Master of the Munich Cathedral Crucifixion

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"Munich Cathedral Crucifixion", altarpiece of the cross altar of the Marienkapelle

The medieval painter who painted a crucifixion scene for an altar in the Munich Marienkapelle , the predecessor of today's Frauenkirche , is known as the master of the Munich cathedral crucifixion .

The artist, who is not known by name, painted this picture, known as the Munich Cathedral Crucifixion , as the middle picture of a winged altar. It is now in the Chapel of the Sacrifice of the Virgin Mary in the Frauenkirche, the side wing in the Kunsthalle Zürich . In 1960, Alfred Stange gave this name to a group of artists made up of two members in his work German Painting of the Gothic , one of whom he also referred to as the “master of the [Munich] Marientafeln”.

It has been suggested that the master of the Munich cathedral crucifixion is identical to the Munich city painter Gabriel Angler ; however, this remained controversial.

literature

  • Master of the Munich Cathedral Crucifixion . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 37 : Master with emergency names and monogramists . EA Seemann, Leipzig 1950, p. 238 .
  • Alfred Stange: 3. The master of the Munich cathedral crucifixion . In: German Gothic Painting . Deutscher Kunstverlag, Munich 1960, p. 57 ff .
  • Volker Liedke: The Munich panel painting and the art of carving of the late Gothic. Volume 2. Weber, Munich 1983, p. 91 ff.
  • Bavaria 4. Munich and Upper Bavaria. Handbook of German Art Monuments. ( Dehio manual ). 3rd, updated edition. Munich / Berlin 2006, p. 722.

Individual evidence

  1. ^ Charles Talbot: Central Europe - Fifteenth and Sixteenth Centuries . In: The Metropohtan Museum of Art (Ed.): The Robert Lehman Collection . tape 2 . New York 1989, pp. 30 and 34 , note 7 (English, Textarchiv - Internet Archive ).
  2. Hermann Beenken : Gabriel Angler - The Master of the Munich Cathedral Crucifixion. In: Art and the beautiful home. Volume 49, 1951, pp. 121-126.