Sep call

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Bayerische Staatsbank Nürnberg Atrium construction, now Home Office
Housing complex designed by Sep Ruf in Hirschelgasse, Nuremberg
Hirschelgasse, inner courtyard with staircase
New Maxburg in Munich
New Maxburg Munich, curved staircase with glass roof
Neue Maxburg Munich, stairs
Entrance roofing of the New Maxburg in Munich
Nuremberg Academy, entrance
Academy of Fine Arts Nuremberg, auditorium
Academy of Fine Arts Nuremberg, exterior shot
AKA Nuremberg
Academy of Fine Arts Nuremberg, interior shot
Ludwig Erhard's country house at Tegernsee, approx. 1954
German pavilion, Brussels Expo 1958
Chancellor's Bungalow
St. Johann von Capistran in Bogenhausen
Seminar chapel, Fulda
Seminar chapel Fulda, ceiling with light dome

Sep Ruf, actually Franz Joseph Ruf (born March 9, 1908 in Munich ; † July 29, 1982 there ) was a German architect and designer . With his buildings, which experts describe as light-weight, he shaped German post-war architecture and is seen as a mediator of modern architecture in Germany that is based on international models. He became known through the building of the Academy of Fine Arts in Nuremberg and the building of the New Maxburg in Munich together with Theo Papst. He built the new part of the Germanic National Museum in Nuremberg when it was rebuilt. In 1957 he took part in the Interbau in Berlin-Hansaviertel with two residential buildings. He gained worldwide renown through the construction of the German pavilion for the world exhibition in Brussels, the Expo 58 with Egon Eiermann . In Frankfurt am Main , he built what was then the highest skyscraper in the financial metropolis for the BHF-Bank . Sep Ruf, along with Egon Eiermann and Paul Baumgarten, was one of the three members of a planning council set up by the Federal Building Directorate, which in the mid-1960s under Federal Chancellor Ludwig Erhard - and under the strictest secrecy - was supposed to work out the new planning of government buildings and development plans in Bonn's government district. He achieved particular fame with the construction of the Federal Chancellor's residential and reception building in Bonn, the Chancellor's bungalow for Federal Chancellor Ludwig Erhard .

Audimax of the University of Speyer, part of the campus of the German University of Administrative Sciences Speyer designed by Sep Ruf in 1959

Life

His father Josef Ruf was an accounting inspector at the Bayerische Versicherungsanstalt in Munich, his mother was Wilhelmine (Mina) née Scharrer. The Ruf family came from Dinkelsbühl and the Scharrer family from Weißenburg , both of which are in Franconia. Sep Ruf was a Roman Catholic and, as a young man, had considered becoming a Dominican monk and studying mathematics or becoming a sculptor.

He attended primary school in Munich. In the boy scouts he met Golo Mann and Werner Heisenberg , with whom he had a lifelong friendship. After graduating from the Luitpold secondary school , he did an internship at the Reichsbahnwerkstätten in Oberpfaffenhofen . During a visit to the Technical University of Munich , he decided on architecture and made his first study trips to Austria, Italy and Tyrol. He was an avid skier and hiker. In 1938 he married Aloisia Mayer, whom he had known since his youth, and built a house with her in Gmund am Tegernsee . He had two children. The Munich architect bought a winery in Italy in 1969 and expanded it, which led to a further construction phase in Tuscany and he renovated and erected further buildings there. Travels led him a. a. to Austria, Switzerland, Italy, Greece, France, Belgium, Norway and the USA. He kept in touch with Walter Gropius , Ludwig Mies van der Rohe , Richard Neutra and Ludwig Grote , and dealt with the ideas of the Bauhaus , whose ideas he implemented most consistently in Germany after the war.

Sep Ruf corresponded with Romano Guardini and was friends with painters and sculptors such as Fritz Winter , Theodor Werner and Woty Werner, Karl Knappe , Olaf Gulbransson , Josef Oberberger , Marino Marini , Henry Moore and the actor Ernst Schröder . Sep Ruf was 1951 a. a. Together with Otto Bartning (discussion leader), Hans Eckstein , Egon Eiermann , José Ortega y Gasset , Richard Riemerschmid , Hans Scharoun , Rudolf Schwarz and Hans Schwippert, participants in the Darmstadt talks on the subject of the exhibition: People and Space / and: The Master Buildings (realized Architectural drafts).

Sep Ruf died in Munich in 1982. His grave is in the mountain cemetery of Gmund am Tegernsee .

Architectural work

Studies and first work until 1945

Sep Ruf studied architecture at the Technical University of Munich from 1926 to 1931 , passed the diploma examination with German Bestelmeyer and Adolf Abel in 1931 and then worked as a freelance architect in Munich, in partnership with his brother Franz Ruf until 1933 . Before the Second World War, he was given the opportunity to build residential buildings. 1931–1933 he built one of the first flat-roof houses in Bavaria for Karl Schwend in Munich . In 1933 the construction of flat roofs was forbidden and he was warned by the new rulers.

In an effort to remain independent, he stuck to the building of houses as long as he could and did not participate in state buildings. He also did not become a member of the NSDAP. He built his bright, sunny houses with the roof-top model he had devised without changing his style of simplicity and lightness. So he built houses for professors and doctors and also for artists like the director Otto Falckenberg and the poet Josef Martin Bauer . At the age of 26 he was commissioned by Hugo Junkers to build a Junkers estate in Grünwald near Munich. The execution was supervised by his son-in-law. Hugo Junkers was expropriated by the new rulers in 1933 and banned from Dessau and was only able to move around Bayrischzell and Munich under police supervision. In Munich he had founded a new company that was dedicated to building metal houses and lamellar halls. After his death in 1935, this was continued by his wife and children. As a town planner and through his work for Hugo Junkers, he experienced the preparations of the Junkers family for the construction of their company premises in Munich-Allach, in 1936 he designed industrial halls with light metal louvre roofs for them in Munich.

Allach was an up-and-coming community that grew so quickly that it was incorporated into Munich in 1938. There was also a porcelain factory, the Diamalt factory, BMW and Krauss-Maffei. In 1935 Sep Ruf worked on his first competition in a long time and at the beginning of 1936 won first prize in the ideas competition for the new building of the Allach elementary school (it was named Adolf Wagner School during the war), with seven air-raid shelter, two elongated gabled buildings with a class wing and Gym and a connecting transverse structure, he also created the development plan for the school grounds. In 1937 the gym was converted into a BDM home on instructions.

After Sep Ruf had financial problems because of his reluctance to maintain his office, he took part in his brother Franz Ruf's architectural partnership with Lois Knidberger, when they were commissioned with the “Ramersdorf Model Estate”, where three of them 16 of the 192 Built single-family houses. Other architects at that time were Friedrich Ferdinand Haindl , Albert Heichlinger, Max Dellefant, Theo Pabst, Christoph Müller, Hanna Loev and Karl Delisle in their own architectural associations . As soon as possible, he returned to building residential buildings.

In the same year, the Supreme Building Authority in the Bavarian Ministry of the Interior commissioned the construction of new barracks and assigned them to architects. Sep Ruf had to move two barracks in Murnau, changed the given building instructions and built open and light buildings for the mountain troops. From 1936 to 1938 part of the later Kemmel barracks, which was taken over by the US armed forces in 1946–1990, and from 1938/1939 part of the later Werdenfels barracks, today used by the German Armed Forces.

In 1938/39 he received the order on the school premises in Allach to build a "highland home" for the Hitler Youth, an order which, as the architect who had drawn up the development plan for the school premises, he was assigned and could not refuse. The facility was to be planned for 570 young people with ten scratching rooms, four work rooms, a parade area and a party room. Like most of his buildings at the time, it was built with a steep pitched roof.

In 1939 he was drafted, but with the help of the Junkers family he was released from 1940 to 1942 for architectural work. In 1942 - after the rulers forced their way back into the Junkers family companies and he did not continue the cooperation - he was drafted again and immediately sent to the front in Russia. During this time his office was again on the verge of existence and was only maintained by a few employees who kept the company running and managed by him “by post” during his absence. He walked home from Russia in 1945 and found his office on Giselastraße in Munich bombed and burned out. He led the reconstruction of the building in which he re-established his office. During these days he had an office in a small room in the Schwend family's house on what was then Wasserburgerstrasse and in the same year began his first reconstruction, the Christ the King Church in Munich.

Urban planning in modern times

Sep Ruf created public buildings and private houses in Germany inspired by the Bauhaus School , but primarily shaped the cityscape of Munich, Nuremberg, Bonn and Fulda after the Second World War .

From 1949 to 1952 Sep Ruf worked in a joint venture with Otto Apel , Rudolf Letocha, Rohrer and Herdt, within which he was in charge of overhead management. According to their plans, the administration building of the American High Commission (HICOG) at Deichmannsaue Castle in Bad Godesberg (1951) was built. This moved from Frankfurt am Main to the Bonn enclave . The HICOG administration building housed the United States Embassy from 1955 to 1999 . In addition, the working group built a HICOG settlement in Muffendorf , Plittersdorf and Tannenbusch for the American and German employees. Each of the settlements comprises around 400 apartments, two each with an eleven-story house in the middle, with wide streets and gardens and old trees.

From 1949 to 1951, Ruf built the branch of the Bayerische Staatsbank in Nuremberg after a competition . Today the building houses the Bavarian Ministry of Homeland, the Bavarian State Ministry of Finance, for Regional Development and Homeland.

professorship

Sep Ruf was a professor at the Academy of Fine Arts in Nuremberg from 1947 to 1953 , which was relocated to the Teutonic Order Castle in Ellingen during this time due to the destruction of the Nuremberg buildings . Ruf built the new academy building on Bingstrasse after a competition. 1953–72 he then taught architecture and urban planning at the Academy of Fine Arts in Munich, of which he was president from 1958–61. In 1971 he was made an honorary member.

In 1955 he was a founding member of the Academy of Fine Arts in Berlin (West) and was a member from 1955 to 1982.

Academy of Fine Arts Nuremberg

From 1952 to 1954 he built one of his main works in Nuremberg, the new academy building of the Nuremberg Academy of Fine Arts on Bingstrasse. With their four flat pavilions connected by covered corridors, they are white and elegant in a park-like area. An idea that was used again in the buildings of the world exhibition in Brussels in 1958. All buildings and studios are at ground level and face the greenery, either in the garden atria, which are used as outdoor studios in summer, or in the surrounding park landscape with old pine trees. The one-storey auditorium, which is highly glazed on two sides, is the only towering structure on the Mediterranean site. This complex was the first post-war building in southern Germany to be declared a monument.

New Maxburg Munich

The construction of the New Maxburg in Munich (1954–56 with Theo Pabst ) on the site of the former Maxburg in Munich was one of his most elegant buildings. The Renaissance tower, which had remained from the previous building and whose preservation had been released, was elegantly emphasized by him as a measure for the design of the new building. In the inner courtyard is the monolith with Moses by Josef Henselmann. The judicial building with the inner atrium, the glass ceiling and the floating staircase was praised across Europe. The building includes the justice building, a spacious commercial and administrative building with a large attrium and the Archbishop's Office in Munich.

World Exhibition in Brussels 1958

The German pavilion of the world exhibition in Brussels , the Expo 58 (with Egon Eiermann ) , which consists of eight buildings, attracted worldwide attention and was developed from its basic idea of ​​pavilion buildings that were floatingly connected by walkways. On 6000 m², eight up to three-storey, glazed pavilions were arranged in a wide rectangle around a spacious garden courtyard, floating, transparently connected with walkways and openly accessible. The surrounding area was transformed into a garden by Walter Rossow , with an artificial pond and some sculptures. Both architects designed the furnishings and furnishings. The pavilion was reached via a 57 m long bridge, suspended from steel cables, the pylon of which was 50 m high and pointed from a distance to the complex, whose shiny buildings seemed to float over the green lawns.

Chancellor's Bungalow

In 1962 Egon Eiermann, Sep Ruf and Paul Baumgarten were appointed to the three members of the planning council who were supposed to carry out the planning of the government buildings and the development plans and buildings in the strictest of secrecy. As a direct order or competition in a small circle, the planning council devised buildings of the federal government, such as u. a. the New Federal Council, the Federal Chancellor's house, the high-rise building for the parliamentarians, a house for the press and residential buildings and conference buildings that each architect planned independently and was later to build. Only part of the building was realized later. Bonn was only recognized as the federal capital by the federal government in 1973.

1963–64, Sep Ruf built the residential and reception building, the Chancellor's bungalow in Bonn. The residence of the Federal Chancellor was commissioned by Federal Chancellor Ludwig Erhard and should be an expression of the democracy, openness and clarity of the new Germany. Ludwig Erhard said when he moved in in 1964: “You get to know me better when you look around this house than when you see me giving a political speech.” Two squares placed next to one another with two atriums form the glass building that is directly in the park landscape seems to float on the Rhine. From 1964 until the move to Berlin, it was the living and reception building of the Federal Chancellor in Bonn, at times it was used as a guest house.

His planned buildings for the Bonn government, called BONN II (official residence for the President of the Federal President's Office) and Bonn III (proposed modifications to the Villa Hammerschmidt), were no longer realized. Instead, he set up several ministries, such as the Federal Ministry for Consumer Protection, Food and Agriculture. The annex to the Carstanjen house, the former Ministry of Finance, is now part of the UN campus as a climate unit. In 2014, the Chancellor's Bungalow was a central part of the German contribution to the 14th Venice Architecture Biennale. It was the only contribution that was built 1: 1 into the German Pavilion.

Germanisches Nationalmuseum 1953 to 1976

Extensive expansion and restoration of the Germanic National Museum in Nuremberg occupied the architect for over two decades. In the classic modern style, he placed new buildings and connecting tracts made of steel and concrete with large glass surfaces between the preserved heterogeneous complex of historic museum buildings and medieval monastery buildings. The way he related the new buildings, installations and conversions to the building fabric that was taken over, one can speak of a living reconstruction. The general development plan, which was subsequently revised, but primarily provided for four cubic buildings (Heuss building, library building, directorate building, south building, east building), he created together with the previous house architect Harald Roth. The first building was the two-storey Theodor-Heuss-Bau on Kornmarkt, the opening of which Theodor Heuss came to and was happy that they decided not to imitate the old buildings and instead invented new ones. The unique ensemble as a prime example of the reconstruction is no longer completely preserved; Due to the renovations and construction of new buildings since the late 1980s, the director's building, as well as the adjoining courtyard, the lecture hall and cafeteria were lost; the old atrium was also given up. The largely unchanged library building, which flanks the old entrance hall with the Heuss building, is exemplary in its preserved and functionally designed interior and furnishings.

More modern buildings

Sep Ruf developed development plans for the cities of Nuremberg, Munich, Fulda and Bonn, among other things.

From 1960 to 1966 he built the BHF-Bank high-rise in Frankfurt am Main for BHF-Bank , the Berliner Handelsgesellschaft , which at the time was the highest high-rise in the financial metropolis with 23 storeys and 82 meters.

The church of St. Johann von Capistran in Munich (1958–60) is a round building with exposed brickwork and consists of two crescent-shaped shells, in the interior of which the sacred rooms are housed. A 3.50 meter high glass dome with a diameter of 5 meters is placed above the altar. 22 external tension pillars hold the roof, whose star-shaped steel construction is freely spanned by a pressure ring.

Professors Hans Döllgast and Sep Ruf were commissioned from 1953 to 1966 to plan the east wing and the extension for the Bavarian State Library . The library was placed in this new building, while the east wing was only intended to hold magazines, behind whose historical facade a new area with 17,000 m² of usable and ancillary space was created in 84,000 m³ of enclosed space. In 1967, the extension building received the BDA Bavaria Prize from a jury that included Hans Scharoun .

In Berlin he took part in the historical German building exhibition at Interbau 1957 and built two residential buildings. 53 architects from 13 countries were invited to an ideas competition in Berlin's Hansaviertel . 35 designs were realized by representatives of the New Building, including Alvar Aalto , Paul Baumgarten, Egon Eiermann, Walter Gropius, Arne Jacobsen , Oscar Niemeyer , Max Taut , Pierre Vargo and Sep Ruf. 1160 residential units were built in high-rise and low-rise buildings, churches, cinemas, shopping arcades, library, kindergarten and subway station. The Berlin garden architect Walter Rossow planned from the beginning and received ten German and international garden architects to design the green areas. Three buildings were also erected by Le Corbusier , Hugh Stubbins (USA) and Bruno Grimmek as part of the exhibition . Participating artists were u. a. Henry Moore , Fritz Winter , Bernhard Heiliger and Hans Uhlmann .

Other buildings in Germany include the Max Planck Institute for Physics and Astrophysics, the Werner Heisenberg Institute for Physics in Munich-Freimann and the German University of Administrative Sciences Speyer .

In the historic city of Fulda he was appointed to the art committee. The octagonal seminary chapel (1966–68) is part of one of his church buildings there. He developed the urban planning and facade design of the Karstadt building for the city, the redesign of the university and Borgiaplatz and he built the patronage building. His goal was to ensure the elegant integration of a modern building into the baroque city. The Telekom building was not built by Sep Ruf; at the request of the mayor at the time, Alfred Dregger , he made suggestions for the facade design, as he had already successfully done for the Karstadt building. In the 1960s, federal ministries did not have to obtain building permits from local authorities. The postal authority tore down old historic post offices and replaced them with modern new buildings. The baroque city of Fulda resisted the standardized buildings. The Oberpostdirektion forbade any interference in their project and even threatened to give up the Fulda location. In the end, only the facade on the “Unterm Heilig Kreuz” was ready to accept suggestions. Sep Ruf created several drafts. Similar to the Neue Maxburg, its window and natural stone bands were aligned with the historic outbuilding. The upper floors floated freely above the ground floor. The architect of the postal authority changed everything according to his ideas and used massive arcade columns, which Sep Ruf refused, but he used parts of Sep Ruf's suggestions for his construction and these parts were listed by the monument office in 2012.

The Tucherpark , named after Hans Christoph Freiherr von Tucher (1904–1968), lawyer and board spokesman of the Bayerische Vereinsbank, was built on the Tivoli site in Munich . There he built the technical center and some administrative buildings for the Bayerische Vereinsbank, and from 1964 to 1974 the buildings for IBM and the Hilton Park Hotel. At the Tegernsee he designed the museum for the painter and graphic artist Olaf Gulbransson . Another museum building is the aerospace hall of the German Museum in Munich .

Furniture design

Tubular steel chair and table, 1949
Sep Ruf sideboard for Ludwig Erhard in the design museum of the Pinakothek der Moderne in Munich

In addition to his architectural work, Sep Ruf also left behind an extensive design work. For each of the residential houses he built and also for public buildings, he designed furniture or furnished them completely. His furniture designs are diverse and have changed over time.

On his early study trips to South Tyrol, he saw wooden furniture and the possibilities of plug-in systems, the construction of which he stylized down to the simplest form, so that they appear timeless and modern. He tried different types of production, designed ensembles with curved wood, furniture with belts and from tubular steel. Later he worked on strictly modern furniture with chrome and glass or a mixture of wood and metal, as well as lamps such as the white floor lamps in the Chancellor's bungalow in Bonn.

He not only designed individual pieces, but designed the entire appearance of the room. This should be open and bright and especially promote the carefree living experience, while attention was also paid to supposedly simple details such as door handles and other small details. He also designed all the sacred objects for the churches he built. Sep Ruf also designed the furniture for the Federal Chancellor's residential and reception building in Bonn for Federal Chancellor Ludwig Erhard and added his own furniture designs to the private and public areas. The private furnishings no longer exist there, but the large space in the public area was restored to its original form during the renovation of the Wüstenrot Foundation, with its floor lamps, sofas, tables and carpets.

Honors

In Munich Pasing reminiscent September call-way , in Nuremberg, the September call-road to the architect.

Research into his life's work

The Sep Ruf Society , founded in 2016, is committed to researching, preserving and disseminating the work of Sep Ruf.

Sep Ruf's life's work is devoted to dissertations and lectures in Germany, Switzerland, Italy and the USA.

Buildings (selection)

BHF-Bank, Frankfurt am Main
Department store for Karstadt (1964), Fulda
US Consulate General, Munich
Bavarian State Library, Munich, with an extension
Germanisches Nationalmuseum, Nuremberg, Theodor-Heuss-Bau
Germanisches Nationalmuseum, exhibition room outside
Germanisches Nationalmuseum, inner courtyard
  • 1931: House for the candy manufacturer Wilhelm Suwelack in Billerbeck
  • 1931–1933: Karl Schwend flat roof house in Munich; because of the flat roof, he was warned by the new rulers.
  • 1932: House for the doctor Sepp Ruf in Ahlen, same name, not related
  • 1932: House for the lawyer Willy Rosenbusch in Ingolstadt
  • 1933: Atelier for the painter Max Rauh in Munich, the painter was represented with a picture in the 1937 Hetz exhibition “Degenerate Art”.
  • 1933: Residence for the doctor Alfred Schönwerth in Grafrath
  • 1933–1934: Participation with his brother Franz Ruf in the Ramersdorf model estate , the “German Settlement Exhibition 1934”, of which 16 out of 192 single-family houses were built
  • 1934–1937: House for his friend Alois Johannes Lippl , Bavarian director, director, film and radio play author
  • 1934: Ernst Haß house, Munich-Harlaching
  • 1934–1936: Herrenwies settlement for aircraft pioneer Hugo Junkers (today: Hugo Junkers settlement) in Grünwald
  • 1935: Brand house, Munich-Bogenhausen
  • 1935: Karl and Maria Eder house, Munich-Laim
  • 1936: House for the poet Josef Martin Bauer in Dorfen
  • 1936: Residence for the director Otto Falckenberg in Grünwald near Munich
  • 1936–1940: Allach elementary school (formerly Adolf-Wagner school) Franz-Nißl-Straße ideas competition 1st prize, today state secondary school.
  • 1936–1938: Mountain artillery barracks "Kemmel-Kaserne" in Murnau am Staffelsee , taken over by the US armed forces from 1946–1990.
  • 1937–1938: GEWOFAG settlement Munich-Neuhausen, with Hans Döllgast , Franz Ruf , and Johannes Ludwig , Offerdingenstrasse-Waskestrasse
  • 1937–1938: Allach primary school gymnasium, Munich-Allach, Franz-Nißl-Straße, an extension planned as early as 1936, which was completed with a BDM home with a daycare center during the construction period on the instructions of the rulers. Today kindergarten with after-school care.
  • 1938: Oberland settlement with his brother Franz Ruf on Einhornallee in Munich
  • 1938–1939: Murnau am Staffelsee mountain armor barracks, Weilheimer Strasse, Werdenfels barracks, today used by the Bundeswehr.
  • 1939: Extension building II of the Allach elementary school, in Munich- Allach , Höcherstraße, an extension of the elementary school planned as early as 1936, located on the same property as the "Hochlandheim" (HJ-Heim in Munich-Allach) for 570 young people on the instructions of the rulers was built with ten scratching rooms, four work rooms, a parade area and a party room, today preserved in a modified form, part of the state secondary school Allach.
  • 1945: House for the brickworks owner Meindl, St. Wolfgang, Hofgut Reit
  • 1946: Holzner House in Dorfen
  • 1946–1947 Siegfried Vetter's house in Feldkirchen near Munich
  • 1947–1948: Pius Egner house in Notzing
  • 1947–1950: Christ the King Church in Munich- Nymphenburg (reconstruction)
  • 1947–1948: Fritz Espermüller single-family home, Kaufbeuren
  • 1948: Development on Hausnergasse, Ellingen, Hausnergasse 13, 15, 17, 19, 21, commendation from Prime Minister Hans Ehard
  • 1950–1951: Bayerische Staatsbank in Nuremberg
  • 1950–1952: First Munich “high-rise building” in Theresienstraße 46–48
  • 1951: American Embassy in Bad Godesberg
  • 1952–1954: Academy of Fine Arts Nuremberg . This complex was the first post-war building in southern Germany to be declared a monument.
  • 1952–1955: Bungalows in Gmund am Tegernsee , including his own house and the bungalow of the future Chancellor Ludwig Erhard
  • 1952–1957: Neue Maxburg in Munich
  • 1953–1969: House of the German Research Foundation , Bonn-Bad-Godesberg
  • 1953–1954: Housing complex Hirschelgasse 36–42 in Nuremberg
  • 1953–1954: Catholic parish church to the holy twelve apostles in Munich- Laim
  • 1953–1978: Germanisches Nationalmuseum Nürnberg : reconstruction and rebuilding, Theodor-Heuss-Bau, library building
  • 1954–1956: Archbishop's Ordinariate, Munich
  • 1956–1957: “ Interbau 57”, Berlin-Hansaviertel , two single-family houses
  • 1956: Representation of the Free State of Bavaria in Bonn
  • 1956–1957: Royal Filmpalast on Goetheplatz in Munich
  • 1957–1959: American Consulate General in Munich
  • 1957–1960: Max Planck Institute for Physics , Werner Heisenberg Institute in Munich- Freimann (in close collaboration with Werner Heisenberg )
  • 1957–1960: St. Johann von Capistran , in Munich-Bogenhausen
  • 1958: University of Administrative Sciences in Speyer
  • 1958: German pavilion for the world exhibition in Brussels
  • 1960–1963: Residence for Nicolas G. Hayek on Lake Hallwil , Switzerland
  • 1961: Bilka department store on Friedrichsplatz in Kassel
  • 1963–1966: Karstadt department store, Fulda, urban planning concept and facade design, redesign of Universitätsplatz, entry in the monument topography "Fulda"
  • 1963–1965: Patronage building, Fulda, with the design of Borgiaplatz, Bonifatiosbrunnen, entry in the monument topography "Fulda"
  • 1963–1966: Chancellor's residence and reception building, Chancellor's bungalow in Bonn
  • 1964–1966: Olaf Gulbransson Museum for the painter and graphic artist Olaf Gulbransson in Tegernsee
  • 1966–1970: Extension for the Federal Treasury (Federal Ministry of Finance) House Carstanjen , Bonn-Bad Godesberg, Sep Ruf and Manfred Adams
  • 1966: Extension / east wing of the Bavarian State Library in Munich, architectural group Professors Hans Döllgast and Sep Ruf (1953–1966), Georg Werner (1953–1960), later the district builder Hellmut Kirsten (1957–1966), BDA Prize Bavaria
  • 1966–1968: seminar chapel in Fulda
  • 1968: Office building for the Bonn Ministry of Defense
  • 1968–1970: Technical center of HypoVereinsbank “Am Tivoli” in Munich
  • 1968–1972: IBM data center and administrative building in Munich
  • 1970: Headquarters of the BHF-Bank in Frankfurt am Main
  • 1970–1972: Hotel Hilton in Munich
  • 1970–1973: Telecommunications office building (Telekom building), Fulda . The building was not built by Sep Ruf. At the request of the then mayor Dr. Alfred Dregger made suggestions to Sep Ruf for an elegant facade design, which the architect of the postal authority changed and expanded with massive arcade columns, which Sep Ruf rejected. However, parts of Sep Ruf's suggestions were used and these parts have been a listed building since 2012.
  • 1972–1977: Antico Podere Gagliole, winery for the publisher Rolf Becker, Tuscany
  • 1973–1974: Dohrn house, Bad Homburg vd Höhe
  • 1974: Modification and expansion of Hermersberg Castle for the entrepreneur Reinhold Würth , Niedernhall, Hermersberg
  • 1978–1979, 1980: Administration building for DATEV , Nuremberg
  • 1978–1982: Aerospace hall of the German Museum in Munich

Exhibitions

  • In memoriam Sep Ruf, 1985/86, exhibitions: New Collection, Munich, Academy of Fine Arts, Berlin and Bayerische Vereinsbank, Nuremberg
  • Sep Ruf 1908–1982 - Modernism with Tradition in the Architecture Museum of the Technical University of Munich in the Pinakothek der Moderne , Munich (July 31 to October 5, 2008)
  • Sep Ruf 1908–1982. Modernity with tradition. / October 1, 2009 - November 22, 2009 / Architekturgalerie am Weißenhof | Stuttgart. The architecture gallery at Weißenhof shows parts of the exhibition of the architecture museum of the Technical University of Munich.
  • Sep Ruf - Planning and buildings for Bonn in the 50s and 60s, GKG Society for Art and Design Bonn
  • Sep Ruf 1908–1982 | Modernity with tradition, supplemented by: How the squares came to Uniplatz ... - Sep Ruf in Fulda in the Vonderau Museum | Fulda, June 15 - September 25, 2011.
  • The Architect - Past and Present of a Profession, September 27, 2012 - February 3, 2013 Pinakothek der Moderne
  • 100 años de arquitectura y diseño en Alemania, Deutscher Werkbund 1907–2007, Museo Nacionale de Artes Decorativas, Madrid May 22, 2012 - September 29, 2012; Further exhibitions in Spain in 2012 and 2013: Las Naves, Valencia; Museo de Bellas Artes | Coruna, Spain.
  • The Kanzlerbungalow Photography by Igmar Kurth, Vernissage Friday 23 April 2010, Fondation Gutzwiller, Räffelstraße 24/7, 8045 Zurich, 24. – 30. April 2010 Switzerland
  • The Chancellor's Bungalow. Photographs by Paul Swiridoff , 9. – 20. June 2009 Architekturgalerie Kaiserslautern
  • Architecture in the Circle of the Arts - 200 Years of the Munich Art Academy, February 15 - May 18, 2008, Architecture Museum of the Technical University of Munich in the Pinakothek der Moderne
  • 100 Years of the Deutscher Werkbund 1907 | 2007, April 19 - August 26, 2007, Architecture Museum of the Technical University of Munich in the Pinakothek der Moderne; Further exhibitions 100 Years of the Deutscher Werkbund: Architecture Museum in the Academy of Arts, Hanseatenweg, Berlin; Muzeum Architektury | Wroclaw Architecture Museum; Cagdas Sanatlar Galerisi | Ankara; Mimar Sinan Güzel Sanatlar Üniversitesi | Istanbul; Macedonian Museum of Modern Art | Thessaloniki; Benaki Museum | Athens.
  • Architecture of the child prodigies, exhibition in Berlin, December 9, 2005 - February 11, 2006, Schinkel Center, Technical University Berlin, faculty forum in the architecture building on Ernst-Reuter-Platz
  • Architecture of the child prodigies: New beginnings and displacement in Bavaria 1945 to 1960, February 3 - April 30, 2005, Architecture Museum of the Technical University of Munich in the Pinakothek der Moderne
  • Comprehensible architecture - the importance of door handles in architecture, November 29, 2012 - January 13, 2013, door handles and knobs, etc. a. by Karl Friedrich Schinkel, Josef Maria Olbrich, Walter Gropius, Sep Ruf and Le Corbusier, also models a. a. formative and teaching professors at TU Dortmund University. Dortmund U - Center for Art and Creativity Leonie-Reygers-Terrasse, 44137 Dortmund
  • Tangible architecture - the importance of door handles in architecture, October 13, 2011 to January 8, 2012, Museum August Kestner 30159 Hanover Trammplatz 3, door handles and knobs, etc. a. by Walter Gropius, Le Corbusier and Sep Ruf
  • Understandable architecture on the meaning of door handles in architecture, November 20, 2009 to December 13, 2009 in the Red Salon of the Bauakademie, Schinkelplatz 1, Berlin
  • Artur Pfau - photographer and contemporary witness of Mannheim, June 3, 2012 - January 27, 2013, Reiss-Engelhorn-Museen. Museum of World Cultures D5 68159 Mannheim,
  • Architecture from space and light - sacred spaces in modern architecture, March 24th - June 10th 2012, Museum Moderner Kunst - Wörlen Bräugasse 17 94032 Passau
  • Nuremberg is building! Streets. Places. Buildings, January 29 - June 20, 2010, Stadtmuseum Fembohaus Burgstrasse 15 90403 Nuremberg
  • 60 years “How live?” And 10 years Markanto, exhibition location : Markanto Depot , Mainzer Straße 26, 50678 Cologne Opening times: September 2009, every Saturday from 11.00 a.m. to 4.00 p.m. Based on the exhibition “How live?” From 1949 in Stuttgart and 1950 in Karlsruhe, in which examples of furnishings, construction technology and furniture by Egon Eiermann, Eduard Ludwig, Gustav Hasenflug, Hugo Häring, Sep Ruf and Jens Risom were shown.
  • 100 Years of the Deutscher Werkbund 1907 | 2007 100 Años de arquiteture e design na Alemanha 1907–2007, May 17 - July 27, 2013, Fábrica Santo Thyrso | Santo Tirso, Portugal
  • Show & Tell - Architectural history (s) from the collection of the Pinakothek der Moderne Munich Architecture Museum of the Technical University of Munich 03/12/2014 - 06/15/2014
  • 14th Venice Architecture Biennale 2014 Bungalow Germania Commissioners: Alex Lehnerer, Savvas Ciriacidis (CIRIACIDISLEHNERER Architects). 06/07/2014 - 11/23/2014 Venue: Pavilion at Giardini
  • 100 Years of the Deutscher Werkbund 1907–2007 Museo Nacional de Artes Visuales MNAV National Museum of Fine Arts MNAV Montevideo, Uruguay July 2, 2014 - August 27, 2014 Cooperation with the Goethe-Institut, Montevideo
  • Two German Architectures 1949–1989 August 3, 2014 - August 30, 2014 Blue Roof Art Museum Chengdu, China Cooperation with Goethe-Institut, China
  • Continuity of Breaks - World Exhibition Architecture 1851 - 2015 Exhibition in the House of Architects (Zollhof 1, 40221 Düsseldorf-Medienhafen) September 3, 2014 - October 24, 2014
  • Heavenly high-rise city of Frankfurt November 8, 2014 - April 19, 2015 Deutsches Architekturmuseum DAM Schaumainkai 43 60596 Frankfurt am Main

Awards

  • 1952: City of Nuremberg Prize
  • 1958: Officer of the Order of the Leopold (Belgium)
  • 1973: Bavarian Order of Merit
  • 1976: Theodor Heuss Medal
  • 1976: Federal Cross of Merit, 1st class
  • 1978: Boniface Medal of the Diocese of Fulda
  • 1980: Architecture Prize of the City of Munich

literature

  • Winfried Nerdinger , Irene Meissner: Sep Ruf 1908–1982. Modern with tradition. Munich 2008.
  • Irene Meissner: Sep Ruf 1908–1982: Life and Work. Munich 2013.
  • Andreas Denk : Ruf's Legacy - Transformations of Modernity. In: the architect. 5/2008.
  • Helga Himen:  Ruf, Sep. In: New German Biography (NDB). Volume 22, Duncker & Humblot, Berlin 2005, ISBN 3-428-11203-2 , pp. 231-233 ( digitized version ).
  • Hans Wichmann: Sep Ruf. Buildings and projects. DVA, Stuttgart 1986, ISBN 3-421-02851-6 .
  • Michael Mott : A "thorn" in the "Baroque eye" / The Telecom building "Under the Holy Cross": From the imperial "splendid building" to the "eyesore" of modernity. In: Fulda newspaper . June 10, 1998, p. 18. (Series: Fulda then and now)
  • Paul Swiridoff: The bungalow. Residential and reception building for the Federal Chancellor in Bonn. Text by Erich Steingräber. Neske Verlag, Pfullingen 1967.
  • The Chancellor's Bungalow. Edition Axel Menges, 2009. Andreas Schätzke, Joaquín Medina Warmburg: Sep Ruf. Kanzlerbungalow Bonn (online at books.google.de). Edition Axel Menges, Stuttgart / London 2009, ISBN 978-3-932565-72-4 (German, English) ( [6] ).
  • Judith Koppetsch: Palais Schaumburg. From the villa to the seat of the Chancellor. House of History Bonn.
  • Georg Adlbert: The Chancellor's Bungalow . Preservation, repair, new use. 2nd ext. Edition. Krämer, Stuttgart 2010, ISBN 978-3-7828-1536-9 .
  • Andreas Denk , Ingeborg flag : Architectural guide Bonn . Dietrich Reimer Verlag, Berlin 1997, ISBN 3-496-01150-5 , p. 84.
  • Georg Adlbert, Volker Busse, Hans Walter Hütter , Judith Koppetsch, Wolfgang Pehnt , Heinrich Welfing , Udo Wengst (authors); Foundation House of the History of the Federal Republic of Germany / Wüstenrot Foundation Ludwigsburg (Hrsg.): Chancellor bungalow. Prestel, Munich 2009, ISBN 978-3-7913-5027-1 .
  • Burkhard Körner: The Chancellor's bungalow by Sep Ruf in Bonn. In: Bonner Geschichtsblätter. Volume 49/50, Bonn 1999/2000 (2001), ISSN  0068-0052 , pp. 507-613.
  • Egon Eiermann, Sep Ruf: German Pavilions. Brussels 1958. Ed. Menges, Stuttgart / London 2007, ISBN 978-3-932565-62-5 .
  • Rika Devos, Mil De Kooning et al. (Ed.): L 'architecture modern à l'Expo 58: pour un monde plus humain. Dexia / Mercatorfonds, 2006, ISBN 90-6153-642-1 .
  • Helmut Vogt : Guardians of the Bonn Republic: The Allied High Commissioners 1949–1955. Verlag Ferdinand Schöningh, Paderborn 2004, ISBN 3-506-70139-8 , pp. 99, 102, 103-118.
  • Andreas Denk , Ingeborg flag : Architectural guide Bonn . Dietrich Reimer Verlag, Berlin 1997, ISBN 3-496-01150-5 , p. 79.
  • Herbert Strack: Walk through the 1100 year old Muffendorf. Bad Godesberg 1988.
  • Andrea M. Kluxen: The history of the art academy in Nuremberg 1662-1998. In: Yearbook for Franconian State Research. 59 (1999), pp. 167-207.
  • Franz Winzinger (Red.): 1662–1962, Three Hundred Years of the Academy of Fine Arts in Nuremberg . Nuremberg 1962.
  • Bernward Deneke, Rainer Kahsnitz (Ed.): The Germanic National Museum. Nuremberg 1852–1977. Contributions to its history. Munich / Berlin 1978. (comprehensive anthology on all aspects and facilities of the museum)
  • Treasury of the Germans. From the collections of the Germanisches Nationalmuseum Nürnberg. Nuremberg 1982.
  • Deborah Ascher Barnstone: The Transparent State: Architecture And Politics In Postwar Germany. Routledge, London / New York 2005, ISBN 0-415-70019-1 .
  • Renate Wiehager for Daimler AG (ed.); Susannah Cremer-Bermbach: Minimalism in Germany. The sixties - minimalism in Germany. The 1960s. Daimler Contemporary Art Collection, Berlin 2012, pp. 459–467.
  • Winfried Nerdinger, Inez Florschütz (ed.): Architecture of the child prodigies: Awakening and displacement in Bavaria 1945–1960. Catalog for the exhibition in the Pinakothek der Moderne, Munich. Pustet, Salzburg 2005.
  • Academy of Fine Arts (ed.): 350 years of the Academy of Fine Arts Nuremberg. Nuremberg 2012, ISBN 978-3-86984-351-3 . (Various contributions, including by Irene Meissner: The Academy of Fine Arts in Nuremberg - A major work of German post-war architecture by Sep Ruf. )
  • Departure! Architecture of the fifties in Germany. Prestel, Munich a. a. 2012, ISBN 978-3-7913-4698-4 .
  • Show & Tell - Architekturammlung 2014 Ed. Andres Lepik, texts by Barry Bergdoll, Peter Christensen, Jean-Luis Cohen, Andres Lepik, Kieran Long, Irene Meisner German, English approx. 240 pages, approx. 75 illustrations ISBN 978-3 -7757-3801-9
  • Bungalow Germania Catalog for the German contribution to the 14th International Architecture Exhibition - la Biennale di Venzia 2014 Alex Lehnerer, Savvas Ciriacidis (Ed. / Ed.) Hatje Cantz Verlag 128 pages, 126 illustrations ISBN 978-3-7757-3830-9
  • High-rise city Frankfurt. Buildings and visions since 1945 High-rise City Frankfurt. Buildings and visions since 1945 German / English by Philipp Sturm and Peter Cachola Schmal (Eds.) Prestel Verlag, 320 pages ISBN 978-3-7913-5363-0
  • Otto Bartning (Ed.): 2nd Darmstadt Conversation, People and Space. New Darmstadt Publishing House , 1952, DNB 453308228 .

Web links

Commons : Sep Ruf  - Collection of images, videos and audio files

Individual evidence

  1. ^ Archives Sep Ruf, Family Sep Ruf
  2. Gerd Otto-Rieke: Graves in Bavaria . Munich 2000, p. 9.
  3. Dr. Karl Schwend Delpstrasse 15
  4. ^ Winfried Nerdinger, Irene Meissner: Sep Ruf 1908–1982. Modern with tradition . 2008, pp. 28-29.
  5. ^ Winfried Nerdinger, Irene Meissner: Sep Ruf 1908–1982. Modern with tradition . 2008, p. 161.
  6. Dr. Ing. Irene Meissner: Sep Ruf 1908–1982 . 2012, p. 376.
  7. ^ Winfried Nerdinger: Sep Ruf 1908–1982 . Pp. 160, 162.
  8. ^ Winfried Nerdinger, Irene Meissner: Sep Ruf 1908–1982. Modern with tradition . 2008, p. 162.
  9. Dr. Ing.Irene Meissner: Sep Ruf 1908–1982 . 2012, p. 377.
  10. Epoch: Post-war period Bayerische Staatsbank
  11. [1]
  12. Architecture in the Circle of the Arts - 200 Years of the Munich Art Academy
  13. Sep Ruf
  14. see also Wikipedia article: Nikolaus Pevsner
  15. The 1958 World Exhibition in Brussels - Annual Fair of the Atomic Age ( Memento of March 24, 2009 in the Internet Archive )
  16. Expo-Brücke moved from Brussels to Duissern in Neudorf
  17. Sep Ruf. Chancellor Bunbgalow, Bonn. Stuttgart / London 2009 (Opus. Vol. 72)
  18. bbr.bund.de: UN Campus Bonn
  19. bbr.bund.de: House Carstanjen
  20. bungalow germania
  21. Formation of the parish
  22. The extension building ( Memento of the original from April 1, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.bsb-muenchen.de
  23. Architect: Sep Ruf, Munich 2 single-family houses at Handelallee 55-57
  24. Architect Sep Ruf (Germany) ... built two single-family houses in Handelallee.
  25. Timeline ( Memento from June 4, 2013 in the Internet Archive )
  26. Basic research in particle and astroparticle physics ( Memento of the original from December 21, 2014 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.mpp.mpg.de
  27. Stefan Fisch: 60 years of the German University of Administrative Sciences Speyer ( Memento from October 20, 2007 in the Internet Archive )
  28. Sep Ruf - Catalog raisonné ( Memento from December 31, 2014 in the Internet Archive )
  29. ^ Fulda Universitätsplatz 2 ( Memento from November 22, 2009 in the Internet Archive )
  30. Formative influence Sep Ruf in Fulda ( Memento from December 12, 2013 in the Internet Archive )
  31. ^ Susanne Bohl: Sep Ruf (1908–1982) - a star architect in Fulda . In: Susanne Bohl and others (ed.): Fulda. 50 treasures and specialties . Michael Imhof Verlag, Petersberg 2016, ISBN 978-3-7319-0425-0 , pp. 165–167, here p. 165.
  32. (Michael H. Gellings, historian in Fulda)
  33. [2]
  34. Sep Ruf Gesellschaft , accessed on May 23, 2020.
  35. ^ Faculty of Architecture: Institute for History of Architecture, History of Art and Restoration . Ar.tum.de. Archived from the original on December 16, 2013. Retrieved May 11, 2013.
  36. Professorship of Monument Preservation and Building History: PhD students ( Memento from January 7, 2014 in the web archive archive.today )
  37. Dissertations current ( Memento from March 12, 2011 in the Internet Archive )
  38. ^ Sep Ruf and the Image of Post-War Modernism: The Construction Detail as Index of Changing Paradigms in German Modern Architecture, 1949–59 . Graham Foundation. Retrieved May 11, 2013.
  39. ^ Lynnette Widder receives Graham Foundation research grant "RISD Academic Affairs . Academicaffairs.risd.edu. June 16, 2011. Retrieved May 11, 2013.
  40. ^ Winfried Nerdinger, Irene Meissner: Sep Ruf 1908–1982. Modern with tradition . 2008, p. 161.
  41. Dr. Ing.Irene Meissner: Sep Ruf 1908–1982 . 2012, p. 376.
  42. ^ Winfried Nerdinger, Irene Meissner: Sep Ruf 1908–1982. Modern with tradition . 2008, p. 162.
  43. Dr. Ing.Irene Meissner: Sep Ruf 1908–1982 . 2012, p. 377.
  44. a b 150 private homes . Publishing house F. Bruckmann, Munich 1951.
  45. Baumonographische treatment in: Roman Hillmann: Die Erste Nachkriegsmoderne. Aesthetics and perception of West German architecture 1945–63 . Petersberg 2011, pp. 91-122.
  46. ^ Fritz Aschka: My Nuremberg. 60 excursions into history . Nürnberger Presse 2007, p. 74 f.
  47. Foundation for the future Anniversary of the Foundation for Monument Protection
  48. Sep Ruf 1908-1982 Modernism with Tradition - July 31, 2008 to October 5, 2008 ( Memento from September 1, 2011 in the Internet Archive )
  49. For the good reputation . Mirror online
  50. Sep Ruf - Planning and buildings for Bonn in the 50s and 60s ( Memento from December 14, 2013 in the Internet Archive )
  51. The Architect - History and Present of a Profession - 27.09.2012-03.02.2013 ( Memento from June 30, 2013 in the web archive archive.today )
  52. 100 años de arquitectura y diseño en Alemania Deutscher Werkbund 1907 - 2007 22.05.2012-29.09.2012 ( Memento from June 30, 2013 in the web archive archive.today )
  53. The Chancellor's Bungalow Photography by Igmar Kurth
  54. ^ Exhibition “The Chancellor's Bungalow. Photographs by Paul Swiridoff ” ( Memento from January 1, 2014 in the Internet Archive )
  55. Architecture in the Realm of the Arts - 200 Years of the Academy of Fine Arts Munich - February 15, 2008 - May 18 , 2008 ( Memento from October 15, 2009 in the Internet Archive )
  56. 100 years of the Deutscher Werkbund 1907–2007 - April 19, 2007 to August 26, 2007 ( Memento from March 12, 2009 in the Internet Archive )
  57. 100 years of the Deutscher Werkbund 1907–2007 - April 3, 2009– June 7, 2009 ( Memento from June 30, 2013 in the web archive archive.today )
  58. 100 Years of the Deutscher Werkbund 1907–2007 - 09.10.2009–31.10.2009 ( Memento from June 30th 2013 in the web archive archive.today )
  59. ^ Architecture of the child prodigies. New beginnings and displacement in Bavaria 1945 to 1960 - February 3, 2005 to April 30, 2005 ( Memento from February 28, 2006 in the Internet Archive )
  60. ^ Sep Ruf and Theo Pabst - New Maxburg Justice Building, Munich 1953–1957
  61. ^ Exhibitions aaron curry March 5 to May 24, 2010 ( Memento from May 30, 2010 in the Internet Archive )
  62. CONCEIVABLE BUILDING ART - THE IMPORTANCE OF DOOR HANDLES IN ARCHITECTURE
  63. LEATHER LUDER TO HANDLE
  64. Photographer of the Second Modern Age - Artur Pfau in Mannheim ( Memento from December 12, 2013 in the Internet Archive )
  65. Parforcer ride through church architecture - sacred spaces of modernity in Passau ( Memento from December 12, 2013 in the Internet Archive )
  66. Exhibition catalog of the Nuremberg City Archives No. 19 Icon Drucker Reconstruction in Nuremberg (PDF)
  67. 60 years of 'Wie Wohnen?' and 10 years Markanto
  68. 100 Years of the Deutscher Werkbund 1907–2007 100 ANOS DE ARQUITETURA E DESIGN NA ALEMANHA 1907–2007 - May 17, 2013– July 27 , 2013 ( Memento from June 30, 2013 in the web archive archive.today )
  69. DEUTSCHER WERKBUND ( Memento of the original from August 14, 2013 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.fabricasantothyrso.pt
  70. http://www.architekturmuseum.de/ausstellungen/aktuell/show-and-tell/ ( Memento from June 4, 2014 in the Internet Archive )
  71. [3]
  72. http://www.ifa.de/kunst/ausstellungen-im-ausland/design/100-jahre-deutshyscher-werkbund.html ( Memento from August 14, 2014 in the Internet Archive )
  73. [4]
  74. der brueche / ( Memento of the original from April 14, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.aknw.de
  75. [5]
  76. Reading sample ( Memento from December 12, 2013 in the Internet Archive ) (PDF)
  77. Archived copy ( memento of the original from April 14, 2015 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (PDF) @1@ 2Template: Webachiv / IABot / www.architekturmuseum.de