Mikhail Clodt von Jürgensburg: Difference between revisions

Content deleted Content added

Inline

Revision as of 13:54, 5 January 2008

Mikhail Konstantinovich Clodt baron von Jürgensburg (Russian: Михаил Константинович Клодт; 1832-1902; both Saint Petersburg) was a Russian realistic painter^[1] ^[2] ^[3].

Mikhail Clodt was born to the artistic family of barons Clodt von Jürgensburg, his father Konstantin Clodt was the first Russian wood engraver^[4], his uncle Peter Clodt von Jürgensburg was a famous Russian sculptor^[1].

He learnt drawing at the Saint Petersburg Mining Cadet Corps, then at the Imperial Academy of Arts (1851-1858) ^[3]. After receiving a Large Galod Medal he received scholarship for three years to study painting in France, Switzerland and Italy but abandoned his foreign trip in a year. He complained that the foreign landscapes would not inspire him and that French and Italian school of painting is inferior to Russian one ^[2]. After returning Clodt got permissions to use the rest of the scholarship funds in his travel over Russia^[2].

In 1863 Clodt go+t recognition for his painting Highway in Autumn. Even higher praise was given for his work In the field (1872) and the Forest view in the Midday (1878)^[2]. Observers celebrated his devotion to Russian landscape, attention to the details, stereoscopy of his works^[2]. On the other hand popular art critic Vladimir Stasov noted petty naturalism and the "slavish following to reality" in many Klodt works. As an example of such a work he stated Cows at Watering (1879)^[2]. In both his devotion to the Russian landscape and some petty naturalism Clodt was probably the forerunner of Ivan Shishkin^[2].

Mikhail Clodt was a founding member of Peredvizhniki movement, but Peredvizhniki did not completely considered him as their own. That was partially due to the sharp criticisms from Clodt and partially because of him keeping his professorship of the Imperial Academy of Arts (1871-1886). After Clodt's particular sharp criticism over Arkhip Kuindzhi Clodt was forced to break with Peredvizhniki. Soon he retired from the Academy as well^[2].

Clodt did not painted anything of value since 1870ies. Half-blind and financially broken he died in 1902^[2].

Works

A Highway in Autumn, 1863
In the fields, 1872
Evening view in a village. Oryol gubernia, 1874
Forrest view in a midday, 1878
Cows as Watering, 1879
Volga near Simbirsk, 1881

References

^ ^a ^b Clodt family Template:Ru icon
^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Mikail Clodt in Staratel library Template:Ru icon
^ ^a ^b Biography and works Template:Ru icon
^ Klodt family Template:Ru icon

[rulex-1] Clodt family Template:Ru icon

[staratel-2] ^ ^a ^b ^c ^d ^e ^f ^g ^h ⁱ Mikail Clodt in Staratel library Template:Ru icon

[vm-3] Biography and works Template:Ru icon

[vgd-4] Klodt family Template:Ru icon

[1]

[2]

[3]

[4]

@@ Line 7: / Line 7: @@
 He learnt drawing at the [[Saint Petersburg Mining Institute|Saint Petersburg Mining Cadet Corps]], then at the [[Imperial Academy of Arts]] (1851-1858) <ref name=vm/>. After receiving a ''Large Galod Medal'' he received scholarship for three years to study painting in [[France]], [[Switzerland]] and [[Italy]] but abandoned his foreign trip in a year. He complained that the foreign landscapes would not inspire him and that French and Italian school of painting is inferior to Russian one <ref name=staratel/>. After returning Clodt got permissions to use the rest of the scholarship funds in his travel over Russia<ref name=staratel/>.
-In 1863 Clodt go+t recognition for his painting [[:Image:Klodt HighwayInAutimn.jpg|Highway in Autumn]]. Even higher praise was given for his work [[:Image:Klodt na pashne1.jpg|In the field]] (1872) and the [[:Image:Klodt lesnaya dal v polden.jpg|Forest view in the Midday]] (1878)<ref name=staratel/>. Observers celebrated his devotion to Russian landscape, attention to the details, [[stereoscope|stereoscopy]] of his works<ref name=staratel/>. On the other hand popular art critic [[Vladimir Stasov]] noted petty [[naturalism]] and the "slavish following to reality" in many Klodt works. As an example of such a work he stated [[:Image:Clodt Michail Constantinovich The Cows at Watering.jpg|Cows at Watering]] (1879)<ref name=staratel/>. In both his devotion to the Russian landscape and some petty [[naturalism]] Clodt was probably the forerunner of [[Ivan Shishkin]]<ref name=staratel/>.
+In 1863 Clodt go+t recognition for his painting [[:Image:Klodt HighwayInAutimn.jpg|Highway in Autumn]]. Even higher praise was given for his work [[:Image:Klodt na pashne1.jpg|In the field]] (1872) and the [[:Image:Klodt lesnaya dal v polden.jpg|Forest view in the Midday]] (1878)<ref name=staratel/>. Observers celebrated his devotion to Russian landscape, attention to the details, [[stereoscope|stereoscopy]] of his works<ref name=staratel/>. On the other hand popular art critic [[Vladimir Stasov]] noted petty [[Naturalism (arts)|naturalism]] and the "slavish following to reality" in many Klodt works. As an example of such a work he stated [[:Image:Clodt Michail Constantinovich The Cows at Watering.jpg|Cows at Watering]] (1879)<ref name=staratel/>. In both his devotion to the Russian landscape and some petty naturalism Clodt was probably the forerunner of [[Ivan Shishkin]]<ref name=staratel/>.
 Mikhail Clodt was a founding member of [[Peredvizhniki]] movement, but Peredvizhniki did not completely considered him as  their own. That was partially due to the sharp criticisms from Clodt and partially because of him keeping his professorship of the Imperial Academy of Arts (1871-1886). After Clodt's particular sharp criticism over [[Arkhip Kuindzhi]] Clodt was forced to break with Peredvizhniki. Soon he retired from the Academy as well<ref name=staratel/>.