Science award from the Aby Warburg Foundation

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The Science Prize of the Aby-Warburg Foundation (formerly the Aby-Warburg Foundation Prize and the Hans Reimer Prize of the Aby Warburg Foundation ) has been a science prize that has been awarded since 1995 and is primarily aimed at art historians and scholars who have made special contributions to the cultural sciences and humanities have been awarded. The prize is endowed with 5,000 euros and is associated with a lecture. The award is named after the art historian Aby Warburg .

Aby Warburg

The award ceremony takes place in the library of the Warburg House in Hamburg.

Award winners

year Award winners Title of the talk
1995 Barbara Stafford Violence In Natural History: On The Durability Of A Graphic Dilemma
Herfried Münkler National Myths in Early Modern Europe
1996 Michael Giesecke The loss of the central perspective and the renaissance of multimedia
Elizabeth McGrath Titles and inscriptions of works of art from the Renaissance
1997 Egon Flaig Social conditions of cultural oblivion
Georges Didi-Huberman Magic Material for Likeness: Plasticity, Survivals and Downgradings of Wax
1998 Joan R. Branham Bloody Woman And Bloody Spaces: Menses And The Eucharist In Late Antiquity And The Early Middle Ages
Gabriele Brandstetter Drapery rhetoric
Ulrich Raulff Still photos. In search of the lost moment: historical reconstructions
1999 Sigrid Weigel Aby Warburg's goddess in exile
Sven Beckert The culture of capital. Bourgeois Culture in Nineteenth Century New York and Hamburg
Anne Duden Starting from lying. Sleeping and falling asleep, dreaming and lying down at Carpaccio, Douvermann, Grünewald and others
2000 Jochen Hörisch Conversions. From culture to media history
Silvia Eiblmayr The injured diva. Body, hysteria, technology in 20th century art
Gustav Seibt The Italian conquest of Rome. A battle for modernity, nation and religion
2001 Simone Michel Soul of darkness, protective deity and power of fate: the pantheos on magical gems
2002 Thomas Macho The sickle of Kronos. Mythical images of the time.
Rudiger Campe Evidence as a Procedure. Proposal for a cultural studies study
2003 Renate Schlesier With impunity under palm trees. Freud in Italy.
Martin Jay History and Experience: Dilthey, Collingwood, Scott and Ankersmit
Diane Bodart Distribution and censorship of royal portraits in Rome in the 16th and 17th centuries
2004 Marina S. Warner My Airy Spirit: Ethereal Bodies, Material Metaphors
Frank Fehrenbach Compositio corporum: roots of the current "organic art"
2005 Wolfgang Schivelbusch The digestion of nature
2006 Jeroen Stumpel The Persistance of Images; Reprductive Success and is Riddles in the History of Art
Cornelia Zumbusch 'Motion is Emotion': Melodramatic movement in Warburg, Goethe and Rousseau
2007 Carla Hesse Reading in Extremis: French Revolutionaries Respond to Rousseau
2008 Roberto Calasso Baudelaire e il culto delle immagini (Baudelaire and the cult of images)
Christoph Asendorf War and Space Theory in Classical Modernism
Anke te Heesen Lomorized objects. Ways of presenting everyday and scientific artifacts
2009 no award
2010 Gerd Blum From Bezaleel to Michelangelo. Vasari on Jewish and Christian art
2011 Wolfgang Ullrich How. On the role of comparison in dealing with art.
Karl-Siegbert Rehberg Art State GDR. Art in state socialism and the German double escape from history
2012 Mischa Meier Caesar and the problem of the monarchy in Rome
2013 Barbara Wittmann Aby Warburg and the children's drawing as a fossil in cultural history
2014 Michael Hagner Twelve times me. Charles Nègre and the photographic effects that make us dream.
Eva Schürmann Homo depictor. About representation as a way of life.
2015 Lambert Wiesing Formal aesthetics: from a work of art to a design object.
2016 Jacqueline E. Jung The 'Judgment Pillar' as 'Thought Pillar': Movement, Medium, and Memory in the Strasbourg South Transept.
2017 Elisabeth Bronfen Hermione's Return - The Afterlife of a Pathos Formula.
2018 Andrea Pinotti Replica of violence, replica of violence
2019 Emmanuel Alloa Reverse intentionality. About emersive images.

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