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| ⚫ | '''Alexander Germanovich Preis''' ({{Lang-ru|Алекса́ндр Ге́рманович Прейс}}; 1905–1942) was a |
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| ⚫ | '''Alexander Germanovich Preis''' ({{Lang-ru|Алекса́ндр Ге́рманович Прейс}}; 1905–1942) was a Soviet writer of numerous plays and libretti, including those for [[Dmitri Shostakovich|Shostakovich]]'s operas ''[[The Nose (opera)|The Nose]]'' and ''[[Lady Macbeth of the Mtsensk District (opera)|Lady Macbeth of the Mtsensk District]]''.<ref>{{Cite journal|url=http://www.jstor.org/stable/40922152|title=Gogol′'s "St Petersburg Stories" in the Hands of Russian Composers|author=McMILLIN, ARNOLD|year=2003|journal=New Zealand Slavonic Journal|pages=174|via=JSTOR}}</ref><ref>{{Cite journal|url=http://www.jstor.org/stable/3593369|title='The New Woman': Lady Macbeth and Sexual Politics in the Stalinist Era|author=Wells, Elizabeth A.|year=2001|journal=Cambridge Opera Journal|volume=13|issue=2|pages=179|via=JSTOR}}</ref> |
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==References== |
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{{DEFAULTSORT:Preis, Alexander}} |
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[[Category:Russian opera librettists]] |
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[[Category:Russian dramatists and playwrights]] |
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[[Category:Soviet dramatists and playwrights]] |
[[Category:Soviet dramatists and playwrights]] |
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[[Category:Soviet male writers]] |
[[Category:Soviet male writers]] |
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[[Category:20th-century male writers]] |
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[[Category:1905 births]] |
[[Category:1905 births]] |
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[[Category:1942 deaths]] |
[[Category:1942 deaths]] |
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[[Category:Victims of the Siege of Leningrad]] |
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[[Category:Place of birth missing]] |
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[[Category:Russian male dramatists and playwrights]] |
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Latest revision as of 10:23, 25 February 2024
Alexander Germanovich Preis (Russian: Алекса́ндр Ге́рманович Прейс; 1905–1942) was a Soviet writer of numerous plays and libretti, including those for Shostakovich's operas The Nose and Lady Macbeth of the Mtsensk District.[1][2]
References[edit]
- ^ McMILLIN, ARNOLD (2003). "Gogol′'s "St Petersburg Stories" in the Hands of Russian Composers". New Zealand Slavonic Journal: 174 – via JSTOR.
- ^ Wells, Elizabeth A. (2001). "'The New Woman': Lady Macbeth and Sexual Politics in the Stalinist Era". Cambridge Opera Journal. 13 (2): 179 – via JSTOR.
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