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'''Giovanni Muzio''' (February 12, 1893 - May 21, 1982) was an Italian architect. Muzio was born and died in Milan and is most closely associated with the [[Novecento Italiano]] group.
'''Giovanni Muzio''' (February 12, 1893 - May 21, 1982) was an Italian architect. Muzio was born and died in Milan and is most closely associated with the [[Novecento Italiano]] group.


After service in [[World War I]] Muzio began his practice in 1920 and is responsible for the best-known work of the Novecento movement, the 1922 residential block called the Ca'Brütta ("Ugly House") on the Via Moscova in Milan. The style is a stripped-down neo-classicism, five stories on a rounded corner patterned with real and blind arches, and bands of color for each story.
After service in [[World War I]] Muzio began his practice in 1920 and is responsible for the best-known work of the Novecento movement, the 1922 residential block called the Ca' Brutta ("Ugly House") on the Via Moscova in Milan. The style is a stripped-down neo-classicism, five stories on a rounded corner patterned with real and blind arches, and bands of color for each story.


Other buildings include the Milan Tennis Club (1923-9), the Banca Bergamasca (1924-7), the [[Santa Maria Annunciata in Chiesa Rossa]] (1932) and exhibition buildings for the 1930 Triennale exhibition, with [[Gio Ponti]] and the artist [[Mario Sironi]].
Other buildings include the Milan Tennis Club (1923-9), the Banca Bergamasca (1924-7), the [[Santa Maria Annunciata in Chiesa Rossa]] (1932) and exhibition buildings for the 1930 Triennale exhibition, with [[Gio Ponti]] and the artist [[Mario Sironi]].

Revision as of 08:27, 27 April 2011

Giovanni Muzio (February 12, 1893 - May 21, 1982) was an Italian architect. Muzio was born and died in Milan and is most closely associated with the Novecento Italiano group.

After service in World War I Muzio began his practice in 1920 and is responsible for the best-known work of the Novecento movement, the 1922 residential block called the Ca' Brutta ("Ugly House") on the Via Moscova in Milan. The style is a stripped-down neo-classicism, five stories on a rounded corner patterned with real and blind arches, and bands of color for each story.

Other buildings include the Milan Tennis Club (1923-9), the Banca Bergamasca (1924-7), the Santa Maria Annunciata in Chiesa Rossa (1932) and exhibition buildings for the 1930 Triennale exhibition, with Gio Ponti and the artist Mario Sironi.

Gallery

External links

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