Juan Ortiz de Zárate (composer)

Juan Ortiz de Zárate is an Argentine composer.

Zárate attended the La Lucila Conservatory and studied at the Universidad Católica Argentina . He continued his training in France at the IRCAM and in Germany at the University of Music and Performing Arts Stuttgart , where he was a student of Helmut Lachenmann . He wrote his dissertation at the University of Edinburgh . A scholarship from the German Academic Exchange Service made it possible to attend the Darmstadt summer courses between 1991 and 1994 .

His compositions have been performed at international competitions such as the Concurso Internacional de Composición del SODRE in Uruguay and the Concurso Internacional de Composición Rodolfo Halfter in Mexico. a. awarded with prizes from SADAIC and the Fondo Nacional de las Artes , the Premio Municipal and the Premio Regional-Secretaría de Cultura de la Nación . He teaches composition at the Universidad Católica Argentina and the Universidad Maimónides . He published articles in specialist journals and a. about his teacher Lachenmann and about Brian Ferneyhough .

Works

• Bsllada dell'Arte. for tenor, flute, violin and piano, 1986.
• Nocturno. for two guitars, 1986–87
• Un pequeno song. for clarinet and two guitars, 1987.
• Dos piezas breves. for flute, clarinet and two guitars, 1987.
• Musica para la Antigona de Jean Anouilh for piano, harp and orchestra, 1987–88
• ESSuper… for two violins, viola, cello, harp, piano, harpsichord and two percussionists, 1988.
• Leyenda. Ballet for orchestra, 1988.
• La Espada de Abbaddon. for orchestra, 1988–89
• Concierto para Orquesta. 1989-90
• Genesis. for mixed choir and organ, 1990.
• Reflexiones I. for flute, violin, piano and percussion, 1990–91
• Suoni immaginari. for flute, violin, guitar and percussion, 1990–91
• Sobre Heroes y Tumbas. for soprano and ten instruments, 1991.
• Libro del consejo. for tenor, baritone, children's choir, mixed choir and large orchestra, 1991.
• Pieza I. for string quartet, 1992.
• Tres dreary tigres. for wind quintet and piano, 1992–93
• Incident. for five percussionists, 1993–94
• Movimientos desintegra (b) les. for large orchestra, 1995–96
• Puntos, Regiones…, de Referencia for piano and orchestra, 1996–97
• (Otras) Estructuras profanas I. for marimba and four percussionists, 1997.
• A Christmas Carol. for flute, clarinet, violin, cello, mezzo-soprano, piano, two percussionists and electroacoustics, 1998.
• (Otras) Estructuras profanas II. For percussion, 1999.
• First Sight for K. for piano, 1999–2000
• Second Sight for K. for string quartet, 2000–01
• Escena XII. for soprano and piano, 2001–02 ·
• Entrada. for organ, 2002.
• K… , Chamber Opera, 2002–03
• Puntos de Contacto. for orchestra with harp and piano, 2003–04
• Madrigal Esperanzado. for mezzo-soprano, tenor, bass, trombone, harp, two percussionists and violin, 2004.
• Aldonza. for piano, 2004–05
• … Todo muda… for mixed choir a cappella, 2005.
• Escena CXIII. for two flutes, trumpet, voice, violin and piano, 2006.
• Breve Tratado sobre la Furia. for flute, clarinet, violin, cellu and piano, 2007-08
• Hubo pues in antes… for cello solo, 2008–09
• Can she excuse. for flute, guitar and voice, 2009.
• Pianissimo 1 y 2. for piano, 2008-09
• Monólogo V. for flute solo, 2010.
• Diario de un Proceso. Chamber Opera, 2009-11

swell

• Pontifica Universidad Católica de Valparaiso, Instituto de Música - Juan Ortiz de Zárate
• Reverbnation - Juan Ortiz de Zárate