Insert (performing arts)
An insert in the performing arts is a shorter self-contained performance that is inserted into a larger context. There are contributions to written works and contributions to events such as birthday parties. - As a rule, it is a question of closed forms that are inserted into an open form or of rehearsed numbers that are in a less defined sequence.
Insert in a recorded work
For example, poems that appear in a novel are called poem inserts. In the 19th century it was customary to compose new "interludes" for existing plays and operas. It can involve arias , choruses and dances act: "In that same year [1821] was Schubert , probably on Vogl's shut his, from the Direction of the Opera Theater, the invitation to the opera" The magic bells "(les clochettes) of Herold two To compose insert numbers ”.
A (larger) interlude between closed parts of a play or program (the so-called acts ) is called an interlude or entracte .
Singing, dancing, or slapstick numbers in the film are also referred to as interludes if it is primarily a feature film .
Deposit in an event
In contrast to background music, for example, a contribution to events or festivities briefs the full attention of society. It can be a vocal interlude, a musical interlude, a dance interlude, an inserted recitation or an acrobatic interlude ( trick ). In European tradition, this type of insert is derived from the entrée of the French court festivals of the 16th and 17th Century ago. - The English term for this is usually routine .
Individual evidence
- ↑ Friedrich G. Bauer: The poem deposits in Eichendorffs novella "The life of a ne'er-do" , in: Monatshefte for German lessons ., Vol 25, No. 5, 1933, pp 139-148.. http://www.jstor.org/stable/30168759
- ^ Heinrich Kreissle von Hellborn: Franz Schubert , Vienna: Carl Gerolds Sohn 1865, chap. IX, p. 213 [1]