Edward Penfield: Difference between revisions
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==Poster designs== |
==Poster designs== |
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His posters were bold and stood out from a distance with great clarity. As artists like [[Alphons Mucha]], Theophile-Alexandre Steinlen and Toulouse-Lautrec popularized the poster in Europe, Penfield accomplished the same feat in the United States. For his posters, Penfield utilized simple shapes and a limited palette of colors that lent themselves to the primitive methods of reproduction of the era. |
His posters were bold and stood out from a distance with great clarity. As artists like [[Alphons Mucha]], Theophile-Alexandre Steinlen and Toulouse-Lautrec popularized the poster in Europe, Penfield accomplished the same feat in the United States. For his posters, Penfield utilized simple shapes and a limited palette of colors that lent themselves to the primitive methods of reproduction of the era. |
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==Gallery== |
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Image:Edward Penfield, Harper's June, 1896.jpg|[[Harper's Magazine]], June 1896, by [[Edward Penfield]] |
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==Notes== |
==Notes== |
Revision as of 16:16, 27 October 2011
Edward Penfield (June 2, 1866 – 1925) was a leading American illustrator in the era known as the "Golden Age of American Illustration" and he is considered the father of the American Poster. His work has been included in almost every major book on American Illustration or the history of the poster. He is also a major figure in the evolution of graphic design.[1]
Youth and training
He was born June 2, 1866 in Brooklyn, New York to Ellen Lock Moore and Josiah B. Penfield. He first studied at New York's Art Student's League. He worked under George de Forest Brush, who was known for his romantic scenes of American Indian life. He first worked for Harper's Weekly and later became art director. He developed his own unique style of simplified figures with bold outlines in settings free of extraneous detail. He wrote and published a book titled Holland Sketches, which was published by Scribner's in 1907.[2]
Poster designs
His posters were bold and stood out from a distance with great clarity. As artists like Alphons Mucha, Theophile-Alexandre Steinlen and Toulouse-Lautrec popularized the poster in Europe, Penfield accomplished the same feat in the United States. For his posters, Penfield utilized simple shapes and a limited palette of colors that lent themselves to the primitive methods of reproduction of the era.
Gallery
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Harper's Magazine, June 1896, by Edward Penfield
Notes
References
- Walt Reed, America's Great Illustrators, Abbeville Press, 1979, p. 114
- Edward Penfield, Holland Sketches, Charles Scribner's Sons, 1907