Pipilotti Rist

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Pipilotti Rist at the Fundació Joan Miró , Barcelona (2009).

Elisabeth Charlotte "Pipilotti" Rist (born June 21, 1962 in Grabs , resident in Altstätten ) is a Swiss artist . In addition to video installations and experimental films, her work also includes environments , objects , computer art and digital photo montages .

Life

She has been nicknamed "Pipilotti", which is also her stage name today, since she was a child, after the popular children's book character Pippi Longstocking .

From 1982 to 1986, Rist studied utility, illustration and photography at the University of Applied Arts in Vienna . From 1986 to 1988 she studied audiovisual communication (video) at the Schule für Gestaltung in Basel , according to her own statements mainly to have access to professional video technology . She then worked as a freelance computer graphic artist for industrial video studios.

From 1988 to 1994 Pipilotti Rist was a member of the music band and performance group Les Reines Prochaines , with which she also released several records.

In 1997, she was the second time at the Biennale in Venice represented where he was awarded the Premio 2000th In the same year she was appointed artistic director of the Swiss national exhibition Expo.01 (realized as Expo.02 ), but resigned 14 months after the appointment.

In 2002 she taught at the invitation of artist and professor Paul McCarthy for a year at the University of California, Los Angeles .

Pipilotti Rist has a son with her partner (* 2002). His first name "Himalaya" appears in Himalaya's Sister's Living Room (2000), Himalaya Goldstein's Stube (1999) and as a book title (1998).

From 2005 to 2009 Pipilotti Rist worked on her first feature film, Pepperminta . Rist has received several awards, including the Premio 2000 of the Venice Biennale (1997), the Wolfgang Hahn Prize (1999) and the 01 award (2004) for extraordinary artistic or scientific achievements in the multimedia field. This includes the appointment as honorary professor at the Berlin University of the Arts .

Rist lives and works in Zurich .

technology

Rist began making Super 8 films while still a student . Her films are mostly only a few minutes long and have been altered in color by means of technical effects, changed in the speeds and underlaid with music. Some of the alienation effects specifically used by Rist are presented as examples in the Compendium of Image Disturbances in Analog Video (2013). In her art, Rist deals, among other things, with sexuality , gender differences and the body image of people, especially women.

In contrast to many other conceptual artists , their works are characterized by their joy in optical , acoustic and haptic sensuality , cheerful, intense colourfulness and apparent naivety . Rist received early attention from feminist art criticism in particular . Her work is now represented in the most important contemporary art collections around the world.

Works

I'm Not The Girl Who Misses Much ( I'm not the girl that much missed , 1986) shows Rist as round dances and in a black dress that exposes her breasts, and with red lips on camera -hampelt. Most of the time, the images are monochrome and very blurred; the picture is additionally disturbed by slowing down, accelerating and dissolving effects. Rist sings the line “I'm not the girl who misses much” repetitively to himself, a variation of the first line of the Beatles song Happiness Is a Warm Gun . Towards the end of the five-minute clip, the picture changes to a blue tint and the original sound of the song is faded in. A collage of extremely distorted and choppy video snippets forms the end.

She became internationally known with Pickelporno (1992), which revolves around the topic of the female body and sexual arousal. The fisheye camera moves very close to the bodies of a naked couple. The images are immersed in intense colors, so that the body shapes appear strange, sensual and ambiguous in the viewer's visual experience. For Rist, the film was an attempt to experiment with feminine pornography .

Ever is Over All ( Always is everywhere / Always is over , 1997) shows a young woman breaking the windows of parked cars with a torch lily in slow motion . A policewoman approaches her and passes by with a friendly greeting. The video installation was acquired by the Museum of Modern Art New York , among others .

From 6 April to 20 May 2000, the 16-minute videos were Open My Glade ((2000) my clearing Open ) once per hour on a giant screen at Times Square , New York shown; the installation took place as part of the Messages to the Public program , which has existed since 1980. The video shows Rist pressing her face and hands against a pane of glass as if she were trapped in this screen.

The multimedia installation Himalaya's Sister's Living Room ( The Living Room of Himalaya's Sister , 2000) also caused a sensation - a room in which, in addition to several video projections, a large collection of nostalgic furniture, utensils and jewelry and kitsch objects from the 50s, 60s and 1970s is arranged include: lamps, carpets, plastic flowers, minerals, stacks of magazines and books. In between there are additional projection surfaces on which repetitive clips run. The work resembles an everyday archaeological collection of popular culture from past decades, which is not, however, well-organized as a museum, but rather appears chaotic and overloaded.

City lounge in St.Gallen covered with a red plastic layer
Car covered with a red plastic layer

In St. Gallen, together with the architect Carlos Martinez and on behalf of the Raiffeisen Bank , she designed the space between their buildings as a city ​​lounge covered with a red plastic layer (opened in spring 2005).

The Letzigraben open-air swimming pool in Zurich, built by Max Frisch between 1947 and 1949, was completely renovated in 2005–2007. On the occasion of its reopening on June 18, 2007 after dark on the illuminated diving platform of the outdoor pool, the video installation Electronic Homage to Letzis and Brios took place. The floor of the diving pool served as a projection surface, the image was wavy due to the moving water surface.

In 2009, filmmaker Michael Hegglin made The Color of Your Socks - A Year with Pipilotti Rist , a 53-minute documentary with and about Pipilotti Rist, produced by Catpics Coproductions ( Zurich ) and Amour Fou Filmproduktion ( Vienna ). The film shows the artist at work in her studio in Zurich, at the Museum of Modern Art in New York, at the Venice Biennale , at Art Basel and while shooting her first feature film Pepperminta .

Rist on her interdisciplinary work with the medium of video: "Video is like a compact handbag, it contains everything from literature to painting to music."

Audio and video installations

  • Pixelwald, video installation at the Kunsthaus Zürich , 2016
  • We rooted (soul colors), video installation in Kafi Züri, Zurich, 2015
  • Enlight My Space ‹Illuminate (and clear) my space›, video installation, 2008
  • The Blue Fairy in the Valley, video installation, 2007
  • The yellow fairy in the avenue ‹The Yellow Fairy in the Avenue›, video installation, 2007
  • Ginas Mobile ‹Gina's Mobile›, video installation, 2007
  • Tyngdkraft, var min vän ‹Gravity, be my friend› ‹Gravity Be My Friend›, audio / video installation, 2007
  • A la belle étoile ‹Under The Sky›, audio / video installation, 2007
  • Your space capsule ‹Your Space-Capsule›, audio / video installation, 2006
  • Celle for two, audio / video installation by Gutararist aka Gudrun Gut & Pipilotti Rist, 2006
  • Despierta ‹Wach auf›, audio / video installation, 2001/2005
  • A Liberty Statue for Löndön ‹A Liberty Statue for Löndön›, audio / video installation, 2005
  • Daggrystimer i naboens hus ‹Dawn Hours in Neighbor's House›, audio video and light installation, 2005
  • Homo Sapiens Sapiens, audio / video installation in San Stae church Venice, 2005
  • You renew yourself (in Japanese) ‹You Renew You›, audio / video installation as an instant temple, 2004
  • Rinse the heart Rinse the heart ‹Stir Heart Rinse Heart›, audio / video installation, 2004
  • Apple Tree Innocent On Diamond Hill ‹Apple tree innocent on the diamond hill› ‹Manzano inocente en la colina de diamantes›, video installation, 2003
  • The Cake is in Flames ‹The cake is on fire›, audio / video installation, 2002
  • Related Legs (Yokohama Dandelions) ‹Related Legs (Yokohama Dandelions)›, audio / video installation, 2001
  • Expecting (Installation in / for Centraal Museum, Utrecht / Bovenkapel: When I Run I Use My Feet, Benedenkapel: One Jesus in Nature, One At The Doctor, One In The Hotel), audio / video installation, 2001
  • Supersubjektiv ‹Super Subjective›, audio / video installation, 2000/2001
  • Kleines Vorstadthirn ‹Small Suburb Brain›, audio / video installation, 1999/2001 or 2007 or 2009
  • Open My Glade (Flatten) ‹Open My Glade›, video installation, 2000
  • Closet Circuit, video installation by Pipilotti Rist in collaboration with the toilet visitor, 2000
  • Himalaya's Sister's Living Room, audio / video installation, 2000
  • Himalaya Goldstein's Stube ‹Himalaya Goldstein's Living Room›, audio / video installation, 1999
  • I Couldn't Agree With You More, audio video installatio, 1999
  • Vorstadthirn ‹Suburb Brain›, audio / video installation, 1999
  • Cintia, audio / video installation, 1994/99
  • Rain Woman (I Am Called A Plant) ‹Rain Woman (I Am Called A Plant)›, audio / video installation, 1999
  • Extremities (soft, soft) ‹Extremities (smooth, smooth)›, audio / video installation, 1999
  • Zeittunnel ‹Time tunnel›, 1998
  • Atmosphere & Instinct ‹Atmosphere & Instinct›, audio / video installation, 1998
  • Rote Bar ‹Red Bar›, video installation by Pipilotti Rist, © with Gabrielle Hächler (architecture), 1997
  • My Boy, My Horse, My Dog, audio video slide installation, 1997
  • Ever Is Over All, audio / video installation, 1997
  • Mutaflor, video installation, 1996
  • Shooting Divas, audio / video installation, 1996
  • Sip My Ocean ‹Slurp my ocean›, audio / video installation, 1996
  • Search Wolken / Search Clouds (electronic marriage proposal) ‹Search Wolken / Such Clouds (Electronic Marriage Proposal)›, audio / video installation, 1995
  • Flying Room 'Flying Room', video installation, 1995
  • Das Zimmer ‹The Room›, video installation, 1994/2000/2007
  • Yoghurt On Skin - Velvet On TV, audio / video installation, 1994
  • Selfless In The Bath Of Lava, video installation, 1994
  • Digesting impressions ‹Digesting Impressions›, video installation, 1993
  • Make-up table with feedback ‹Little Make-Up Table With Feedback›, audio video installatio, 1993
  • TV chandelier ‹TV Chandelier›, audio / video installation, 1993
  • A peak to the west - a look to the east (or NS) ‹A Peak Into The West - A Look Into The East›, audio / video installation, 1992/1999

Film and video

  • Pepperminta , movie, 80 ', 2009
  • To See How You See or a Portrait of Cornelia Providoli, video by Pipilotti Rist, produced for the Video Anthology of Blick Productions NY, sound by Anders Guggisberg & Pipilotti Rist, 5 ', 2003
  • Aujourd'hui (I Couldn't Agree With You More, version chaise longue), video, Edition bdv, Paris, 9 ', 1999
  • I'm a Victim Of This Song ‹I am a victim of this song›, video by Pipilotti Rist, music after ”Wicked Games” written by Chris Isaak, interpreted & performed by Anders Guggisberg & Pipilotti Rist, 5'9 '', 1995
  • Blutclip ‹Blood Clip›, video by Pipilotti Rist, music “Yeah Yeah Yeah” by Sophisticated Boom Boom / Netz Maeschi, 2′27 ′ ′, 1993 blood clip video
  • When my mother's brother was born, it smelled of wild pear blossoms in front of the suntanned ledge ‹When My Mother's Brother Was Born It Smelled Like Wild Pear Blossom in Front of the Brown-burnt Sill›, video by Pipilotti Rist, sound by Heinz Rohrer & Pipilotti Rist, 3'48 '', 1992
  • Pickelporno ‹Pimple Porno›, video, 12'06 '', 1992
  • You Called Me Jacky ‹You called me Jacky›, video by Pipilotti Rist, music “Edna & Jacky” by Kevin Coyne, 4'02 '', 1990
  • (Relief) Pipilotti's Mistakes ‹(Absolutions) Pipilotti's Mistakes›, video by Pipilotti Rist. Multiple parts. Two pieces by Hans Feigenwinter , in one he plays a cover of Lost In Space , one part Bist Du klein ‹Are you small› by Les Reines Prochaines including Pipilotti Rist, rest by Pipilotti Rist, 12'24 '', 1988
  • Sexy Sad I ‹Sexy sad I›, video by Pipilotti Rist, sound with Lori Hersberger after the song “Sexy Sadie” by Lennon / McCartney, 4'30 '', 1987
  • I'm Not The Girl Who Misses Much ‹I'm not the girl who misses a lot›, video, 5′02 ′ ′, 1986

Exhibitions (selection)

  • 1988: UMBRUCH 1978–1988 (curator: Josef Felix Müller), Kunsthalle St. Gallen
  • 1993: Sister of Strom , Basel, Stampa, Switzerland
  • 2001: Pipilotti Rist 54 (curators: Ranti Tjan, Sjarl Ex), Centraal Museum, Utrecht
  • 2004: Pipilotti Rist (curator: Milada Slizinska), Zamek Ujazdowski Warszawa, Center of Contemporary Art, Warsaw
  • 2005: San Stae Church (curators: Federal Art Commission, Andreas Münch, Urs Staub), La Biennale die Venezia, Contri: bution of the Swiss Federal Office of Culture BAK, Venice
  • 2007: A la belle étoile (curator: Christine van Assche), Center Georges Pompidou, Paris
  • 2008: Pour Your Body Out (7354 Cubic Meters) (Curator: Klaus Biesenbach), Museum of Modern Art, New York
  • 2009: Pipilotti Rist (curator: Daniela Bousso), Paço das Artes & MIS Museu da Imagem e do Som, São Paulo, Brazil
  • 2010: Extremities (soft, soft) (curator: Inka Graeve Ingelmann), Pinakothek der Moderne , Munich
  • 2010: MOT Collection Special Feature: Pipilotti Rist (curator: Yuko Hasegawa), Museum of Contemporary Art, Tokyo
  • 2011: Quiet through the walls (curator: Wulf Herzogenrath), Kunsthalle Bremen , Bremen
  • 2012: Eyeball massage (curators: Stephanie Rosenthal, Stefanie Müller), Kunsthalle Mannheim , Mannheim
  • 2012: Blood-driven cameras and well-flowing rooms (curator: Konrad Bitterli), Art Museum St. Gallen , St. Gallen, June 2 - November 25. First retrospective in Switzerland.
  • 2013: Pipilotti Rist: A la belle étoile. , Henry Art Gallery, Seattle
  • 2015: Pipilotti Rist: Come on, honey, we're going to change the media & start all over again. Kunsthalle Krems 2015 (curator and publisher of the catalog: Hans-Peter Wipplinger).
  • 2016: Pipilotti Rist , Kunsthaus Zürich . Catalog.
  • 2016/17: Pipilotti Rist: Pixel Forest , New Museum , New York
  • 2017/18: Pipilotti Rist: Sip My Ocean, Museum of Contemporary Art Sydney
  • 2019: Åbn min lysning (Open My Glade) , Louisiana Museum of Modern Art

Awards

  • 2018: Aurora Award
  • 2014: Grand Prix Art / Prix Meret Oppenheim 2014
  • 2013: Zurich Festival Prize
  • 2010: best architects 11 award
  • 2010: Cutting the Edge Award
  • 2009: Best Exhibition Of Digital, Video, or Film: "Pour Your Body Out (7354 Cubic Meters)" at the Museum of Modern Art , New York. 26th annual awards, The International Association of Art Critics (AICA)
  • 2009: President of the Jury's EXTRAORDINARY AWARD ( Nicolas Roeg )
  • 2009: Joan Miró Prize, Barcelona
  • 2007: St. Gall Culture Prize from the St. Gall Cultural Foundation
  • 2006: Guggenheim Museums Young Collector's Council Annual Artist's Ball honoring Pipilotti Rist
  • 2003: 01 award and honorary professorship at the University of the Arts, Berlin
  • 2001: Art Prize of the City of Zurich
  • 1999: Wolfgang Hahn Prize
  • 1998: Nomination for the Hugo Boss Prize
  • 1997: Renta Prize of the Kunsthalle Nürnberg
  • 1997: Premio 2000 of the Biennale di Venezia
  • 1997: Kwangju Biennale Award
  • 1995: DAAD scholarship
  • 1994: Video Art Prize from the Swiss Bank Association
  • 1994: Prix d'art contemporain de la Banque Cantonale Geneva
  • 1994: Manor Art Prize , St. Gallen
  • 1993: Advancement award of the anniversary foundation of the SBG
  • 1993: Federal art grant
  • 1992: Zurich Film Prize
  • 1991: Federal Art Scholarship
  • 1989: VIPER Lucerne
  • 1988: Cologne Feminale Prize
  • 1987: Film and Video Days Basel

Publications

  • Christiane Weidemann, Petra Larass, Melanie Klier (eds.): 50 women artists you should know Prestel Munich 2008, ISBN 978-3-7913-3957-3 , pp. 156–159
  • Paola Morsiani, Stephanie Hanor, Mark Harris, René Morales, Linda Yablonsky: Wishing for Synchronicity: Works by Pipilotti Rist. Contemporary Arts Museum Houston , ´ Houston , Texas 2009, ISBN 978-1-933619-17-0 [Engl. version].
  • Paul Kempers, Catrien Schreuder, John Slyce, Emilie Wennekes: Elixir: the video organism of Pipilotti Rist. Museum Boijmans van Beuningen, Rotterdam, 2009, ISBN 978-90-6918-237-7 . (exh. cat.) & dutch version]
  • Pipilotti instep; Hara Museum of Contemporary Art (Ed.): Karakaracan. Tokyo / Zurich 2007. (Artist publication by the Hara Museum of Contemporary Art Tokyo accompanying the exhibition "Karakara" at the Hara Museum. Designed by Thomas Rhyner .)
  • Magasin 3 (Ed.): Pipilotti Rist - Congratulations! Lars Müller Publishers, Baden 2007, ISBN 978-3-03778-108-1 (exh. Cat.) [Engl., German & swedish version]
  • Pipilotti Rist: Pepperminta Homo sapiens sapiens - boxa ludens. Lars Müller Publishers, Wettingen 2005, ISBN 3-03778-051-7 . (Artist publication edited by the Swiss Federal Office of Culture accompanying the exhibition at the Venice Biennale. Designed by Thomas Rhyner.)
  • Änne Söll : Pipilotti Rist, Artists Monographs Vol. 3. Friedrich Christian Flick Collection, Dumont, Cologne 2005, ISBN 3-8321-7578-4 . [engl. & german version]
  • MUSAC - Museo de Arte Contemporaneo de Castilla y Leon: Soundtracks de las video instalaciones de Pipilotti Rist. 2005. (CD and booklet, contains music of the major installations by Pipilotti Rist, music by and with Anders Guggisberg, Peter Bräker, Les Reines Prochaines, Heinz Rohrer, Roland Widmer, Saadet Türköz, Cintia Buonomo, Gruss vom Walensee, Pipilotti Rist. )
  • Birgit Kempker, Pipilotti Rist: Jestem swoja vlasna obca swinia ‹I am my own foreign pig / I am my own foreign pig› . Centrum Sztuki Wspolczesnej Zamek Ujazdowski, 2004, ISBN 83-88277-13-8 . (This artist book with a wild text of the German writer Birgit Kempker comes in Polish, German and English. Designed by Maciej Buszewicz.)
  • Pipilotti Rist: Apricots Along The Street. Scalo, Zurich / Berlin / New York 2001, ISBN 3-908247-50-0 . (This is another freestyle artist book also designed by / with Thomas Rhyner with some gadgets. English with only the difficult words translated into Spanish and German.)
  • Peggy Phelan, Hans Ulrich Obrist, Elisabeth Bronfen: Pipilotti Rist. Phaidon Press Limited, London 2001, ISBN 0-7148-3965-5 . (This is an informative monography with text and interviews by and with Peggy Phelan, Hans Ulrich Obrist, Elisabeth Bronfen and others.)
  • Rist, Pipilotti: Himalaya, Pipilotti Rist 50 kg. Oktagon, Cologne 1998, ISBN 3-89611-072-1 . (This artist's book [designed by Thomas Rhyner] including the music CD "we can't" realized with Anders Guggisberg. It's actually sold out but there are some copies left in national distribution centers like the one of Switzerland or USA.)
  • Pipilotti Rist: Come on honey, we're going to change the media & start all over again. Edited by Hans-Peter Wipplinger with contributions by Stephanie Damianisch, Brigitte Huck, Eva Laquièze-Waniek and August Ruhs. Layout by Thomas Rhyner in close collaboration with the artist. (German and English language catalog for the exhibition of the same name at the Kunsthalle Krems). Verlag der Buchhandlung Walther König, Berlin 2015, p. 216. ISBN 3-86335-705-1 , ISBN 978-3-86335-705-4 .

Secondary literature

  • Martina Sauer: La beauté de l'ardeur pour la vie. In: Les Lettres et les arts: cahiers suisses de critique littéraire et artistique, 14 (2012), No. 11, (pp. 58–61), German translation: Martina Sauer: From the beauty of devotion to life . Retrospective of the internationally renowned Swiss artist Pipilotti Rist in St. Gallen.
  • Randy Kennedy: Electric Lemon Girl Power Video Revolt . In: The New York Times Magazine , November 15, 2009.
  • Jerry Saltz: Re View. In: Monopol , Berlin, 3, 2009. (pp. 106–109)
  • Peter Schjedal: Critic's Notebook: Tune In, Turn On. In: New Yorker , January 5, 2009.
  • St. Gallische Kulturstiftung: St. Gallen Culture Prize 2007 - Pipilotti Rist. St. Gallische Kulturstiftung, St. Gallen 2008.
  • Änne Söll: Pipilotti Rist, Ever Is Over All. In: Pinakothek der Moderne (ed.), Female Trouble - The camera as a mirror and stage for female productions, Hatje Cantz Verlag, Ostfildern 2008. (pp. 220–221, exh. Cat.)
  • Marcella Beccaria: Pipilotti Rist. In: Castello di Rivoli, Museum of Contemporary Art: The Castle, The Collection, Skira, Milano 2008. (pp. 446–449, exh. Cat.)
  • Amélie Von Heydebreck: Stations - 100 masterpieces of contemporary art. DuMont, Cologne 2008. (pp. 78–79)
  • Adrian Searle: The gleeful anarchist. In: The Guardian. London 2nd July 2008.
  • Mark Sanders: Pipilotti Rist. In: Another Magazine, London, No. 11, Autumn / Winter 2006. (pp. 426-439)
  • Änne Söll: work on the body. Videos and video installations by Pipilotti Rist. Silke Schreiber, Munich 2004, ISBN 3-88960-069-7 .
  • Kenneth Baker: Stir Heart, Rinse Heart: Pipilotti Rist. In: San Francisco Chronicle , San Francisco March 2004. (pp. E1-E2)
  • Bice Curiger : Video art is a room with an elevated room temperature . Kunst Expansiv, Lindinger + Schmid, Regensburg 2002. (pp. 58–65)
  • Jaqueline Burckhardt: Pipilotti Rist. In: From the Eckhardt Collection, duplication of images in space, iconoclast . City of Bayreuth Art Museum, Bayreuth 2001. (pp. 54–55)
  • Rochelle Steiner (Ed.): Wonderland. The Saint Louis Art Museum, 2000. (Interview pp. 90–95, exh. Cat.)
  • Jennifer Allen: Pipilotti Rist. In the peau de l'image. In: Parachute , Montréal April / June 2000. (pp. 4–17)
  • Christoph Blase: Pipilotti Rist, in: Art at the turn of the millennium. Outlook on the millennium. Taschen, Cologne 1999. (pp. 426–429)
  • Christoph Doswald: Pipilotti Rist - As a girl I dreamed of being the reincarnation of John Lennon (conversation). In: Kunstforum International, No. 135, Ruppichteroth October 1996 / January 1997. (pp. 206–212)
  • Laurie Anderson: Laurie Anderson and Pipilotti Rist Meet Up in the Lobby of a Hotel in Berlin on September 9. 1996, In: Parkett , No. 48, Zurich / New York 1996. (pp. 114–119)
  • Marius Babias : Rist risk factor; When dreams twitch like dying fish. In: Parquet , No. 48, Zurich / New York 1996. (pp. 100–107)
  • Paolo Colombo: Shooting Divas. In: Parquet , No. 48, Zurich / New York 1996. (pp. 109–113)
  • Nancy Spector: The Mechanics of Fluids. In: Parquet , No. 48, Zurich / New York 1996. (pp. 83–91)
  • Philip origin: Pipilotti Rist's flying room. In: Parquet , No. 48, Zurich / New York 1996. (pp. 94–98)

Web links

Commons : Pipilotti Rist  - collection of images, videos and audio files

Interviews

Individual evidence

  1. Swiss Institute for Art Research : Compendium of Image Disturbances in Analog Video , Scheidegger & Spiess, Zurich 2013, pp. 72–74, 82, 248–255, ISBN 978-3-87585-184-7 .
  2. Christiane Weidemann, Petra Larass, Melanie Klier (eds.): 50 women artists you should know Prestel Munich 2008, ISBN 978-3-7913-3957-3 , p. 157
  3. Open My Glade (Flatten)
  4. Ever Is Over All
  5. ^ Pepperminta, movie trailer
  6. I'm a Victim Of This Song video
  7. Video
  8. Pimple Porn Video
  9. You Called Me Jacky video
  10. Pipilotti's Mistakes Video
  11. I'm Not The Girl Who Misses Much
  12. ^ Pipilotti Rist: A la belle étoile. (PDF) Henry Art Gallery, August 28, 2012, accessed December 9, 2015 .
  13. Pipilotti Rist: Pixel Forest. In: www.newmuseum.org. Retrieved November 6, 2016 .
  14. Pipilotti Rist. Retrieved August 13, 2020 .
  15. PIPILOTTI RIST. Retrieved August 13, 2020 .
  16. 2018 Pipilotti Rist. Retrieved August 13, 2020 .
  17. The Federal Office of Culture honors four Swiss cultural workers with the Swiss Grand Prix Art / Prix Meret Oppenheim 2014
  18. Zurich Festival Prize for Pipilotti Rist ( Memento of the original from July 20, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.zuercher-festspielpreis.ch
  19. best architects Award
  20. 27th Annual Miami International Film Festival ( Memento from April 19, 2009 in the Internet Archive )
  21. ^ Seville European Film Festival '09
  22. 2009: Pipilotti Rist. Fundació Joan Miró, accessed December 9, 2015 .