Schriftguss AG

Schriftguss AG

Industry	Type foundry
Headquarters	Dresden, Germany

Schriftguss AG was a type foundry in East Germany. It was probably incorporated into VEB Typoart some time after 1945.

Typefaces

These foundry types were produced by Schriftguss:

• Arpke Antiqua (1928, Otto Arpke)
• Armin-Gotisch (1933, Fritz Müller)
• Burgund (Martin Wilke)
• Butterfly (1927, Willy Schumann)
  • Butterfly Halbfette (1928, Willy Schumann)
• Capitol (1931, K. H. Schaefer)
• Cursiva Minosa
• Cursiva Saxonia Preta
• Demeter (Peter A. Demeter), later cast by VEB Typoart.
• Diamant (1937, J. Lehmann)
• Divina (1930, W. Berg)
• Energos (1932, Arno Drescher)
• Fao (1938, H.-R. Müller), Nick Curtis used this as the basis for his Fargo Faro (2007).
• Gilden-Fraktur (1937)
• Golf (1935, H. R. Möller)
• Grotesca VI Mercur
• Härtel Roman + Bold (1928)
• Holländisch (Peter A. Demeter), later cast by VEB Typoart.
• Hollandeza Larga
• Jasmin (1929)
• Jean-Paul-Schrift (1798)
• Kursachen (1937, Peterpaul Weiß), digitized and extended by Patrick Griffin at Canada Type as Blackhaus (2005).
• Lehmann-Fraktur (1919, J. Lehmann)
• Lido (1936, A. Auspurg)
• Marggraff-Deutsch
  • Halbfette + Fette (1939, Gerhardt Marggraff)
  • Leichte (1939, Gerhardt Marggraff)
• Marggraff Light Italic (1929, Gerhardt Marggraff)
• Orchidea (1937, K. H. Schaefer)
• Pentape (1935, Walter Schnippering)
• Regatta (1935, H. R. Möller)
• Rembrandt Meia Preta
• Romana Hamburguesa
• Schaefer Versalien (1927, K. H. Schaefer)
• Sinkwitz-Gotisch (1942, Paul Sinkwitz)
• Splendor (1937, W. Berg)
• Troubadour Magere (1927, Willy Schumann)
• Typo Klinger
• Versaes Kress
• Versaes Schaefer
• Wieynck Gothic (Heinrich Wieynck)
• Wieynck-Werkschrift (1930, Heinrich Wieynck)
• WieynckGotischLicht (1926, Heinrich Wieynck)