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'''Pierre Quesnel''' (c.1502 - c. 1580) was a sixtenth century French artist who worked in Scotland. |
'''Pierre Quesnel''' (c.1502 - c. 1580) was a sixtenth century French artist who worked in Scotland. |
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Pierre worked in Scotland for [[Mary of Guise]] and [[James V of Scotland|James V]]. He is listed as an Usher in Guise's household and is identified as the queen's painter in the Scottish ''Treasurer's Accounts''.<ref>Apted & Hannabuss, ''Dictionary of Scottish Painters'', SRS (1978), 77: Thomas, Andrea, ''Princelie Majestie'', John Donald (2005), 85: ''Accounts of the Lord High Treasurer of Scotland'', vol. 8, 59, 77, 84, 92.</ref> (Artists at the French court were also given positions as ushers or valets)<ref>[http://www.portrait-renaissance.fr/Artistes/charges_remunerations.html Table of French court artists' salaries and appointments (in French)]</ref> In Edinburgh he married Madeleine Digby,<ref>Was "Digby", Edbe, the surname of James V's [[Scottish_Royal_tapestry_collection#The tapestry men|tapestry man]]?</ref> where his eldest son the painter [[François Quesnel]] was born.<ref>Benezit, Emmanuel, ''Dictionnaire Des Peintres, Sculpteurs, Dessinateurs Et Graveurs'', 14 vols. (1911-1920/1999), quotes Marolles on biography of Pierre.</ref> Quesnel must have returned to France with his family around 1544. His sons Nicolas and Jacques were also artists, and a number of chalk portraits by François and Nicolas survive. Jacques's work is known only through a single drawing, ''Time slaying Youth''.<ref>Brugerolles & Guillet, ''The Renaissance in France'', ENSBA/Harvard (1995), 210.</ref> |
Pierre worked in Scotland for [[Mary of Guise]] and [[James V of Scotland|James V]]. He is listed as an Usher in Guise's household and is identified as the queen's painter in the Scottish ''Treasurer's Accounts''.<ref>Apted & Hannabuss, ''Dictionary of Scottish Painters'', SRS (1978), 77: Thomas, Andrea, ''Princelie Majestie'', John Donald (2005), 85: ''Accounts of the Lord High Treasurer of Scotland'', vol. 8, 59, 77, 84, 92.</ref> (Artists at the French court were also given positions as ushers or [[valet de chambre|valets]])<ref>[http://www.portrait-renaissance.fr/Artistes/charges_remunerations.html Table of French court artists' salaries and appointments (in French)]</ref> In Edinburgh he married Madeleine Digby,<ref>Was "Digby", Edbe, the surname of James V's [[Scottish_Royal_tapestry_collection#The tapestry men|tapestry man]]?</ref> where his eldest son the painter [[François Quesnel]] was born.<ref>Benezit, Emmanuel, ''Dictionnaire Des Peintres, Sculpteurs, Dessinateurs Et Graveurs'', 14 vols. (1911-1920/1999), quotes Marolles on biography of Pierre.</ref> Quesnel must have returned to France with his family around 1544. His sons Nicolas and Jacques were also artists, and a number of chalk portraits by François and Nicolas survive. Jacques's work is known only through a single drawing, ''Time slaying Youth''.<ref>Brugerolles & Guillet, ''The Renaissance in France'', ENSBA/Harvard (1995), 210.</ref> |
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Pierre's work is also mostly lost, excepting an ''Architectural Study'' after [[Jacques I Androuet du Cerceau|Jacques Androuet du Cerceau]], preserved at the [[École nationale supérieure des Beaux-Arts]] in Paris, and another drawing, a view called ''Château of [[Sées]]''. <ref>Brugerolles & Guillet (1995), 210-11 & note1, (?Château d'O, 9km from Sées).</ref> The seventeenth century French author, the [[Michel de Marolles|Abbé de Marolles]] recorded Pierre as the designer of a stained-glass window for the Eglise des Augustins in Paris in 1557, with subject, ''Ascension of Christ with Portraits of [[Henry II of France|Henri II]] and [[Catherine de Medici]]'', now destroyed. However, there is a portrait of Pierre himself made by François in 1574.<ref>Preserved at the Bibliothèque Nationale de France, Cabinet des Estampes, call no. Na 22: cf. drawing ENSBA website.</ref> |
Pierre's work is also mostly lost, excepting an ''Architectural Study'' after [[Jacques I Androuet du Cerceau|Jacques Androuet du Cerceau]], preserved at the [[École nationale supérieure des Beaux-Arts]] in Paris, and another drawing, a view called ''Château of [[Sées]]''. <ref>Brugerolles & Guillet (1995), 210-11 & note1, (?Château d'O, 9km from Sées).</ref> The seventeenth century French author, the [[Michel de Marolles|Abbé de Marolles]] recorded Pierre as the designer of a stained-glass window for the Eglise des Augustins in Paris in 1557, with subject, ''Ascension of Christ with Portraits of [[Henry II of France|Henri II]] and [[Catherine de Medici]]'', now destroyed. However, there is a portrait of Pierre himself made by François in 1574.<ref>Preserved at the Bibliothèque Nationale de France, Cabinet des Estampes, call no. Na 22: cf. drawing ENSBA website.</ref> |
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Revision as of 18:54, 6 November 2010
Pierre Quesnel (c.1502 - c. 1580) was a sixtenth century French artist who worked in Scotland.
Pierre worked in Scotland for Mary of Guise and James V. He is listed as an Usher in Guise's household and is identified as the queen's painter in the Scottish Treasurer's Accounts.[1] (Artists at the French court were also given positions as ushers or valets)[2] In Edinburgh he married Madeleine Digby,[3] where his eldest son the painter François Quesnel was born.[4] Quesnel must have returned to France with his family around 1544. His sons Nicolas and Jacques were also artists, and a number of chalk portraits by François and Nicolas survive. Jacques's work is known only through a single drawing, Time slaying Youth.[5]
Pierre's work is also mostly lost, excepting an Architectural Study after Jacques Androuet du Cerceau, preserved at the École nationale supérieure des Beaux-Arts in Paris, and another drawing, a view called Château of Sées. [6] The seventeenth century French author, the Abbé de Marolles recorded Pierre as the designer of a stained-glass window for the Eglise des Augustins in Paris in 1557, with subject, Ascension of Christ with Portraits of Henri II and Catherine de Medici, now destroyed. However, there is a portrait of Pierre himself made by François in 1574.[7]
External links
- "Architectural Study by Pierre Quesnel, ENSBA Mas. 2472".
- "Pierre Quesnel by François Quesnel, drawing at Ecole Nationale des Beaux Arts".
- Biography of François Quesnel (in French)
Footnotes
- ^ Apted & Hannabuss, Dictionary of Scottish Painters, SRS (1978), 77: Thomas, Andrea, Princelie Majestie, John Donald (2005), 85: Accounts of the Lord High Treasurer of Scotland, vol. 8, 59, 77, 84, 92.
- ^ Table of French court artists' salaries and appointments (in French)
- ^ Was "Digby", Edbe, the surname of James V's tapestry man?
- ^ Benezit, Emmanuel, Dictionnaire Des Peintres, Sculpteurs, Dessinateurs Et Graveurs, 14 vols. (1911-1920/1999), quotes Marolles on biography of Pierre.
- ^ Brugerolles & Guillet, The Renaissance in France, ENSBA/Harvard (1995), 210.
- ^ Brugerolles & Guillet (1995), 210-11 & note1, (?Château d'O, 9km from Sées).
- ^ Preserved at the Bibliothèque Nationale de France, Cabinet des Estampes, call no. Na 22: cf. drawing ENSBA website.