Beate Reese

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Beate Reese (born August 7, 1960 in Lemgo ) is a German museum director, art historian and curator .

biography

Beate Reese studied art history , modern history and sociology at the Ruhr University in Bochum with Max Imdahl , Werner Busch and Reinhart Schleier , where she also submitted her doctorate on melancholy in painting of the New Objectivity . She began her museum work as a volunteer at the Osthaus Museum in Hagen . In 1993 she curated her first major exhibition with Eva Niestrath, the great lady of the Hagen art scene. She was involved in the open box project (1990/1998) by Michael Fehr, then director of the Osthaus Museum, with two contributions.

In 1995 she became deputy director and curator of the municipal gallery in Würzburg . On the occasion of Albert Renger-Patzsch's 100th birthday in 1997, she presented the early photographs of the famous Würzburg native with a solo exhibition. In 1999 she organized the first solo exhibition with the artist and photographer Valentin Schwab in the Städtische Galerie. Reese took an early interest in art and its importance for urban development . Together with the director of the municipal gallery, Marlene Lauter, and the city planner Christian Baumgart, a redesign of the gallery was worked out. In 2002 the municipal collection was able to move to the museum in the Kulturspeicher .

Reese looked after the museum's collection. In 2002 she curated a solo exhibition with Marie-Jo Lafontaine entitled Video Sculpture and Photography . Classical modernism , such as Emy Roeder , also belonged to her exhibition field . In addition, Beate Reese had to deal with the extremely problematic aspect of the entanglement of the house's collection history with the art of National Socialism . She prepared the exhibition Tradition and Propaganda (2013) with her exhibition and the exhibition catalog Tradition und Aufbruch (2003) and subsequently through other exhibitions . The activities of the Kulturspeicher were awarded the Bavarian Museum Prize of the Bavarian Insurance Chamber in 2005.

In 2009 Reese took over the management of the Mülheim an der Ruhr Art Museum . Reese continues the exhibition theme with art of the 20th century, contemporary art and the management of two collections in Würzburg to this day in Mülheim. She began to work specifically with the house's collections. Exhibitions with Pablo Picasso , Otto Pankok , Werner Gilles etc. In Mülheim she was able to expand her exhibition policy through the large collection of the museum: New Objectivity , Lost Generation , Art after 1945 , Art from 1950 to 1960 , the confrontation of the old with the new , the individual - and group exhibitions with contemporary art from Mülheim were among her subjects.

The Hunting for Modern Art exhibitions . Forbidden Arts in the Third Reich (2012) and Liberated Modernism. Art in Germany 1945–1949 (2015/2016) show how Beate Reese seeks to give expression to the concept of modernism with her exhibition planning.

The comic artist Hendrik Dorgathen, who was born in Mülheim an der Ruhr in 1957, and the Mülheim photographer Heiner Schmitz were each given a solo exhibition. This group of solo exhibitions includes, for example, those by Knut Wolfgang Maron and Matthias Meyer .

On the occasion of the 100th anniversary of August Macke's death in 2014, the Ziegler Collection Foundation , which is housed in the Art Museum, dedicated a special exhibition to the Rhenish Expressionist in the museum. The exhibition was not surprising with 30,000 visitors in two months. Right from the start, Reese placed the modern in a broad spectrum of possible reception. Since taking over, Reese has reported growing visitor numbers every year. The 25,000 visitors annually are an expression of their policy and a recognition expressed in numbers. It made projects like Young Art Experts possible .

Ferdinand Ullrich , director of the Kunsthalle Recklinghausen , and Beate Reese have been spokespersons for the RuhrKunstMuseen since March 2015 . The Mülheim an der Ruhr Art Museum in the Alte Post was one of eight locations in China 8 in 2015 .

Fonts (selection)

  • Melancholy in painting of the New Objectivity. European university publications. Series XXVIII Art History. Bd./Vol 321. Frankfurt am Main 1998, ISBN 3-631-32078-7 .
  • Albert Renger-Patzsch. Early photographs. For the 100th birthday. Catalog and book for the exhibition in the Städtische Galerie Würzburg. The birthplace of Albert Renger-Patzsch. Published by the Städtische Galerie Würzburg / Marlene Lauter and the Albert Renger-Patzsch Archive. Edition of the Albert Renger-Patzsch Archive, Zülpich 1997. Conception of exhibition and catalog: Beate Reese. With texts by: Beate Reese, Ann and Jürgen Wilde. Würzburg 1997, ISBN 3-928155-35-0 , ISBN 3-00-001703-8 .
  • Valentin Schwab LebensRäume. Documentary photography. Edited by Marlene Lauter with a contribution by: Beate Reese, Städtische Galerie Würzburg. November 20, 1999 - January 30, 2000, ISBN 3-928155-42-3 .
  • Concrete art in Europe after 1945. Collection Peter C. Ruppert Museum in the Kulturspeicher. Edited by Marlene Lauter and with the collaboration of Beate Reese, Städtische Galerie Würzburg. With contributions by: Marlene Lauter, Beate Reese, Dietmar Guderian, Serge Lemoine, Hella Nocke-Schrepper, Margit Weinberg Staber. Published by Hatje Cantz, D-Ostfildern-Ruit. Würzburg 2002, ISBN 3-7757-1191-0 .
  • Marie-Jo Lafontaine. The Swing, Liquid Cristals, Children of the Ruhr, Moving Cities. Short exhibition guide. December 7, 2002 - February 23, 2003. Würzburg 2002.
  • Tradition and departure. Würzburg and the art of the 1920s. Conception of the exhibition and catalog: Bettina Keß, Beate Reese. With a foreword by: Marlene Lauter. With texts by: Bettina Keß, Beate Reese, Suse Schmuck. Museum in the Kulturspeicher Würzburg. Königshausen & Neumann. Exhibition cat. November 15, 2003 - January 11, 2004, ISBN 3-8260-2763-9 (publisher) ISBN 3-928155-47-4 (museum)
  • Emy Roeder. In search of expression and form. Emy Roeder (1890–1971) and the sculptures of their time. Published by Beate Reese, Museum im Kulturspeicher Würzburg. With further contributions by: Anja Cherdron-Modig, Ruth Eckert and Marlene Lauter. Exhibition cat. 2004-2005. Würzburg 2005, ISBN 3-928155-48-2 .
  • On the position and significance of photography in concrete art. http://www.wuerzburg.de/media/www.wuerzburg.de/org/med_19023/200371_beate_reese_konkrete_fotografie.pdf Retrieved on February 29, 2016
  • Love. Love - couples. Published by Beate Reese, Museum im Kulturspeicher Würzburg. With contributions by: Daniela Comani, Sabine Dehnel, Thomas Heyden, Verena Kuni, Brigitte Reinhardt, Burkhardt Richter, Margret Schütte, Barbara Sichtermann, Barbara Stempel, Botho Strauss and Ute Vorkoeper. Exhibition catalog: Museum im Kulturspeicher Würzburg October 20, 2007 to February 3, 2008; Gustav-Lübcke-Museum Hamm February 24, 2008 to June 1, 2008; Ulmer Museum, Ulm September 5, 2008 to November 23, 2008. (Kerber Christov Verlag) ISBN 3-86678-078-8 , ISBN 978-3-86678-078-1 .
  • The municipal collection in the museum in the Kulturspeicher. Artist, subject and story (s). Short guide. Würzburg 2009, ISBN 978-3-88778-336-5 .
  • Concrete art in Europe after 1945. The Peter C. Ruppert Collection. Edited by Marlene Lauter, Museum im Kulturspeicher Würzburg. Short guide. With a contribution to concrete photography by: Beate Reese. Würzburg 2009, ISBN 978-3-88778-332-7 .
  • Dreaming and seeing - Werner Gilles. 1894-1961. Published by Beate Reese, Art Museum Mülheim an der Ruhr. With texts by: Anja Bauer, Beate Reese, Guido Reuter. Exhibition cat. October 9, 2011 to January 8, 2012. Wienand Verlag. Cologne 2011, ISBN 978-3-86832-071-8 .
  • Hans-Peter Porzner. The archeology of the gaze: Werner Gilles . Edited and with a foreword by Burkhard Leismann, Kunstmuseum Ahlen. With an introductory text by Beate Reese, Art Museum Mülheim an der Ruhr. Bönen 2013, ISBN 978-3-86206-246-1 .
  • Liberated modernity. Art in Germany. 1945 to 1949. Published by Beate Reese, Art Museum Mülheim an der Ruhr. With contributions from: Beate Reese, Dirk Steinmann, Barbara Wucherer. Exhibition cat. Art Museum Mülheim an der Ruhr from September 27, 2015 to January 10, 2016; Municipal Museum Hofheim am Taunus from February 14, 2016 to May 8, 2016. Deutscher Kunstverlag, ISBN 978-3-422-07317-3 , ISBN 978-3-86678-078-1 .

Web links

Individual evidence

  1. ^ Artists of the Hagenring . Retrieved March 2, 2016.
  2. ↑ Eva Niestrath. Works , accessed March 1, 2016.
  3. ↑ http://aesthetischepraxis.de/Moderne%20Art/ Michael Fehr, Open box - Artistic and scientific contributions to expand the concept of a museum. Cologne 1998. Retrieved March 1, 2016.
  4. ↑ In 2009 Beate Reese took over the management of the Mülheim an der Ruhr Art Museum in the Alte Post. Archive entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved February 29, 2016.
  5. ↑ Issue 64/1997. Christian Baumgart: Perspectives for Würzburg Urban Development. Retrieved March 1, 2016.
  6. ↑ Issue 80/2006. Beate Reese: Art as a factor in urban development. Using the example of the museum in the Kulturspeicher. , accessed March 1, 2016.
  7. ^ Exhibitions in the museum in the Kulturspeicher, 2002 . ( Memento of the original from March 4, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved March 2, 2016.  @1@ 2Template: Webachiv / IABot / www.kulturspeicher.de
  8. ↑ Tradition and Propaganda. An inventory. ( Memento of the original from March 5, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Article on the website of the museum in the Kulturspeicher. Retrieved March 3, 2016.  @1@ 2Template: Webachiv / IABot / www.kulturspeicher.de
  9. ↑ Tradition and Propaganda. an inventory. Art from the time of National Socialism in the Würzburg Municipal Collection. An exhibition as part of the project "Dialogue Culture of Remembrance" of the city of Würzburg. Exhibition cat. in the museum in the Kulturspeicher Würzburg. With contributions by: Marlene Lauter, Bettina Keß, Christoph Zusatz, Christmut Präger, Matthias Stickler, Henrike Holsing, Sabine Brantl, Georg Rosenthal, Muchtar Al Ghusain. February 28 - May 12, 2013. Entry on the online portal of the German Digital Library. Culture and knowledge online. Institution of the German National Library. Retrieved March 3, 2016.
  10. ^ Bavarian Museum Prize of the Insurance Chamber Culture Foundation. ( Memento of the original from March 4, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved March 2, 2016.  @1@ 2Template: Webachiv / IABot / www.versicherungskammer-kulturstiftung.de
  11. ↑ Achim Schollenberger: At the ceremony there long ... The Würzburg culture store was 5. In: number 24. Journal for culture in Würzburg and Oberwaldbehrungen. Retrieved February 29, 2016.
  12. ↑ In 2009 Beate Reese took over the management of the Mülheim an der Ruhr Art Museum in the Alte Post. Archive entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved February 29, 2016.
  13. ↑ The new boss at the art museum comes from Würzburg, Dr. Beate Reese wants to move the Alte Post forward. Contribution to the Waz online portal. February 9, 2009. Retrieved March 1, 2016.
  14. ↑ http://www.rheinischemuseen.de/ausstellung/5072738 Masterpieces of printmaking: Pablo Picasso - The Suite Vollard. March 15, 2015 - June 28, 2015. On the Rheinische Museen - exhibition calendar website . Retrieved March 1, 2016.
  15. ↑ Historical personalities: Otto Pankok (1893–1966). Entry on the website of the city of Mülheim an der Ruhr. Retrieved March 1, 2016.
  16. ^ The art museum in the Alte Post. On the website of the city of Mülheim an der Ruhr. Retrieved March 1, 2016.
  17. ↑ Hunt for the modern. Forbidden arts in the Third Reich. March 18 - May 28. 2012. Entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved March 3, 2016.
  18. ↑ Liberated Modernity. Art in Germany 1945–1949. September 27, 2015 - January 10, 2016. Entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved March 3, 2016.
  19. ↑ Art. Hunt for the modern. Article on the WAZ online portal. March 12, 2012. Retrieved March 3, 2016.
  20. ↑ Liberated Modernity. Article on the WAZ online portal. October 13, 2015. Retrieved March 3, 2016.
  21. ^ Hendrik Dorgathen - Serious Pop. Comics, drawings, animations. August 26 - October 21, 2012. Extended until October 28, 2012. Entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved March 3, 2016.
  22. ↑ Typically Dorgathen. Contribution to the Waz online portal. July 27, 2012. Retrieved March 3, 2016.
  23. ↑ Heiner Schmitz - Human Images. 1962 to 2011. June 15, 2012 - August 5, 2012. Entry on the website of the art magazine Monopol. Journal of Art and Life . Retrieved March 1, 2016.
  24. ↑ Knut Wolfgang Maron - One Life. Photography. November 18, 2012 to January 13, 2013. Entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved March 3, 2016.
  25. ↑ ZIEGLER COLLECTION FOUNDATION In the Mülheim an der Ruhr art museum . Foundation website. Retrieved February 29, 2016.
  26. ↑ August Macke Longing for Paradise Lost. Entry on the website of web museums. Retrieved February 29, 2016.
  27. ^ August Macke exhibition breaks all records in the Mülheim art museum. Article on the WAZ online portal. April 17, 2014. Retrieved February 29, 2016.
  28. ^ Statement by the administration: ... Article on the website of the city of Mülheim an der Ruhr. Retrieved March 3, 2016.
  29. ↑ Culture portal. Cultural business. Article on the website of the city of Mülheim an der Ruhr. Retrieved February 29, 2016.
  30. ↑ Young Art Experts. Entry on the website of the Mülheim an der Ruhr Art Museum. Retrieved March 2, 2016.
  31. ^ A strong network for the Ruhr Art Museums. Contribution to the Ruhr Art Museums website . Retrieved March 3, 2016.
  32. ↑ China 8 - Contemporary Art from China on the Rhine & Ruhr. May 15 - September 1, 2015. ( Memento of the original from March 5, 2016 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. On the website of China 8 . Retrieved March 3, 2016.  @1@ 2Template: Webachiv / IABot / china8.de
personal data
SURNAME Reese, Beate
BRIEF DESCRIPTION German museum director, art historian and curator
DATE OF BIRTH August 7, 1960
PLACE OF BIRTH Lemgo (Germany)