Taking the Count: Difference between revisions
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| title = Taking the Count |
| title = Taking the Count |
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| image = Taking the Count by Thomas Eakins.jpeg |
| image = Taking the Count by Thomas Eakins.jpeg |
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| image_upright = 1.2 |
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| completion_date = <!-- For a more specific date (post-1583): {{start date|YYYY|MM|DD|df=y}} --> |
| completion_date = <!-- For a more specific date (post-1583): {{start date|YYYY|MM|DD|df=y}} --> |
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| catalogue = |
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| medium = |
| medium = oil on canvas |
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| height_metric = 264.2 |
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| width_metric = 235 |
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| designation = |
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| museum = [[Yale University Art Gallery]] |
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| coordinates = <!-- Only use for the coordinates (when known) of the artwork itself, i.e. not for the site, building, structure, etc where it is kept, otherwise leave blank (or omit): {{coord|LAT|LON|type:landmark|display=inline,title}} --> |
| coordinates = <!-- Only use for the coordinates (when known) of the artwork itself, i.e. not for the site, building, structure, etc where it is kept, otherwise leave blank (or omit): {{coord|LAT|LON|type:landmark|display=inline,title}} --> |
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'''''Taking the Count''''' is an 1898 painting by American artist [[Thomas Eakins]]. It is part of the collection of the Yale University Art Gallery.<ref>{{Cite web|url=http://artgallery.yale.edu/collections/objects/5463|title=Taking the Count | Yale University Art Gallery|access-date=2016-09-21|archive-date=2016-11-20|archive-url=https://web.archive.org/web/20161120213440/http://artgallery.yale.edu/collections/objects/5463|url-status=live}}</ref> |
'''''Taking the Count''''' is an 1898 painting by American artist [[Thomas Eakins]]. It is part of the collection of the [[Yale University Art Gallery]].<ref>{{Cite web|url=http://artgallery.yale.edu/collections/objects/5463|title=Taking the Count | Yale University Art Gallery|access-date=2016-09-21|archive-date=2016-11-20|archive-url=https://web.archive.org/web/20161120213440/http://artgallery.yale.edu/collections/objects/5463|url-status=live}}</ref> |
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This depiction of a [[prizefight]] marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. ''Taking the Count'' was his second largest canvas, but not his most successful composition.<ref>Goodrich, Lloyd, ''Thomas Eakins'', Vol. II (Cambridge, Massachusetts: Harvard University Press, 1982), p. 147. {{ISBN|0-674-88490-6}}</ref> The same may be said of his ''[[Wrestlers (Eakins)|Wrestlers]]'' (1899). More successful was ''[[Between Rounds]]'' (1899), for which boxer Billy Smith posed seated in his corner at [[Philadelphia]]'s Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual [[boxing]] match.<ref>Goodrich, Vol. II, ''op. cit.,'' p. 149.</ref> |
This depiction of a [[prizefight]] marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. ''Taking the Count'' was his second largest canvas, but not his most successful composition.<ref>Goodrich, Lloyd, ''Thomas Eakins'', Vol. II (Cambridge, Massachusetts: Harvard University Press, 1982), p. 147. {{ISBN|0-674-88490-6}}</ref> The same may be said of his ''[[Wrestlers (Eakins)|Wrestlers]]'' (1899). More successful was ''[[Between Rounds]]'' (1899), for which boxer Billy Smith posed seated in his corner at [[Philadelphia]]'s Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual [[boxing]] match.<ref>Goodrich, Vol. II, ''op. cit.,'' p. 149.</ref> |
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{{Thomas Eakins}} |
{{Thomas Eakins}} |
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{{DEFAULTSORT:Taking the Count}} |
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[[Category:1898 paintings]] |
[[Category:1898 paintings]] |
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[[Category:Boxing in art]] |
[[Category:Boxing in art]] |
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Revision as of 22:52, 24 November 2023
| Taking the Count | |
|---|---|
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| Artist | Thomas Eakins |
| Year | 1898 |
| Medium | oil on canvas |
| Dimensions | 264.2 cm × 235 cm (104.0 in × 93 in) |
| Location | Yale University Art Gallery |
Taking the Count is an 1898 painting by American artist Thomas Eakins. It is part of the collection of the Yale University Art Gallery.[1]
This depiction of a prizefight marks Eakins' return to anatomical studies of the male figure, this time in a more urban setting. Taking the Count was his second largest canvas, but not his most successful composition.[2] The same may be said of his Wrestlers (1899). More successful was Between Rounds (1899), for which boxer Billy Smith posed seated in his corner at Philadelphia's Arena; in fact, all of principal figures in this composition were posed by models re-enacting what had been an actual boxing match.[3]
See also
References
- ^ "Taking the Count | Yale University Art Gallery". Archived from the original on 2016-11-20. Retrieved 2016-09-21.
- ^ Goodrich, Lloyd, Thomas Eakins, Vol. II (Cambridge, Massachusetts: Harvard University Press, 1982), p. 147. ISBN 0-674-88490-6
- ^ Goodrich, Vol. II, op. cit., p. 149.