Sanja Matsuri: Difference between revisions

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==Festival Schedule==
==Festival Schedule==
[[Image:Sanja_Matsuri_from_the_steps_of_the_Shrine.jpg.jpg|right|thumb|200px|One of the three main mikoshi on Sunday evening from the steps of Asakusa Shrine.]]
====Day 1, Friday====
====Day 1, Friday====
*''Daigyoretsu'' Begins (~1PM)<ref name="JNTO">http://www.jnto.go.jp/eng/indepth/history/traditionalevents/a26_fes_sanja.html</ref>
*''Daigyoretsu'' Begins (~1PM)<ref name="JNTO">http://www.jnto.go.jp/eng/indepth/history/traditionalevents/a26_fes_sanja.html</ref>

Revision as of 06:11, 7 March 2008

File:Mikoshi during Sanja Matsuri in 2006.jpg
Main Mikoshi parading through the streets during Sanja Matsuri.
File:Music Float during Sanja Matsuri.jpg
Musical float parading through Asakusa during Sanja Matsuri.

The Sanja Festival (三社祭, Sanja Matsuri) is one of the "Three Great Festivals of Edo" (present day Tokyo), along with the Kanda Festival and Sanno Festival, and is known as one of the wildest and largest. It is held on the third weekend of every May at Asakusa Shrine. Over its three days, the festival attracts anywhere from 1.5 to 2 million people every year.[1] Although appearing to date from older times, the present day festival was established in the Edo Period.

Description of Events

The festival begins on Friday with a famous grand procession called the Daigyoretsu, an exciting event that energizes the whole community with traditional musicians, performers and dancers parading down the street towards the Shrine. During the next two days of the festival, approximately a hundred mikoshi (portable shrines) are paraded through the streets. As they are carried throughout Asakusa, they are shaken and bounced vehemently. This is believed to intensify the power of the kami mounted on the shrines. There are many medium-sized mikoshi as well as several smaller onces that are solely carried by women or even children. Most importantly, the procession of three specific mikoshi owned by the shrine begin early Sunday morning. These three elaborate shrines represent the three men responsible for founding Asakusa Shrine - Hinokuma Hamanari and Hinokuma Takenari and Haji no Nakatomo. On Sunday, the last day of the festival, these three main mikoshi are divided into three different groups in order to visit and bestow blessing to all 44 blocks of downtown and residential Asakusa. When evening falls, the three shrines find their way back to Asakusa Shrine in another grand procession.

While the festival is highly religious in its origins, it is primarily a festival of celebration. For this reason, the atmosphere around Asakusa during the weekend of the festival is charged and energetic. The streets are almost continuously flooded with people and drums, flutes, whistles and chanting can be heard echoing throughout the district. In the areas immediately surrounding the Shrine's mikoshis, the scene is even more hectic. It is not unusual for there to be someone standing on the bucking and swaying mikishi who seemingly conducts the people carrying him and the shrine, all while shouting to the hundreds of people watching the spectacle.

In addition to these parades, Sanja Matsuri has several other draws. For example, festival goers can also visit hundreds of shops and food stands which are erected in the area around the Shrine for the entire weekend. Another famous example involves Japan's infamous Yakuza. Devout Yakuza members often get full body tattoos, known as irezumi, which are usually illegal to display publicly in Japan. During Sanja Matsuri, however, this ban is lifted and Yakuza members proudly show off their tattoos.[2]

Festival Schedule

File:Sanja Matsuri from the steps of the Shrine.jpg.jpg
One of the three main mikoshi on Sunday evening from the steps of Asakusa Shrine.

Day 1, Friday

  • Daigyoretsu Begins (~1PM)[3]

Day 2, Saturday

  • Local mikoshi depart from Asakusa Shrine (~12PM)[3]

Day 3, Sunday

  • Three main mikoshi depart from Asakusa Shrine (~6AM)[3]
  • Three main mikoshi return to Asakusa Shrine (~8PM)[3]

See also

References