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==References==
==References==
*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages=351| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007|url=https://books.google.com/books?id=K2cCAAAAYAAJ&q=Michael+Bryan+Painters+Engravers&pg=PA1}}
*{{cite book| first=Michael| last=Bryan| year=1889| title=Dictionary of Painters and Engravers, Biographical and Critical |volume=II L-Z |editor=Walter Armstrong |editor2=Robert Edmund Graves |page=351 | publisher=George Bell and Sons|location=London|url=https://books.google.com/books?id=K2cCAAAAYAAJ&q=Michael+Bryan+Painters+Engravers&pg=PA1}}
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Revision as of 13:40, 26 April 2022

Tommaso Realfonso (c. 1677 in Naples – after 1743) was an Italian painter of the 18th century, specializing studies of still-life paintings of flower and fruit pieces. He also painted vedute or landscapes.

He was also called ‘’Masillo’’ by his Andrea Belvedere, his master, in whose studio he worked till 1694, when Belvedere moved to Spain. A still-life attributed to Realfonso is found in the Museo Correale in Sorrento.[1]

References

  • Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.). Dictionary of Painters and Engravers, Biographical and Critical. Vol. II L-Z. London: George Bell and Sons. p. 351.
  1. ^ Pittori Napoletani del Settecento, Aggiornamenti ed inediti, collection of articles by Achille Della Ragione, November 2010, pages 30-36