Hans-Peter Porzner

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Hans-Peter Porzner (born June 1, 1958 in Würzburg ) is a German artist and author .

life and work

Hans-Peter Porzner first attended the Roentgen Gymnasium in Würzburg and then moved to the Friedrich Koenig Gymnasium in Würzburg. From 1979 he studied philosophy, art history and folklore in Würzburg and continued his studies in Munich from 1981 . He studied painting with Hans Baschang at the Academy of Fine Arts in Munich . From 1988 he showed his first exhibitions in Munich on the subjects of art and everyday life , art industry art . In 1991 he founded the imaginary Museum for Modern Art Munich (MfMK Munich). In the first three years he sent various invitation cards for exhibitions in this museum to a place that still does not exist in Munich today. It is the Museumsplatz 5, 81673 Munich. Only the phone number was real. The invitation cards were, so to speak, the exhibitions. In 1994 the art journalist Renate Puvogel came out Hans-Peter Porzner as the author of this whole action. In this context, he organized a large number of real exhibitions between 1994 and 2000 in cooperation with art associations, art halls and museums, advertising series in art magazines from 1995. Exhibitions with painting from 2002.

The Kunstmuseum Ahlen introduced in 2012 in the exhibition Hans-Peter Porzner: Werner Gilles - The Archeology of look the remuneration of the work of Hans-Peter Porzner to Werner Gilles out. The theme of art after 1945 was expanded with another exhibition in the Vonderau Museum in Fulda . It was dedicated to Ferdinand Lammeyer .

He is the organizer and participant in the exhibition " Schach !!" - The Federal Chess League in the museum , Art Museum Mülheim an der Ruhr , March 18 to May 1, 2011. The patronage of the exhibition and the Bundesliga matches is the former Prime Minister of North Rhine-Westphalia , Hannelore Kraft , taken over. The exhibition included works by Marcel Duchamp , Wassily Kandinsky , Willi Baumeister and contemporary artists such as Jårg Geismar , Matthias Bitzer , Gregor Hildebrandt , Hans-Peter Porzner and others. a. to see.

Porzner is the author of Das WikiPlott Dr. Karl-Theodor Frhr. to Guttenberg . He is co-founder of the Komma and Paul Würzburg gallery.

Beginning of the art business 1995 in the Weserburg Museum for Modern Art Bremen

The collector's museum opened the Goya exhibition by Hans-Peter Porzner at the end of 1994 . This was the first real exhibition of the imaginary Museum for Modern Art Munich in collaboration with a museum. The exhibition was curated by Peter Friese .

With his imaginary museum, Porzner drew the art industry's attention to the subject of the art business as art in the sense of a permanent reflection, especially between 1995 and 2000 . This crossed the line between art and philosophy. As a result, there were a number of exhibitions in the Weserburg on the subject of the art world and institutional criticism . In particular, the exhibition Originals curated by the then director of the Weserburg, Thomas Deecke , is real / false. Imitation, copy, quotation, appropriation, forgery in contemporary art (1999). After 2000 the program was expanded to include global art scenes.

The first systematic analysis of the art business and its art is the artistic work Art and Everyday Life (1981–1988) . From this , the artistic project Museum für Moderne Kunst München developed . It is therefore not Musée Sentimental , no contribution of art history , the criticism , the aesthetics according to the question: What are vanguards afford?

The idea of ​​the collector's museum was also linked to individual aspects of art and everyday life (1981–88) in order to avoid the matter of a mere everyday story at the same time .

The term operating system art was introduced by Thomas Wulffen in February 1994 at the Kunstforum International . Andrea Fraser , Isabelle Graw and the exhibition organizer and theorist Helmut Draxler worked on this topic with the same intensity as Hans-Peter Porzner, Peter Friese, Thomas Deecke and Thomas Wulffen .

Helmut Friedel , the long-time director of the Lenbachhaus , responded to Hans-Peter Porzner and his conception of art and everyday life (1981-88) with the exhibition Paradoxien des Everyday .

Presentation to an art audience

On October 23, 1996, Hans-Peter Porzner invited the Munich art public to the rooms of the Karin Sachs Gallery for an exhibition presentation . The public was allowed to paint fifteen empty canvases on display with the oil paints provided. The resulting pictures were ready by the end of the exhibition. Fifteen works were created with the nameless audience as the author.

The imaginary exchange

The exhibition Hans-Peter Porzner - Postage Stamps in the Michael Schultz Gallery in 1997 confronted the art value system with the postage stamp value system. The tensions were resolved; It was agreed to give away the exhibited works with some very expensive stamps. Every week Michael Schultz gave away seven works to the interested public. The exhibition title was changed to Hans-Peter Porzner - The Imaginary Exchange .

Awards and grants

  • 1989: Scholarship from the City of Munich
  • 1995: New Forms of Expression for Fine Arts of the City of Munich

Publications (selection)

Exhibition catalogs

  • Diamonds in the millstone gear . Exhibition catalog of the Mosel and Chekhov Gallery in Munich. Munich 1988, ISBN 3-925987-04-5
  • KUNST UND EVERYDAY 1988/2001, an interpretation of the sentence "It is art and everyday life" according to the specification of "Art and everyday life 1" with regard to a first language for a "metaphysics of phenomenology" as a "first science" . Exhibition catalog of the Mosel and Chekhov Gallery in Munich. Munich 2001, ISBN 3-925987-23-1
  • The Hans Baschang archive. In the Heilbronn Art Association. General considerations on the question of style in the art of the 90s. About painting from 1990–2010. Three complementary positions. Hans Baschang, Katja Klussmann, Them Pericore. The gesture image. The logical-passive . Three-part. Part II: Katja Klussmann, Them Pericore, Hans-Peter Porzner , Part III: Image and Function . Munich, Sonthofen 1999–2001, ISBN 3-00-008505-X
  • The archeology of the gaze: Werner Gilles . Mülheim an der Ruhr art museum. Bönen 2013, ISBN 978-3-86206-246-1
  • Ferdinand Lammeyer, The transformation of color. Or: Ferdinand Lammeyer, KO Götz, Joseph Beuys, The birth of Mickey Mouse in the fir trees from 1943 to today . Exhibition catalog Vonderau Museum Fulda. Bönen 2014, ISBN 978-3-86206-336-9
  • with Claus-Martin Eichhorn: BLUE PRINT Vol. 1. WHITE CUBE VS. BLACK CUBE . Exhibition catalog of the Komma and Paul Würzburg gallery , Würzburg 2015, ISBN 978-3-00-049181-8
  • with Claus-Martin Eichhorn: BLUE PRINT Vol. 2. Abrasions . Exhibition catalog from Galerie Komma and Paul Würzburg. Würzburg 2015, ISBN 978-3-00-049978-4

Monographs

Exhibitions from 1995 to 2000 (selection)

Web links

Individual evidence

  1. ^ Roland Röhrich, Winfried Stadtmüller: Annual report 1971/72. Röntgen-Gymnasium Würzburg, Würzburg 1972, p. 18 ( class 7b ).
  2. ^ Annual report 1975/76. Friedrich-Koenig-Gymnasium Würzburg, Würzburg 1976, p. 43.
  3. ↑ Biography of Hans-Peter Porzner ( Memento of the original from March 12, 2010 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. on the website of the Hamburger Kunsthalle , ARBEITEN IM MUSEUM grants 60 current projects in the Hamburger Kunsthalle , accessed on January 21, 2016 @1@ 2Template: Webachiv / IABot / www.raeumen.org
  4. ^ Article Museum im Kulturspeicher , Heimspiel II , accessed on January 21, 2016
  5. ↑ Thomas Wulffen : The art of announcement - Hans-Peter Porzner and his art. In: Artist - Das Kunstmagazin, Issue 85, entry on the website of the art magazine, accessed on January 24, 2016
  6. ↑ Renate Puvogel: "Hans-Peter Porzner". In: Artis - Zeitschrift für Neue Kunst, Volume 45, December 1993 January 1994, pp. 36–39. Karlheinz Schmid , the publisher of the art newspaper and the industry newsletter, Informationsdienst Kunst, wrote in No. 62 on page 12: “A couple of colleagues keep coming to your attention because they speak an extremely clear language that is dedicated to conveying often difficult content. Renate Puvogel, who often writes in ARTIS, is one of these favorite authors: In the December issue of the Swiss magazine she reports on Hans-Peter Porzner, who is very popular in this country (see Info-Dienst Kunst No. 61, p. 8) . It's great how she works out that the art business he criticizes subtly tries to co-opt its adversary. "
  7. ↑ Hans-Peter Porzner , entries on the culture portal culture database , accessed on January 21, 2016
  8. ↑ Hans-Peter Porzner, biography 1970/71 to today , entries on blogspot.de, accessed on January 23, 2016
  9. ^ Anne Baumann: What happened after the Second World War? Art by Hans-Peter Porzner in the Vonderau Museum Fulda , article on the online portal of Osthessen | News, photos: Anne Baumann, March 13, 2014, accessed on January 16, 2016
  10. ↑ Harry Schaack: IMPRESSIONS FROM MÜLHEIM Conceptual backbone and source of ideas for the exhibition: The artist Hans-Peter Porzner , website of the chess newspaper Karl 1/2011 (see: Karl (chess magazine) ), accessed on January 21, 2016
  11. ↑ Tim Walther: Hannelore Kraft visits the chess exhibition in the Alte Post Museum in Mülheim , report on the online portal of the Westdeutsche Allgemeine Zeitung (WAZ), Culture, March 20, 2011, accessed on January 21, 2016
  12. ↑ Katharina Pfeifle: Exhibition "Schach !!" in Mülheim - chess board as a stage for the struggle for life MÜLHEIM. Whether the movement of bodies in space or the contrast between black and white - the game of chess and art can be combined well. An exhibition in Mülheim shows particularly successful attempts , article on the Ruhr Nachrichten online portal, created: April 5, 2011, updated: May 1, 2011, accessed on January 22, 2016
  13. ↑ Then a doctor after all ( memento of the original from May 11, 2012 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , Article submitted by archive primaSonntag from Würzburg City on November 7, 2011, accessed on January 21, 2016 @1@ 2Template: Webachiv / IABot / www.primaso.de
  14. ↑ Gallery website, legal notice , accessed on April 30, 2018
  15. ↑ Goya exhibition . November 25, 1995 - January 29, 1996. Entry on the kunstaspekte.de website, accessed on April 5, 2016
  16. ↑ November 25 - January 29, 1995 GOYA. An exhibition by the Museum of Modern Art Munich (Hans-Peter Porzner, Director), curated by Peter Friese. Entry on Thomas Deecke's website, accessed April 5, 2016
  17. ↑ Goya exhibition . 1995. Museum of Modern Art, Munich. Entry on the kunstaspekte.de website, accessed on April 5, 2016
  18. ^ Porzner - Exhibitions until 1997. Osthaus Museum Hagen, (see material before the museum was renamed in 2009: Michael Fehr, KEOM 0.2 ), accessed on April 5, 2016
  19. ^ Gunther Wenz: Institutionalized permanent reflection, three reading recommendations PDF, accessed on April 7, 2016
  20. ^ Thomas Wulffen: Hans-Peter Porzner - Museum? Museum! . ( Memento of the original from April 7, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. In: Kunstforum International , Volume 202, 2010. Title: Fiktion der Kunst, accessed on April 5, 2016 @1@ 2Template: Webachiv / IABot / www.kunstforum.de
  21. ↑ Hans-Peter Porzner: KUNST UND ALLTAG 1988/2001. An interpretation of the sentence “It is art and everyday life” according to the specification of “Art and everyday life 1” with regard to a first language for a “metaphysics of phenomenology” as a “first science”. With a text by Hans-Peter Porzner. Exhibition cat. of the Mosel and Chekhov Gallery in Munich. Munich 2001, ISBN 3-925987-23-1 . Entry on: Archive book list of the Galerie Mosel und Chekhov Munich , accessed on April 5, 2016
  22. ↑ Isabelle Graw: Beyond the Critique of Institutions. A lecture at the Los Angeles County Museum of Art. In: Texts on Art. Issue No. 59 / September 2005. “Institutional Criticism.” Entry on the website of the art magazine Texte zur Kunst, accessed on April 5, 2016
  23. ↑ Originals real / false. Imitation, copy, quotation, appropriation, forgery in contemporary art. Curator Thomas Deecke. Exhibition catalog with texts by: Mike Bidlo, Ernst Caramelle, Thomas Deecke, Peter Niemann, Sturtevant, Emmet Williams. August 25 - October 24, 1999. Entry on the website of the Weserburg Museum of Modern Art, accessed on April 5, 2016
  24. ^ Klaus von Beyme: Cultural Policy and National Identity. Footnote 69. Thomas Deecke: Against the entertainment business. Where is the foresight of cultural policy? In: FAZ, November 8, 1995, p. 37, accessed on April 5, 2016
  25. ^ Exhibitions at the Weserburg Museum of Modern Art until 2016. On the kunstaspekte.de website, accessed on April 5, 2016
  26. ↑ Uwe Dammann: Exhibition “Existential Imagery” with a living exhibit. Selling the back for art. This work of art is alive, it goes through the museum, can - if necessary - take a shower or even shiver if the temperatures should drop again. The tattoo "TIM" that Wim Delvoye scratched on Tim Steiner's back. It belongs to the current exhibition "Existential Imagery" of the Reinking Collection, which can be seen until February 1, 2015 in the Weserburg - Museum of Modern Art. Contribution to the Weser-Kurier's online portal. May 23, 2014, accessed April 5, 2016
  27. ↑ Hans-Peter Porzner: diamonds in the millstone gear . With texts by Christoph Blase and Hans-Peter Porzner. Exhibition cat. of the Mosel and Chekhov Gallery in Munich. Munich 1988, ISBN 3-925987-04-5 . Entry on: Archive book list of the Galerie Mosel und Chekhov Munich, accessed on April 5, 2016
  28. ↑ See: Helmut Mayer: Walter Grasskamp on André Malraux. A museum made entirely of paper. A man of art, politics and marketing: Walter Grasskamp shows how André Malraux created his large picture theater on book pages. On the FAZ online portal. May 14, 2014, accessed April 8, 2016
  29. ↑ See also: Marcel Duchamp Museum in a Box, accessed on April 8, 2016
  30. ↑ Bernhard Lypp: Aesthetic absolutism and political reason - to conflict of reflection and morality in German idealism. Suhrkamp Verlag, 1972, ISBN 978-3-11-028826-1 . Quoted in: Klaus Garber: Ways to Modernity. Historiographical, literary and philosophical studies from the area of ​​the old European Arcadia utopia. Edited by: Stefan Anders and Axel E. Walter. Entry on the Google Books portal . Retrieved March 8, 2016
  31. ↑ See also: Museum Moderner Kunst, Adler department. Marcel Broodthaers: The First Artist Curator (1968–1972), accessed on April 8, 2016
  32. ^ Bazon Brock : Aesthetics as Mediation. Published by: Karla Fohrbeck. Published January 1, 1977. Entry on Bazon Brock ON-DUTY THINKER website, accessed April 8, 2016
  33. ↑ Beate Reese : Hans-Peter Porzner: Art and everyday life. In: Beate Reese: The municipal collection in the museum in the Kulturspeicher Würzburg. Artist, subject and story (s). Short guide. Issue 109, Baunach 2009, p. 136 f. ISBN 978-3-88778-336-5 “Individual works from this cycle and new pictures by Hans-Peter Porzner that have been created since 1998 were presented by the museum in the Kulturspeicher for the first time in 2008/09 as part of the exhibition 'Heimspiel II - the collection new see ', which showed works from the municipal collection in new compositions. ”Retrieved on April 19, 2016
  34. ↑ Cf. on this: Jochen Schimang: Roland Barthes: Mythen des Alltags. One only has to know how to decipher platitudes correctly. Ideology criticism with Flaubert: The "Myths of Everyday Life" by Roland Barthes are now available for the first time in a complete German version. Report on the online portal of the Frankfurter Allgemeine Zeitung, features section. September 24, 2010, accessed April 19, 2016
  35. ↑ Thomas Wulffen (Ed.): Kunstforum International, Volume 125, January-February 1994: Operating System Art - A Retrospective . See also Thomas Wulffen: Role Change - Collected Texts , LIT-Verlag, Münster 2004, 214 pages, ISBN 3-8258-6520-7 , chapter "Operation".
  36. ↑ Thomas Wulffen: Artist essay by Thomas Wulffen. The art of announcement - Hans-Peter Porzner and his art . “... What you design and use was also referred to as the art operating system. The author of these lines coined the term. ... ". In: artist art magazine. Issue No. 85 November 2010 - January 2011. P. 48 f. Essay (excerpt) from the website of the art magazine artist, accessed April 5, 2016
  37. ↑ Helmut Draxler, head of department. Teaching Art Theory, Art Theory Department. On the website of the University of Applied Arts Vienna, accessed on March 7, 2016
  38. ↑ Manuela Pietraß: The situation cover. The fear of being hit by a radical other. Würzburg 1995. Chapter 2.1.2.3., Footnote 4 “Paradoxes of everyday life, Städtische Galerie im Lenbachhaus, February March 1991”. Entry on books. google.de., accessed on April 26, 2016
  39. ^ Porzner - exhibitions until 1997. ‚Hans-Peter Porzner. Art and everyday life VI. In collaboration with Edgar Zwigart, Munich 1991 '. Osthaus Museum Hagen, (see material before the museum was renamed in 2009: Michael Fehr, KEOM 0.2), accessed on April 26, 2016
  40. ^ Website of the Karin Sachs Gallery. Accessed November 30, 2019.
  41. ↑ Cornelia Gockel: Hans-Peter Porzner - paint and canvas. In: Süddeutsche Zeitung, Critique, November 5, 1996. “Paint spills from the pictures onto the white-painted gallery wall. Without a doubt, someone waved a brush here just a short time ago. But it is not the artist himself who wanted to put the finishing touches on his work here, but the audience. ... "
  42. ↑ exhibition. The imaginary exchange. In: Ticket Tips No. 15 884 / Tuesday, February 4, 1997;
    Corinna Weidner: Porzner. Mona Lisa 1952 as a postage stamp, on display at Michael Schultz. In: Prince art test. The best exhibitions of the month, February 1997;
    Tribute to Andy Warhol. Galerie Michael Schultz shows postage stamp objects by Hans-Peter Porzner. Ironic allusion: The Mona Lisa collection (excerpt) is reminiscent of Warhol's multiple “Marilyn”. In: Die Welt, Monday, February 10, 1997.
  43. ↑ Scholarship from the City of Munich
  44. ↑ Sponsorship award for new forms of expression in the fine arts of the City of Munich
  45. ↑ Grant list of artists to the exhibition. ( Memento of the original from April 13, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Website of the Hamburger Kunsthalle, accessed on April 7, 2016 @1@ 2Template: Webachiv / IABot / www.raeumen.org
  46. ^ The Art Blog in the Making. All entries with images of the invitation cards on Hans-Peter Porzner's website, accessed on April 5, 2016
personal data
SURNAME Porzner, Hans-Peter
BRIEF DESCRIPTION German artist and author
DATE OF BIRTH June 1, 1958
PLACE OF BIRTH Wurzburg