Antonio Badile: Difference between revisions
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'''Antonio Badile''' (c. 1518 – 1560) was an [[Italy| Italian]] painter from [[Verona]]. He trained with his uncle Francesco Badile. Along with [[Giovanni Francesco Caroto]], Antonio is known as one of the mentors of [[Paolo Veronese]] and [[Giovanni Battista Zelotti]]<ref>Freedberg, p. 559</ref>; as well as his father-in-law. Badile is described as continuing the "retardataire" tradition of [[Giovanni Francesco Caroto]] well past the 1540s. His masterpiece is the altarpiece for San Nazaro of a ''Madonna and Saints'' (1540); another notable work is his ''Resurrection of Lazarus'' for the chapel of Santa Croce in the church of San Bernardino. Other works are found in towns of the Veneto. |
'''Antonio Badile''' (c. 1518 – 1560) was an [[Italy| Italian]] painter from [[Verona]]. He trained with his uncle Francesco Badile. Along with [[Giovanni Francesco Caroto]], Antonio is known as one of the mentors of [[Paolo Veronese]] and [[Giovanni Battista Zelotti]]<ref>Freedberg, p. 559</ref>; as well as his father-in-law. Badile is described as continuing the "retardataire" tradition of [[Giovanni Francesco Caroto]] well past the 1540s. His masterpiece is the altarpiece for San Nazaro of a ''Madonna and Saints'' (1540); another notable work is his ''Resurrection of Lazarus'' for the chapel of Santa Croce in the church of San Bernardino. Other works are found in towns of the Veneto. |
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He was partially influenced by the [[Brescia |
He was partially influenced by the [[Brescia]]n painter [[Alessandro Bonvicino| Alessandro Bonvicino (called il Moretto)]]. |
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==References== |
==References== |
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Revision as of 00:35, 24 October 2010
Antonio Badile (c. 1518 – 1560) was an Italian painter from Verona. He trained with his uncle Francesco Badile. Along with Giovanni Francesco Caroto, Antonio is known as one of the mentors of Paolo Veronese and Giovanni Battista Zelotti[1]; as well as his father-in-law. Badile is described as continuing the "retardataire" tradition of Giovanni Francesco Caroto well past the 1540s. His masterpiece is the altarpiece for San Nazaro of a Madonna and Saints (1540); another notable work is his Resurrection of Lazarus for the chapel of Santa Croce in the church of San Bernardino. Other works are found in towns of the Veneto.
He was partially influenced by the Brescian painter Alessandro Bonvicino (called il Moretto).
References
- Freedberg, Sydney J. (1993). Pelican History of Art (ed.). Painting in Italy, 1500-1600. Penguin Books. p. 563.
Notes
- ^ Freedberg, p. 559
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