Look and see if there is any pain, BWV 46

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Bach cantata
Look and see if there is any pain
BWV: 46
Occasion: 10th Sunday after Trinity
Year of origin: 1723
Place of origin: Leipzig
Genus: Church cantata
Solo : ATB
Choir: SATB
Instruments : Tr 2Fl 2Oc 2Vl Va Bc
text
Johann Matthäus Meyfart , unknown
List of Bach cantatas

Look and see if there is any pain ( BWV 46) is a church cantata by Johann Sebastian Bach . He wrote it in Leipzig for the 10th Sunday after Trinity and performed it for the first time on August 1, 1723.

Story and words

In his first year in Leipzig, Bach composed the cantata for the 10th Sunday after Trinity, which he began on the first Sunday after Trinity with Die Elenden shall eat . The prescribed readings for the Sunday were as Epistle 1 Corinthians 12.1 to 11  LUT , "Mancherlei gifts, but one Spirit," and as gospel Lk 19.41 to 48  LUT , Jesus preached the destruction of Jerusalem and driving the merchants from the temple . An unknown poet began the text with a quote from the Bible, Klgl 1,12  LUT , composed a sequence of four sentences, alternating recitative and aria , and concluded with the ninth stanza of the song "O great God of Power" by Johann Matthäus Meyfart .

Bach first performed the cantata on August 1, 1723.

Occupation and structure

The cantata is made up of three soloists, alto , tenor and bass , slide trumpet , two recorders , two oboe da caccia , two violins , viola and basso continuo . The instrumentation is extraordinarily rich for an ordinary Sunday.

  1. Coro: Look and see if there is any pain
  2. Recitativo (tenor): So lament, destroyed city of God
  3. Aria (bass): Your weather came from far away
  4. Recitativo (old): But do not imagine yourself, o sinner
  5. Aria (old): But Jesus also wants the punishment
  6. Chorale: O great God of faithfulness

music

The first movement consists of two sections and is a large lament full of symbolism . Bach arranged the first section as Qui tollis peccata mundi des Gloria of his Missa from 1733, which was later included in his B minor Mass . The bass aria dramatically paints the outbreak of a thunderstorm. It is the only movement in which the trumpet, which otherwise amplifies the soprano, appears as a soloist and expresses God's majesty. The altarie is a quartet of the voice, the two recorders and the oboes in unison , without basso continuo. In the final chorale, the four-part movement is enriched line by line with interludes of the recorders. They are reminiscent of the interludes of the entrance choir and thus ensure formal unity.

Recordings

literature

Web links

Individual evidence

  1. Christoph Wolff : On the first cycle of Bach cantatas for the Leipzig liturgy 1723/1724. (pdf, 10.2 MB) 1998, p. 14 , accessed on August 10, 2012 (English).