Ozzie Kotani: Difference between revisions

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Ozzie Kotani is a slack-key guitar player and a well-respected teacher, arranger, solo performer and accompanist.

Kotani was born in 1956 in Honolulu, Hawaii in the neighborhood of Pauoa. He learned how to play the 'ukulele in fourth grade, but his interest in kī hō‘alu, or Hawaiian slack key guitar, was sparked in high school when he heard Keola Beamer on the radio.

In 1975, Kotani enrolled in Peter Medeiros' slack key guitar class at the University of Hawaii Continuing Education program. In 1976, Kotani began to study privately with slack key legend Sonny Chillingworth. Kotani returned to the University of Hawai'i program in 1986 to teach and pass on his knowledge of the Hawaiian slack key style to others.

Kotani recorded his first album, Classical Slack, in 1988. Kotani followed up his debut with Kani Kī hō‘alu in 1995, To Honor a Queen: The Music of Lili'uokalani in 2002 and Paka Ua (Raindrops) in 2005.

Teaming with Dennis Ladd in 2000, Kotani published his first instruction book on slack key guitar titled Guitar Playing Hawaiian Style: Kī Hō‘alu An Instrumental Method For Slack Key Volume One.

Kotani is known for his use of the nylon string guitar, a vocalizing approach to ballads, his use of atypical chord progressions, rolls played with the thumb and three fingers and a stand-up bass-type sound on the low strings on the first and third beats of the measure.

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 '''Ozzie Kotani''' is a slack-key guitar player and a well-respected teacher, arranger, solo performer and accompanist.
-Ozzie was born in 1956 in Honolulu, Hawaii in the neighborhood of Pauoa.  He learned how to play the 'ukulele in fourth grade, but his interest in kī hō‘alu, or Hawaiian [[slack key guitar]], was sparked in high school when he heard [[Keola Beamer]] on the radio.
+Kotani was born in 1956 in Honolulu, Hawaii in the neighborhood of Pauoa.  He learned how to play the 'ukulele in fourth grade, but his interest in kī hō‘alu, or Hawaiian [[slack key guitar]], was sparked in high school when he heard [[Keola Beamer]] on the radio.
-In 1975, Ozzie enrolled in Peter Medeiros' slack key guitar class at the [[University of Hawaii]] Continuing Education program.  In 1976, Ozzie began to study privately with slack key legend [[Sonny Chillingworth]].  Ozzie returned to the University of Hawai'i program in 1986 to teach and pass on his knowledge of the Hawaiian slack key style to others.
+In 1975, Kotani enrolled in Peter Medeiros' slack key guitar class at the [[University of Hawaii]] Continuing Education program.  In 1976, Kotani began to study privately with slack key legend [[Sonny Chillingworth]].  Kotani returned to the University of Hawai'i program in 1986 to teach and pass on his knowledge of the Hawaiian slack key style to others.
-Ozzie recorded his first album, ''Classical Slack'', in 1988. Ozzie followed up his debut with ''Kani Kī hō‘alu'' in 1995, ''To Honor a Queen: The Music of Lili'uokalani'' in 2002 and ''Paka Ua (Raindrops)'' in 2005.
+Kotani recorded his first album, ''Classical Slack'', in 1988. Kotani followed up his debut with ''Kani Kī hō‘alu'' in 1995, ''To Honor a Queen: The Music of Lili'uokalani'' in 2002 and ''Paka Ua (Raindrops)'' in 2005.
-Teaming with Dennis Ladd in 2000, Ozzie published his first instruction book on slack key guitar titled ''Guitar Playing Hawaiian Style:  Kī Hō‘alu An Instrumental Method For Slack Key Volume One''.
+Teaming with Dennis Ladd in 2000, Kotani published his first instruction book on slack key guitar titled ''Guitar Playing Hawaiian Style:  Kī Hō‘alu An Instrumental Method For Slack Key Volume One''.
-Ozzie is known for his use of the nylon string guitar, a vocalizing approach to ballads, his use of atypical chord progressions, rolls played with the thumb and three fingers and a stand-up bass-type sound on the low strings on the first and third beats of the measure.
+Kotani is known for his use of the nylon string guitar, a vocalizing approach to ballads, his use of atypical chord progressions, rolls played with the thumb and three fingers and a stand-up bass-type sound on the low strings on the first and third beats of the measure.