Vijay (actor) and John Philoponus: Difference between pages

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'''John Philoponus''' (''ca.'' 490–''ca.'' 570 CE), also known as John Grammarian of Alexandria, was a Christian and Aristotelian commentator and the author of a considerable number of philosophical treaties and theological works. Although chronologically John Philoponus belongs to the era when the late antiquity shifts to early Middle Ages, he was the most cited author in the works of the young Galileo Galilee (See more: B. Mitrovic: Leon Batista Alberti and the Homogenity of Space,in'' The Journal of the Society of Architectural Historians, vol 63, No 4,(2004),p.424-439).''
''This article is about the Indian film actor. For other uses see [[Vijay (disambiguation)]]''
{{Infobox actor
| name = Vijay
| image =<!-- Azhagiya-Tamilmagan-224.jpg -->
| imagesize =
| caption = Vijay in ''[[Azhagiya Thamizh Magan]]''
*| birthdate ={{birth date and age|1974|6|22}}
| location ={{flagicon|IND}} [[Chennai]], [[Tamil Nadu]], [[India]]
| birthname = Joseph Vijay Chandrasekhar
| othername = ''Ilayathalapathy'', Dr. Vijay
| Children = Jason Sanjay, Divya Saasha
| homepage =
| notable role =
}}


==Life==
'''Vijay''' ([[Tamil language|Tamil]]: விஜய்), (born '''Joseph Vijay Chandrasekhar''' on [[June 22]], [[1974]]) is a [[Tamil film]] [[actor]] and [[playback singer]]. He began his acting career doing minor, uncredited roles as a child artist, produced by his father [[S. A. Chandrasekhar]]. Today he is known for his pacy dance sequences and his stereotypical acting style. He is referred to as ''Ilayathalapathy'' (transliterally meaning "Young General"), which is always used along with his name in film credits<ref>[http://www.vijaynet.com/profile/bg.php Vijay's Biography]</ref>.


Philoponus' life is closely associated to the birth of a distinctive Byzantine civilization. That culture represented a direct continuation of the old Roman Empire. The sixth century was a time when Rome’s survival relied on the preservation of significant elements of both classical Hellenic texts which are eventually translated into Latin, and patristic learning which generally reflected inferior spiritual direction. It was a time when emperor Justinian claimed his right to play a major role as a leader of the Christian religious establishment which surpassed a Byzantium culture to the separation of a Christian community from the rest of Christendom(7).In such circumstances, when the learning and knowledge was given a strong emphasis, John Philoponus has lived and worked, primarily as a teacher of natural sciences. However, in the second part of his life, John Philoponus has given up from his strictly philosophical and scientific activity and devoted himself to the Christian theology. While the first part of Philophonus’ life was marked by the critique of Aristotle and was closely linked to the Alexandrian Neoplatonic School, the second part was devoted to the development of his major theological argument according to which all material objects were brought into being by God (''Arbiter'', 52A-B). Philophonus’ doctrine on Christ’s duality, according to which in Christ remain two united substances, united but divided, is analogous to the union of the soul and body in human beings and coincides with the miaphysite school of thought.
==Personal Background==
Joseph Vijay was born on [[June 22]], [[1974]] to film producer [[S. A. Chandrasekhar]] and Shoba Chandrasekhar, a playback singer. He had a sister named Vidhya who died at the age of two. Vijay studied Visual Communications at Loyola College, but dropped out to pursue an acting career. He was interestingly classmates with [[Surya Sivakumar]], [[Yuvan Shankar Raja]], [[Karthik Raja]], and [[Vishnuvardhan (director)|Vishnuvardhan]].


==Writings==
He married Sangeetha on [[August 25]], [[1999]]. They have two children: Jason Sanjay, born on [[August 26]], [[2000]] in [[London]], and Divya Saasha, born on [[September 9]], [[2005]] in [[Chennai]].


John Philoponus wrote at least 40 items on diverse subjects such as grammar, mathematics, physics, chemistry, and theological works . The authorship of the portion of his work, particularly the third book of the work entitled ''De Anima'' causes disputes.
==Acting Career==

===Acting Style===
'''Philosophical Commentaries'''
He began his acting career doing minor, uncredited roles as a child artist in Kollywood. Today he is known for his pacy dance sequences and his stereotypical acting style. He is referred to as Ilaya Thalapathy, which is also always used along with his name in credits. One can expect Vijay films to contain the art of entertaining people with dialogues, songs, dances, and superhero fight scenes.

The commentaries of the late antiquity and early Middle Ages aimed to teach audience. In that regard, the repetitive nature of Philoponus’ commentaries demonstrates his pedagogical awareness. Although in the abstract manner, Philoponus is chiefly focused on the concept in question.
Most of Philoponus’ early philosophical works strive to define the distinction between matter, extension, place and various kinds of change.
For example, the commentary ''Against Aristotle on the Eternity of the World'' represents a standardized description of Aristotelian natural philosophy (1). Both Aristotle and Philoponus argue that in kinds of change there are differences, in their form and matter.
In'' Physics'', Aristotle operates with the idea of places, but dismisses the existence of space. The idea that came from Plato and was developed by Aristotle has been evolved by Philoponus. Philoponus attempts to combine the idea of homogeneous space with the Aristotelian system (2). The argument made by Philoponus is that substances by themselves require some determinate quantity for their being. Similarly to Aristotle, who rejected the immaterial things,and in contrast to Plato whose metaphysics accepted immaterial substances, Philoponus’ concept of substance refers to the material objects.
Concerning the discussion on the space, Philoponus’ claim that from every point in space is possible to draw identical figures, made him to be perceived as an innovative thinker who influenced later Renaissance scholars, for instance, Gianfranceso Pico della Mirandola and Galileo Galilee.Thus, Philoponus' idea of perspective signifies the concept of space as immaterial three-dimensional medium in which objects are located (2).

In the third book of ''De Anima'', entitled ''De Intellectu'', Philoponus analyzes the doctrine of the intellect. The author (Philoponus or Pseudo-Philoponus?) sets the theory on the role and functioning of the active intellect (3).On one hand, there is the active intellect, and on the other, the idea of perception awareness or how we are aware that we are perceiving. In other words, in this reflective philosophy, there is a rationalist conclusion which emphasizes a relation between self and truth which leads to the discussion of the nature of knowledge.
According to this view, the knowledge is identical to its object, since the self-awareness of perception is divorced from the irrational soul.Therefore, the understanding arises through the identification of the intellect and its object. More specifically, perception deals only with material things (6).

Philoponus has raised the central question of the scientific and philosophical Aristotle’s work on chemistry.The work called ''On Generation and Corruption'' examines the question of how is the mixture (chemical combination) possible? Philoponus’ contribution to the topic is in his new definition of potential, the third of the seven elements criterions. There are various interpretations of the theory of mixture, but it seems that Philoponus is rather refining Aristotle’s approach than rejecting it. One of interpreters of Philophonus’ work on the theory of mixture, De Haas, implies that “no element can posses a quality essential to it except to a superlative extent” (De Haas, in Wood & Weisberg, 2004) (4).

'''Theological Treaties'''

Philoponus’ major Christological work is ''Arbiter''. The work is written shortly before the Second Council of Constantinople (533 AD)and it was translated and edited by A. Sandra in 1930.It became famous in regard to its doctrine on resurrection. Similarly to ideas presented in ''Physics'', Philoponus in the work titled ''Arbiter'' states that our corrupted bodies (material things) will be eventually brought into being (matter and form) by God (5).

==Historiographical Contribution==

'''Relation to Contemporaries'''

John Philophonus’ Christological “opus magnum” stands in the line with St. Cyril of Alexandre and Severus of Antioh (5). Philophonus asserted the understanding of Christ as a divine and a human, in opposition to Chalcedonian authors who strived to reach a middle ground (See more on miaphysite school and its scholars in Encyclopaedia Britannica).

''' Influence on Later History Writing'''

Philoponus’ view of space as homogeneity is influenced by the Hellenic teaching of Aristotle. However, Philoponus developed this concept further together with his contemporaries, Simplicius and Strato (2). This concept iguided the Reneissance theory of perspective, particularly the one highlighted by Leon Batista Alberti, and other architectural masters.

==Bibliography==
'''Editions and Translations'''
Vijay's films often open large in [[India]] and, more recently, in several other countries as well. Vijay's films are noted to have a minimum guaruntee of collection at box offices. Vijay's stereotypical style of entertainment is often compared to the styles of [[M. G. Ramachandran]] and [[Rajinikanth]]. This made many film critics to look apon Vijay as the successor of the two actors and christen him as the next [[super star]] of [[Tamil cinema]].


On words with different meanings in virtue of a difference of accent (De vocabulis quae diversum significatum exhibent secundum differentiam accentus), ed. L.W. Daly, American Philosophical Society Memoirs 151, Philadelphia: American Philosophical Society, 1983.
=== Films ===
Vijay debuted as a lead role actor in the [[1992]] film ''[[Naalaya Theerpu]]'', produced by his father, then he co-stared with [[Vijayakanth]] in the film ''[[Sendhoorapandi]]''. This film helped Vijay to become popular in the interior areas of Tamil Nadu. Films like ''[[Rasigan]]'', ''[[Vishnu]]'', and ''[[Deva]]'' followed, which all helped to increase Vijay's star value. Vijay is also one of the few lead actors of his generation to co-star with veteran actor [[Sivaji Ganesan]]. This opportunity came in the film ''[[Once More]]'', directed by [[S. A. Chandrasekhar]] in [[1994]].


Commentary on Aristotle's ‘On Generation and Corruption’, ed. H. Vitelli, Commentaria in Aristotelem Graeca (henceforward CAG) XIV 2, Berlin: Reimer, 1897.
The year [[1996]] saw a blockbuster hit in the Vikraman-directed film ''[[Poove Unakkaga]]'' which helped Vijay to establish as a bankable star in Tamil films. He found more success with films that followed, which had an unorthodox climax like ''[[Love Today]]'', ''[[Kadhalukku Mariyadhai]]'' and ''[[Priyamudan]]''. ''Kadhalukku Mariyadhai'' made Vijay receive that year's [[Tamil Nadu]] state Best Actor Award.


Commentary on Aristotle's ‘De Anima’ ed. M. Hayduck, CAG XV, Berlin: Reimer, 1897.
Following ''[[Thulladha Manamum Thullum]]'', the films ''[[Endrendrum Kadhal]]'', ''[[Nenjinile]]'', ''[[Minsara Kanna]]'' and ''[[Kannukkul Nilavu]]'' failed to meet his previous success. He decided not to commit in films that took a year to release, which changed his trend. His next venture was ''[[Kushi]]'' which was a blockbuster of [[2000]]. The following films like ''[[Priyamanavale]]'', ''[[Friends (2001 film)|Friends]]'' and ''[[Badri]]'' were once again successful for Vijay
Commentary on Aristotle's ‘Categories’, ed. A. Busse, CAG XIII 1, Berlin: Reimer, 1898.


Commentary on Aristotle's ‘Prior Analytics’, ed. M. Wallies, CAG XIII 2, Berlin: Reimer, 1905.
Later on, he starred in ''[[Shahjahan (film)|Shahjahan]]'', ''[[Thamizhan]]'', ''[[Youth (film)|Youth]]'', and ''[[Bagavathi]]'' which maintained Vijay's success. However, the films that followed, which were ''[[Vaseegara]]'', ''[[Pudhiya Geethai]]'', and his delayed film ''[[Udhaya]]'' became low grossers and flopped. This highly affected Vijay's success rate and he was looked down upon by film critics and producers.


Commentary on Aristotle's ‘Posterior Analytics’, ed. M. Wallies, CAG XIII 3, Berlin: Reimer, 1909.
His string of failure films was broken by ''[[Thirumalai]]'' in [[2004]] which had Vijay in a new facial appearance. ''[[Ghilli]]'', which was also released in [[2004]], is considered to be one of Vijay's biggest hits today. Another hit had followed, which was ''[[Madhurey]]''. It was in this year which Vijay began to portray his current mass-hero, stereotypical acting style. The following year had other major successes such as ''[[Thirupaachi]]'', ''[[Sachein]]'', and ''[[Sivakasi (film)|Sivakasi]]''.


Commentary on Aristotle's ‘Physics’, ed. H. Vitelli, CAG XVI-XVII, Berlin: Reimer, 1887?88.
[[Image:Pokkiri01.jpg|thumb|right|Vijay awarded by [[Kamal Haasan]] for the success of ''[[Pokkiri]]''.]]
Vijay's only flop film since the release of ''Thirumalai'' was ''[[Aathi]]'', which released in [[2006]]. ''Aathi'' had created some controversy during that year and many film distributors decided on thinking twice before handling any new Vijay films. This resulted in Vijay taking a break from acting for nearly a year, until the launch of ''[[Pokkiri]]'', directed by [[Prabhu Deva]], which released in [[2007]]. ''Pokkiri'' had met the same success as ''Ghilli'' did, in which Vijay was given a different style to act as. This made Vijay receive an honourary doctorate title from the M. G. R. University. Later that year, Vijay appeared in ''[[Azhagiya Thamizh Magan]]'', and for the first time, he appeared in dual roles. His roles in this film, as the antagonist and protagonist, made him to be considered for a [[Filmfare Best Actor Award (Tamil)|Filmfare Best Tamil Actor Award]].
Trans. A.R. Lacey, Philoponus, On Aristotle's Physics 2, London: Duckworth, 1993.
M. Edwards, Philoponus, On Aristotle's Physics 3, London: Duckworth, 1994.


Vijay's latest film, ''[[Kuruvi]]'', managed to release worldwide with much hype,but failed miserably in the box office. Directed by Dharani, ''Kuruvi'' also had [[Trisha Krishnan]] and [[Ashish Vidhyarthi]] in the cast and the film's score was composed by [[Vidyasagar]], the same team that worked with Vijay in ''Ghilli'' four years ago.
D. Furley, Philoponus, Corollaries on Place and Void, London: Duckworth, 1991.


On the Eternity of the World against Proclus (De aeternitate mundi contra Proclum), ed. H. Rabe, Leipzig: B.G. Teubner, 1899; repr. Hildesheim: Olms, 1984.
Vijay is currently acting in ''[[Villu]]'', again under Prabhu Deva's direction. The film is expected to be released in [[2009]]. He will also make a special appearance in the film ''[[Pandhayam]]'', starring [[Nithin Sathya]] and directed by [[S. A. Chandrasekhar]].
On the Eternity of the World against Aristotle (De aeternitate mundi contra Aristotelem), not extant; fragments reconstr. and trans. C. Wildberg

Philoponus, Against Aristotle on the Eternity of the World, London: Duckworth, 1987.
Commentary on Aristotle's ‘Meteorology’, ed. M. Hayduck, CAG XIV 1, Berlin: Reimer, 1901.
Commentary on Nicomachus' Introduction to Arithmetic, ed. R. Hoche, Part I/II Wesel: A. Bagel, 1864/65, Part III Berlin: Calvary, 1867.

On the Creation of the World (De opificio mundi), ed. W. Reichardt, Leipzig: Teubner, 1897.

Arbiter (Diaitêtês text with Latin trans. A. Sanda, Opuscula monophysitica Ioannis Philoponi, Beirut: Typographia Catholica PP.Soc.Jesu., 1930.

'''Secondary Sources'''

'''1''' Pearson, C. , John Philoponus, ''On Aristotle’s One Coming to Be and Perishing 1.1-5 and 1.6-2.4''. (book review). Early Science and Medicine vol. 4 (2004),p. 424-439.

'''3''' Lautner, P. De Anima III:Quest for an author.''The Classical Quaterly, New Series'', vol. 42,Number 2 (1992),p. 510-512.

'''2.''' Mitrovic, B. Leon Batista Alberti and the Homogenity of Space. ''The Journal of the Society of Architectural Historians'' ,vol. 63, Number 4 (2004),p. 424-439.

'''4''' Wood, R. & Weisberg, M. Interpreting Aristotle on mixture: problems about elemental composition from Philoponus to Cooper. Studies in History and Philosophy of Science, vol.35 (2004), p. 681-706.
'''5''' Chonietes, N. A Neglected Witness to the Greek Text of John Philoponus’ Arbiter. ''The Journal of Theological Studies'', vol. 48, Number 2(1997),p. 540-548.


'''6''' Hubler, N. The Perils of Self-Perception:Explanations of Appreciation in the Greek Commentaries on Aristotle. ''The Review of Metaphysics'',vol. 59, Number 2,p. 287-311.
==Awards==
* [[Tamil Nadu]] state's Best Actor Award in [[1997]] for ''[[Kadhalukku Mariyadhai]]'' [[Image:Shankar vijay.jpg|thumb|right|Vijay with the honourary doctor award, along with director [[S. Shankar]].]]


'''7''' Sullivan, R. E, Sherman & D.A & Harrison J. B. (ed.) ''Short History of Western Civilization''. (1994). New York: McGraw-Hill. pp. 153-222.
* Roja Duke's Best Actor Award for the film ''[[Kadhalukku Mariyadhai]]''
* M.G.R. Award in [[2000]]
* Dinakaran Best Actor Award in [[2004]] for ''[[Ghilli]]''
* Film Today Best Actor Award in [[2005]] for ''[[Ghilli]]''
* Honorary doctorate in [[2007]]
* Sunfeast Music Awards - Best Hero For The Film ''[[Pokkiri]]'' in 2007


==Singing Career==
==References==
Vijay also sang several songs in his own films. He has also lent his voice for songs for other actors, which were films produced by S. A. Chandrasekhar. Vijay's songs are often of ghaana-style folk beat type. The last song Vijay sang was ''Vaadi Vaadi'' from ''[[Sachien]]'' in [[2005]].


<references/>
==Filmography==
* {{1911}}
===As actor===
== Further reading ==
{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;"
* {{cite book|title=Concepts of Space: The History of Theories of Space in Physics|author=Max Jammer|chapter=The Emancipation of the Space concept from Aristotelianism|pages=53&ndash;94|date=1993|publisher=Courier Dover Publications|id=ISBN 0486271196}}
|- bgcolor="#CCCCCC" align="center"
* Richard Sorabji ''John Philoponus and the Rejection of Aristotelian science'' Cornell University Press 1993
! Year !! Movie !! Role !! Notes
|-
|[[1992 in film|1992]] || ''[[Naalaya Theerpu]]'' || Vijay ||
|-
|[[1993 in film|1993]] || ''[[Sendhoorapandi]]'' || Vijay ||
|-
|rowspan="2"| [[1994 in film|1994]] || ''[[Deva (film)|Deva]]'' || Deva ||
|-
| ''[[Rasigan]]'' || Vijay ||
|-
|rowspan="3"| [[1995 in film|1995]] || ''[[Rajavin Parvaiyile]]'' || Vijay ||
|-
| ''[[Vishnu (film)|Vishnu]]'' || Vishnu ||
|-
| ''[[Chandralekha]]'' || Rahim ||
|-
|rowspan="5"| [[1996 in film|1996]] || ''[[Coimbatore Maaple]]'' || Vijay ||
|-
| ''[[Poove Unakkaga]]'' || Raja ||
|-
| ''[[Vasantha Vaasal]]'' || Vijay ||
|-
| ''[[Maanbumigu Maanavan]]'' || Shiva ||
|-
| ''[[Selva (film)|Selva]]'' || Selva ||
|-
|rowspan="5"| [[1997 in film|1997]] || ''[[Kaalamellam Kaathiruppen]]'' || Kannan ||
|-
| ''[[Love Today (film)|Love Today]]'' || Ganesh ||
|-
| ''[[Once More (film)|Once More]]'' || Vijay ||
|-
| ''[[Nerrukku Ner]]'' || Vijay ||
|-
| ''[[Kadhalukku Mariyadhai]]'' || Jeevanandam || '''Winner:''' [[Tamil Nadu State Film Award for Best Actor]]
|-
|rowspan="3"| [[1998 in film|1998]] || ''[[Ninaithen Vandhai]]'' || Gokulakrishnan ||
|-
| ''[[Priyamudan]]'' || Vasanth ||
|-
| ''[[Nilaave Vaa]]'' || Seluvai ||
|-
|rowspan="4"| [[1999 in film|1999]] || ''[[Thulladha Manamum Thullum]]'' || Kutty ||
|-
| ''[[Endrendrum Kadhal]]'' || Vijay ||
|-
| ''[[Nenjinile]]'' || Karunakaran ||
|-
| ''[[Minsara Kanna]]'' || Kannan ||
|-
|rowspan="3"| [[2000 in film|2000]] || ''[[Kannukkul Nilavu]]'' || Gautham ||
|-
| ''[[Khushi (2000 film)|Khushi]]'' ||Shiva ||
|-
| ''[[Priyamaanavale]]'' || Vijay ||
|-
|rowspan="3"| [[2001 in film|2001]] || ''[[Friends (tamil film)|Friends]]'' || Aravind ||
|-
| ''[[Badri (2001 film)|Badri]]'' || Badri ||
|-
| ''[[Shahjahan (film)|Shahjahan]]'' || Ashok ||
|-
|rowspan="4"| [[2002 in film|2002]] || ''[[Thamizhan]]'' || Surya ||
|-
| ''[[Youth (film)|Youth]]'' || Shiva ||
|-
| ''[[Bhagavathi (film)|Bhagavathi]]'' || Bhagavathi ||
|-
| ''[[Vaseegara]]'' || Boopathy ||
|-
|rowspan="2"| [[2003 in film|2003]] || ''[[Puthiya Geethai]]'' || Sarathy ||
|-
| ''[[Thirumalai]]'' || Thirumalai ||
|-
|rowspan="3"| [[2004 in film|2004]] || ''[[Udhaya]]'' || Udhayakumaran ||
|-
| ''[[Ghilli]]'' ||Saravanavelu||
|-
| ''[[Madhurey]]'' || Madhurey ||
|-
|rowspan="4"| [[2005 in film|2005]] || ''[[Thirupaachi]]'' || Sivagiri || '''Winner:''' [[Tamil Nadu State Film Award (Special Prizes)|Tamil Nadu State Film Special Award for Best Actor]]
|-
| ''[[Sachien]]'' || Sachien ||
|-
|''[[Sukran]]'' || Sukran || Cameo appearance
|-
| ''[[Sivakasi (film)|Sivakasi]]'' ||Sivakaasi (Muthappa) ||
|-
|[[2006 in film|2006]] || ''[[Aathi]]'' || Aathi ||
|-
|rowspan="2"| [[2007 in film|2007]] || ''[[Pokiri (Tamil film)|Pokkiri]]'' || Thamizh (Sathyamoorthy) || Nominated: [[Filmfare Best Actor Award (Tamil)|Filmfare Best Tamil Actor Award]]
|-
|| ''[[Azhagiya Thamizh Magan]]'' ||Guru/Prasad ||
|-
|rowspan="2"| [[2008 in film|2008]] || ''[[Kuruvi]]'' || Vetrivel||
|-
| ''[[Pandhayam]]'' || Vijay || Cameo appearance
|-
|rowspan="2"| [[2009 in film|2009]] || ''[[Villu]]'' || Pughazh || Filming
|-
| ''[[Vettaikaran]]'' || || Filming
|}


===As playback singer===
== See also ==
{| border="2" cellpadding="4" cellspacing="0" style="margin: 1em 1em 1em 0; background: #f9f9f9; border: 1px #aaa solid; border-collapse: collapse; font-size: 95%;"
|- bgcolor="#CCCCCC" align="center"
! Year !! Song !! Film !! Other notes
|-
|[[2005 in film|2005]] || Vaadi Vaadi || ''[[Sachein]]'' ||
|-
|[[2002 in film|2002]] || Coca Cola || ''[[Bagavathi]]'' ||
|-
|[[2002 in film|2002]] || Ullathai Killadhae || ''[[Thamizhan]]'' || Sung with co-star, [[Priyanka Chopra]]
|-
|[[2001 in film|2001]] || Ennoda Laila || ''[[Badri]]'' ||
|-
|[[2000 in film|2000]] || Mississippi Nadhi Kulunga || ''[[Priyamanavale]]'' ||
|-
|[[1999 in film|1999]] || Thanganirathuku || ''[[Nenjinile]]'' ||
|-
|[[1998 in film|1998]] || Roddula Oru || ''[[Periyanna]]'' ||Vijay did playback singing for this song for [[Surya Sivakumar]]
|-
|[[1998 in film|1998]] || Juddadi Laila || ''[[Periyanna]]'' ||Vijay did playback singing for this song for [[Surya Sivakumar]]
|-
|[[1998 in film|1998]] || Thammadikkira Styla Pathu || ''[[Periyanna]]'' ||Vijay did playback singing for this song for [[Surya Sivakumar]]
|-
|[[1998 in film|1998]] || Kalathukku Oru Gana || ''[[Velai]]'' || Vijay did playback singing for this song for [[Vignesh (actor)|Vignesh]]
|-
|[[1998 in film|1998]] || Chandira Mandalathai || ''[[Nilaave Vaa]]'' ||
|-
|[[1998 in film|1998]] || Nilave... Nilave || ''[[Nilaave Vaa]]'' ||
|-
|[[1998 in film|1998]] || Mowriya Mowriya || ''[[Priyamudan]]'' ||
|-
|[[1997 in film|1997]] || Oh Baby Baby || ''[[Kadhalukku Mariyadhai]]'' ||
|-
|[[1997 in film|1997]] || Akhila Akhila || ''[[Nerrukku Ner]]'' ||
|-
|[[1997 in film|1997]] || Oormilaa Oormilaa || ''[[Once More (film)|Once more]]'' || Vijay sung this song together with his mother Shoba
|-
|[[1996 in film|1996]] || Chicken Karae || ''[[Selva (film)|Selva]]'' ||
|-
|[[1996 in film|1996]] || Anjaam Number Bussil Yeri || ''[[Kaalamellam Kaathiruppen]]'' ||
|-
|[[1996 in film|1996]] || Thiruppathy Ponaa Mottai || ''[[Maanbumigu Maanavan]]'' ||
|-
|[[1995 in film|1995]] || Bomboi Party Shilpa Shetty || ''[[Coimbatore Maaple]]'' ||
|-
|[[1994 in film|1994]] || Thottabettaa Rottu Melae || ''[[Vishnu (film)|Vishnu]]'' || Vijay sung this song together with his mother Shoba
|-
|[[1994 in film|1994]] || Adadaa Alamelu Aavin Pasumpaalu || ''[[Deva (film)|Deva]]'' ||
|-
|[[1994 in film|1994]] || Koththagiri Kuppammaa || ''[[Deva (film)|Deva]]'' ||
|-
|[[1994 in film|1994]] || Oru Kaditham || ''[[Deva (film)|Deva]]'' ||
|-
|[[1994 in film|1994]] || Bomboi City Sukkha Rotti || ''[[Rasigan]]'' ||
|-
|}
{| class="wikitable"


== References ==
{{reflist}}


== External links ==
==External links==
*[http://plato.stanford.edu/entries/philoponus/ Biography in the Stanford Encyclopedia of Philosophy]
* {{imdb name|id=0897201|name=Vijay}}


[[Category:5th century births]]
{{DEFAULTSORT:Vijay, Joseph}}
[[Category:Indian film actors]]
[[Category:6th century deaths]]
[[Category:Indian people]]
[[Category:6th century philosophers]]
[[Category:Tamil actors]]
[[Category:Byzantine philosophers]]
[[Category:Tamil people]]
[[Category:Christian philosophers]]
[[Category:Tamil Indians]]
[[Category:Religion and science]]
[[Category:Living people]]
[[Category:People from Chennai]]


[[bg:Йоан Филопон]]
[[ta:விஜய்]]
[[ca:Joan Filopò]]
[[es:Juan Filópono]]
[[it:Giovanni Filopono]]
[[hu:Philoponosz]]
[[pl:Jan Filopon]]
[[pt:João Filopono]]
[[ru:Иоанн Филопон]]
[[sh:Jovan Filopon]]
[[fi:Johannes Filoponos]]

Revision as of 17:59, 10 October 2008

John Philoponus (ca. 490–ca. 570 CE), also known as John Grammarian of Alexandria, was a Christian and Aristotelian commentator and the author of a considerable number of philosophical treaties and theological works. Although chronologically John Philoponus belongs to the era when the late antiquity shifts to early Middle Ages, he was the most cited author in the works of the young Galileo Galilee (See more: B. Mitrovic: Leon Batista Alberti and the Homogenity of Space,in The Journal of the Society of Architectural Historians, vol 63, No 4,(2004),p.424-439).

Life

Philoponus' life is closely associated to the birth of a distinctive Byzantine civilization. That culture represented a direct continuation of the old Roman Empire. The sixth century was a time when Rome’s survival relied on the preservation of significant elements of both classical Hellenic texts which are eventually translated into Latin, and patristic learning which generally reflected inferior spiritual direction. It was a time when emperor Justinian claimed his right to play a major role as a leader of the Christian religious establishment which surpassed a Byzantium culture to the separation of a Christian community from the rest of Christendom(7).In such circumstances, when the learning and knowledge was given a strong emphasis, John Philoponus has lived and worked, primarily as a teacher of natural sciences. However, in the second part of his life, John Philoponus has given up from his strictly philosophical and scientific activity and devoted himself to the Christian theology. While the first part of Philophonus’ life was marked by the critique of Aristotle and was closely linked to the Alexandrian Neoplatonic School, the second part was devoted to the development of his major theological argument according to which all material objects were brought into being by God (Arbiter, 52A-B). Philophonus’ doctrine on Christ’s duality, according to which in Christ remain two united substances, united but divided, is analogous to the union of the soul and body in human beings and coincides with the miaphysite school of thought.

Writings

John Philoponus wrote at least 40 items on diverse subjects such as grammar, mathematics, physics, chemistry, and theological works . The authorship of the portion of his work, particularly the third book of the work entitled De Anima causes disputes.

Philosophical Commentaries

The commentaries of the late antiquity and early Middle Ages aimed to teach audience. In that regard, the repetitive nature of Philoponus’ commentaries demonstrates his pedagogical awareness. Although in the abstract manner, Philoponus is chiefly focused on the concept in question. Most of Philoponus’ early philosophical works strive to define the distinction between matter, extension, place and various kinds of change. For example, the commentary Against Aristotle on the Eternity of the World represents a standardized description of Aristotelian natural philosophy (1). Both Aristotle and Philoponus argue that in kinds of change there are differences, in their form and matter. In Physics, Aristotle operates with the idea of places, but dismisses the existence of space. The idea that came from Plato and was developed by Aristotle has been evolved by Philoponus. Philoponus attempts to combine the idea of homogeneous space with the Aristotelian system (2). The argument made by Philoponus is that substances by themselves require some determinate quantity for their being. Similarly to Aristotle, who rejected the immaterial things,and in contrast to Plato whose metaphysics accepted immaterial substances, Philoponus’ concept of substance refers to the material objects. Concerning the discussion on the space, Philoponus’ claim that from every point in space is possible to draw identical figures, made him to be perceived as an innovative thinker who influenced later Renaissance scholars, for instance, Gianfranceso Pico della Mirandola and Galileo Galilee.Thus, Philoponus' idea of perspective signifies the concept of space as immaterial three-dimensional medium in which objects are located (2).

In the third book of De Anima, entitled De Intellectu, Philoponus analyzes the doctrine of the intellect. The author (Philoponus or Pseudo-Philoponus?) sets the theory on the role and functioning of the active intellect (3).On one hand, there is the active intellect, and on the other, the idea of perception awareness or how we are aware that we are perceiving. In other words, in this reflective philosophy, there is a rationalist conclusion which emphasizes a relation between self and truth which leads to the discussion of the nature of knowledge. According to this view, the knowledge is identical to its object, since the self-awareness of perception is divorced from the irrational soul.Therefore, the understanding arises through the identification of the intellect and its object. More specifically, perception deals only with material things (6).

Philoponus has raised the central question of the scientific and philosophical Aristotle’s work on chemistry.The work called On Generation and Corruption examines the question of how is the mixture (chemical combination) possible? Philoponus’ contribution to the topic is in his new definition of potential, the third of the seven elements criterions. There are various interpretations of the theory of mixture, but it seems that Philoponus is rather refining Aristotle’s approach than rejecting it. One of interpreters of Philophonus’ work on the theory of mixture, De Haas, implies that “no element can posses a quality essential to it except to a superlative extent” (De Haas, in Wood & Weisberg, 2004) (4).

Theological Treaties

Philoponus’ major Christological work is Arbiter. The work is written shortly before the Second Council of Constantinople (533 AD)and it was translated and edited by A. Sandra in 1930.It became famous in regard to its doctrine on resurrection. Similarly to ideas presented in Physics, Philoponus in the work titled Arbiter states that our corrupted bodies (material things) will be eventually brought into being (matter and form) by God (5).

Historiographical Contribution

Relation to Contemporaries

John Philophonus’ Christological “opus magnum” stands in the line with St. Cyril of Alexandre and Severus of Antioh (5). Philophonus asserted the understanding of Christ as a divine and a human, in opposition to Chalcedonian authors who strived to reach a middle ground (See more on miaphysite school and its scholars in Encyclopaedia Britannica).

Influence on Later History Writing

Philoponus’ view of space as homogeneity is influenced by the Hellenic teaching of Aristotle. However, Philoponus developed this concept further together with his contemporaries, Simplicius and Strato (2). This concept iguided the Reneissance theory of perspective, particularly the one highlighted by Leon Batista Alberti, and other architectural masters.

Bibliography

Editions and Translations

On words with different meanings in virtue of a difference of accent (De vocabulis quae diversum significatum exhibent secundum differentiam accentus), ed. L.W. Daly, American Philosophical Society Memoirs 151, Philadelphia: American Philosophical Society, 1983.

Commentary on Aristotle's ‘On Generation and Corruption’, ed. H. Vitelli, Commentaria in Aristotelem Graeca (henceforward CAG) XIV 2, Berlin: Reimer, 1897.

Commentary on Aristotle's ‘De Anima’ ed. M. Hayduck, CAG XV, Berlin: Reimer, 1897.

Commentary on Aristotle's ‘Categories’, ed. A. Busse, CAG XIII 1, Berlin: Reimer, 1898.

Commentary on Aristotle's ‘Prior Analytics’, ed. M. Wallies, CAG XIII 2, Berlin: Reimer, 1905.

Commentary on Aristotle's ‘Posterior Analytics’, ed. M. Wallies, CAG XIII 3, Berlin: Reimer, 1909.

Commentary on Aristotle's ‘Physics’, ed. H. Vitelli, CAG XVI-XVII, Berlin: Reimer, 1887?88.

Trans. A.R. Lacey, Philoponus, On Aristotle's Physics 2, London: Duckworth, 1993.

M. Edwards, Philoponus, On Aristotle's Physics 3, London: Duckworth, 1994.


D. Furley, Philoponus, Corollaries on Place and Void, London: Duckworth, 1991.

On the Eternity of the World against Proclus (De aeternitate mundi contra Proclum), ed. H. Rabe, Leipzig: B.G. Teubner, 1899; repr. Hildesheim: Olms, 1984.

On the Eternity of the World against Aristotle (De aeternitate mundi contra Aristotelem), not extant; fragments reconstr. and trans. C. Wildberg

Philoponus, Against Aristotle on the Eternity of the World, London: Duckworth, 1987.

Commentary on Aristotle's ‘Meteorology’, ed. M. Hayduck, CAG XIV 1, Berlin: Reimer, 1901.

Commentary on Nicomachus' Introduction to Arithmetic, ed. R. Hoche, Part I/II Wesel: A. Bagel, 1864/65, Part III Berlin: Calvary, 1867.

On the Creation of the World (De opificio mundi), ed. W. Reichardt, Leipzig: Teubner, 1897.

Arbiter (Diaitêtês text with Latin trans. A. Sanda, Opuscula monophysitica Ioannis Philoponi, Beirut: Typographia Catholica PP.Soc.Jesu., 1930.

Secondary Sources

1 Pearson, C. , John Philoponus, On Aristotle’s One Coming to Be and Perishing 1.1-5 and 1.6-2.4. (book review). Early Science and Medicine vol. 4 (2004),p. 424-439.

3 Lautner, P. De Anima III:Quest for an author.The Classical Quaterly, New Series, vol. 42,Number 2 (1992),p. 510-512.

2. Mitrovic, B. Leon Batista Alberti and the Homogenity of Space. The Journal of the Society of Architectural Historians ,vol. 63, Number 4 (2004),p. 424-439.

4 Wood, R. & Weisberg, M. Interpreting Aristotle on mixture: problems about elemental composition from Philoponus to Cooper. Studies in History and Philosophy of Science, vol.35 (2004), p. 681-706.

5 Chonietes, N. A Neglected Witness to the Greek Text of John Philoponus’ Arbiter. The Journal of Theological Studies, vol. 48, Number 2(1997),p. 540-548.

6 Hubler, N. The Perils of Self-Perception:Explanations of Appreciation in the Greek Commentaries on Aristotle. The Review of Metaphysics,vol. 59, Number 2,p. 287-311.

7 Sullivan, R. E, Sherman & D.A & Harrison J. B. (ed.) Short History of Western Civilization. (1994). New York: McGraw-Hill. pp. 153-222.

References

  • Public Domain This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. {{cite encyclopedia}}: Missing or empty |title= (help)

Further reading

  • Max Jammer (1993). "The Emancipation of the Space concept from Aristotelianism". Concepts of Space: The History of Theories of Space in Physics. Courier Dover Publications. pp. 53–94. ISBN 0486271196.
  • Richard Sorabji John Philoponus and the Rejection of Aristotelian science Cornell University Press 1993

See also

External links