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{{Short description|Canadian pianist, scholar, lecturer, and academic leader}} |
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{{BLP primary sources|date=April 2017}} |
{{BLP primary sources|date=April 2017}} |
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{{BLP sources|date=March 2017}} |
{{BLP sources|date=March 2017}} |
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{{Orphan|date=March 2017}} |
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'''Darla Crispin''' (born 12 March 1964) is a [[ |
'''Darla Crispin''' (born 12 March 1964) is a [[Canadians|Canadian]] pianist, scholar, lecturer and academic leader. She was the Director of Arne Nordheim Centre for Artistic Research (NordART) and Vice Rector for Research and Artistic Development at the [[Norwegian Academy of Music]] in [[Oslo]].<ref>{{Cite news|url=http://nmh.no/en/research/arne-nordheim-centre|title=The Arne Nordheim Centre for Artistic Research|access-date=2017-03-23|language=en|archive-url=https://web.archive.org/web/20170322112028/http://nmh.no/en/research/arne-nordheim-centre|archive-date=2017-03-22|url-status=dead}}</ref> |
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==Early life and education== |
==Early life and education== |
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Crispin was born in [[British Columbia]], |
Crispin was born in [[British Columbia]], Canada, and took her BMus at the [[University of Victoria]]. She later moved to the [[United Kingdom]], and had her Concert Recital Diploma from the [[Guildhall School of Music and Drama|Guildhall School of Music & Drama]], London, and an MMus and PhD in Historical Musicology from [[King's College London|King’s College]], [[London]]. |
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== Career == |
== Career == |
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She worked for several years with contemporary music ensembles in [[Netherlands|The Netherlands]], before she shifted her focus towards teaching and scholarship. She was responsible for developing postgraduate programmes at the [[Guildhall School of Music and Drama|Guildhall School]] and, later, at the [[Royal College of Music]], where she established, and was the first Head of the RCM Graduate School, being granted the title of HonRCM in 2009. |
She worked for several years with contemporary music ensembles in [[Netherlands|The Netherlands]], before she shifted her focus towards teaching and scholarship. She was responsible for developing postgraduate programmes at the [[Guildhall School of Music and Drama|Guildhall School]] and, later, at the [[Royal College of Music]], where she established, and was the first Head of the RCM Graduate School, being granted the title of HonRCM in 2009. |
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In 2008–2013 Crispin worked as a Research Fellow at the Orpheus Research Centre in Music (ORCiM).<ref>{{Cite web|url=http://www.orpheusinstituut.be/en|title=Homepage {{!}} orpheus|website=www.orpheusinstituut.be|language=en|access-date=2017-03-23}}</ref> Her areas of expertise are artistic research and musical modernity and historical musicology, especially the music of the [[Second Viennese School]]. Several of her |
In 2008–2013 Crispin worked as a Research Fellow at the Orpheus Research Centre in Music (ORCiM).<ref>{{Cite web|url=http://www.orpheusinstituut.be/en|title=Homepage {{!}} orpheus|website=www.orpheusinstituut.be|language=en|access-date=2017-03-23}}</ref> Her areas of expertise are artistic research and musical modernity and historical musicology, especially the music of the [[Second Viennese School]]. Several of her recent works examine the Second Viennese School repertoire through methods of artistic research in music. |
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She is recognized for her |
She is recognized for her work in the field of artistic research, currently as an advisor for the Norwegian Artistic Research Programme, and on the International Advisory Board of PARSE ([[Gothenburg]], Sweden).<ref>{{Cite web|url=http://artistic-research.no/?lang=en|title=Program for kunstnerisk utviklingsarbeid {{!}} NorwegianArtistic Research Programme|website=artistic-research.no|language=en-US|access-date=2017-03-23}}</ref><ref>{{Cite web|url=http://parsejournal.com/role/advisory-board/|title=Roles Advisory Board - Parse|website=parsejournal.com|language=en-US|access-date=2017-03-23}}</ref> She has published many articles and conference papers, and has given invited presentations at several international events on artistic research, its development in higher music institutions and its relevance to her own work. |
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Publications by Crispin in academia.edu: http://nmh.academia.edu/DarlaCrispin |
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== References == |
== References == |
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{{Reflist}} |
{{Reflist}} |
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* [https://nmh.academia.edu/DarlaCrispin Publications by Crispin] in academia.edu |
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{{DEFAULTSORT:Crispin, Darla}} |
{{DEFAULTSORT:Crispin, Darla}} |
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[[Category:Alumni of King's College London]] |
[[Category:Alumni of King's College London]] |
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[[Category:Canadian emigrants to the United Kingdom]] |
[[Category:Canadian emigrants to the United Kingdom]] |
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[[Category:Canadian expatriates in England]] |
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[[Category:20th-century musicologists]] |
[[Category:20th-century musicologists]] |
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[[Category:21st-century musicologists]] |
[[Category:21st-century musicologists]] |
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[[Category: |
[[Category:Canadian women musicologists]] |
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[[Category:Canadian pianists]] |
[[Category:Canadian women pianists]] |
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[[Category:21st-century Canadian pianists]] |
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[[Category:21st-century Canadian women musicians]] |
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[[Category:21st-century women pianists]] |
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Latest revision as of 14:00, 9 July 2023
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Darla Crispin (born 12 March 1964) is a Canadian pianist, scholar, lecturer and academic leader. She was the Director of Arne Nordheim Centre for Artistic Research (NordART) and Vice Rector for Research and Artistic Development at the Norwegian Academy of Music in Oslo.[1]
Early life and education[edit]
Crispin was born in British Columbia, Canada, and took her BMus at the University of Victoria. She later moved to the United Kingdom, and had her Concert Recital Diploma from the Guildhall School of Music & Drama, London, and an MMus and PhD in Historical Musicology from King’s College, London.
Career[edit]
She worked for several years with contemporary music ensembles in The Netherlands, before she shifted her focus towards teaching and scholarship. She was responsible for developing postgraduate programmes at the Guildhall School and, later, at the Royal College of Music, where she established, and was the first Head of the RCM Graduate School, being granted the title of HonRCM in 2009.
In 2008–2013 Crispin worked as a Research Fellow at the Orpheus Research Centre in Music (ORCiM).[2] Her areas of expertise are artistic research and musical modernity and historical musicology, especially the music of the Second Viennese School. Several of her recent works examine the Second Viennese School repertoire through methods of artistic research in music.
She is recognized for her work in the field of artistic research, currently as an advisor for the Norwegian Artistic Research Programme, and on the International Advisory Board of PARSE (Gothenburg, Sweden).[3][4] She has published many articles and conference papers, and has given invited presentations at several international events on artistic research, its development in higher music institutions and its relevance to her own work.
References[edit]
- ^ "The Arne Nordheim Centre for Artistic Research". Archived from the original on 2017-03-22. Retrieved 2017-03-23.
- ^ "Homepage | orpheus". www.orpheusinstituut.be. Retrieved 2017-03-23.
- ^ "Program for kunstnerisk utviklingsarbeid | NorwegianArtistic Research Programme". artistic-research.no. Retrieved 2017-03-23.
- ^ "Roles Advisory Board - Parse". parsejournal.com. Retrieved 2017-03-23.
External links[edit]
- Publications by Crispin in academia.edu
Categories:
- 1964 births
- Living people
- Musicians from British Columbia
- University of Victoria alumni
- Alumni of the Guildhall School of Music and Drama
- Alumni of King's College London
- Canadian emigrants to the United Kingdom
- Canadian expatriates in England
- 20th-century musicologists
- 21st-century musicologists
- Canadian women musicologists
- Canadian women pianists
- 21st-century Canadian pianists
- 21st-century Canadian women musicians
- 21st-century women pianists