Taking the Count: Difference between revisions
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{{Short description|Painting by Thomas Eakins}} |
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{{Infobox artwork |
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| title = Taking the Count |
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| image = Taking the Count by Thomas Eakins.jpeg |
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| image_upright = 1.3 |
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| alt = |
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| caption = |
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| artist = [[Thomas Eakins]] |
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| year = {{start date|1898}} |
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| completion_date = <!-- For a more specific date (post-1583): {{start date|YYYY|MM|DD|df=y}} --> |
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| catalogue = |
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| medium = oil on canvas |
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| movement = |
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| subject = |
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| height_metric = 264.2 |
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| width_metric = 235 |
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| designation = |
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| museum = [[Yale University Art Gallery]] |
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| city = [[New Haven, Connecticut|New Haven]] |
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| coordinates = <!-- Only use for the coordinates (when known) of the artwork itself, i.e. not for the site, building, structure, etc where it is kept, otherwise leave blank (or omit): {{coord|LAT|LON|type:landmark|display=inline,title}} --> |
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}} |
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⚫ | '''''Taking the Count''''' is an 1898 painting by American artist [[Thomas Eakins]]. It is part of the collection of the [[Yale University Art Gallery]], in [[New Haven, Connecticut|New Haven]].<ref>{{Cite web|url=http://artgallery.yale.edu/collections/objects/5463|title=Taking the Count | Yale University Art Gallery|access-date=2016-09-21|archive-date=2016-11-20|archive-url=https://web.archive.org/web/20161120213440/http://artgallery.yale.edu/collections/objects/5463|url-status=live}}</ref> |
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This depiction of a [[prizefight]] marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. ''Taking the Count'' was his second largest canvas, but not his most successful composition.<ref>Goodrich, Lloyd, ''Thomas Eakins'', Vol. II (Cambridge, Massachusetts: Harvard University Press, 1982), p. 147. {{ISBN|0-674-88490-6}}</ref> The same may be said of his ''[[Wrestlers (Eakins)|Wrestlers]]'' (1899). More successful was ''[[Between Rounds]]'' (1899), for which boxer Billy Smith posed seated in his corner at [[Philadelphia]]'s Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual [[boxing]] match.<ref>Goodrich, Vol. II, ''op. cit.,'' p. 149.</ref> |
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==See also== |
==See also== |
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* [[List of works by Thomas Eakins]] |
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* [[1898 in art]] |
* [[1898 in art]] |
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{{reflist}} |
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{{Thomas Eakins}} |
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{{19C-painting-stub}} |
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{{DEFAULTSORT:Taking the Count}} |
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[[Category:1898 paintings]] |
[[Category:1898 paintings]] |
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[[Category:Boxing in art]] |
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[[Category:Paintings by Thomas Eakins]] |
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[[Category:Sports paintings]] |
Latest revision as of 23:00, 24 November 2023
Taking the Count | |
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Artist | Thomas Eakins |
Year | 1898 |
Medium | oil on canvas |
Dimensions | 264.2 cm × 235 cm (104.0 in × 93 in) |
Location | Yale University Art Gallery, New Haven |
Taking the Count is an 1898 painting by American artist Thomas Eakins. It is part of the collection of the Yale University Art Gallery, in New Haven.[1]
This depiction of a prizefight marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. Taking the Count was his second largest canvas, but not his most successful composition.[2] The same may be said of his Wrestlers (1899). More successful was Between Rounds (1899), for which boxer Billy Smith posed seated in his corner at Philadelphia's Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual boxing match.[3]
See also[edit]
References[edit]
- ^ "Taking the Count | Yale University Art Gallery". Archived from the original on 2016-11-20. Retrieved 2016-09-21.
- ^ Goodrich, Lloyd, Thomas Eakins, Vol. II (Cambridge, Massachusetts: Harvard University Press, 1982), p. 147. ISBN 0-674-88490-6
- ^ Goodrich, Vol. II, op. cit., p. 149.