taken from cultural tradition and treated in various media (literature, opera, film) such as the subject of the vampire . Irina O. Rajewski called this phenomenon intermediality. However, the use of the term intermediality today is generally characterized by the fact that the reference to the original media remains recognizable.
Different usage
The development of analog or digital accompanying media (e.g. computer games, action figures) for a book or a film is often referred to as a form of transmedia storytelling , although here, too, an original medium was usually the starting point for the transfer of material.
literature
- Urs Meyer, Urs, Roberto Simanowski, Christoph Zeller (Eds.): Transmedialität. On the aesthetics of paraliterary procedures . Wallstein Verlag, Göttingen: Wallstein 2006.
- Volker Dörr, Tobias Kurwinkel (eds.): Intertextuality, intermediality, transmediality. On the relationship between literature and other media. Wuerzburg 2014.
- Jens Eder: Transmedia Imagination. In: omitting, hinting, filling. The film and the viewer's imagination , ed. J. Hanich and HJ Wulff. Munich 2012, pp. 207–236.
Individual evidence
- ^ Roberto Simanowski: Transmediality as a hallmark of modern art. In: Urs Meyer, Roberto Simanowski, Christoph Zeller (Ed.): Transmedialität. On the aesthetics of paraliterary procedures. Göttingen 2006, pp. 39-81.
- ^ Werner Wolf: Literature and Music: Theory. In: Gabriele Rippl (Ed. :) Handbook of Intermediality. Literature - Image - Sound - Music. De Gruyterm, Berlin 2015, pp. 459–474.
- ↑ Irina O. Rajewski: Intermediality. Stuttgart 2006.