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{{Wikify|date=December 2010}}

{{BLP sources|date=October 2008}}
{{BLP sources|date=October 2008}}
{{Expert-subject|literature|date=October 2008}}
{{Expert-subject|literature|date=October 2008}}
'''Dalton''' Jérson '''Trevisan''' (born 14 June 1925) is a [[Brazil]]ian author of short stories. He has been described as an "acclaimed short-story chronicler of lower-class mores and popular dramas"<ref>{{cite journal |last=Vieira |first=Nelson H. |year=1990 |month=Winter |title=World literature in review: Portuguese |journal=World Literature Today |volume=64 |issue=1 |pages=85 |id=9610220281 |accessdate=2008-10-15 |quote=As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives.}}</ref>
'''Dalton Jérson Trevisan''' (born 14 June 1925) is a [[Brazil]]ian author of [[Short story|short stories]]. He has been described as an "acclaimed short-story chronicler of lower-class mores and popular dramas."<ref>{{cite journal |last=Vieira |first=Nelson H. |year=1990 |month=Winter |title=World literature in review: Portuguese |journal=World Literature Today |volume=64 |issue=1 |pages=85 |id=9610220281 |accessdate=2008-10-15 |quote=As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives.}}</ref>


His short stories are inspired in the daily life of his home city of [[Curitiba]], though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "Haikus in prose". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class hypocrisy.<ref>Oxford Anthology of the Brazilian Short Story</ref>
His short stories are inspired in the daily life of his home city of [[Curitiba]], though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "[[Haiku]]s in [[prose]]". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class [[hypocrisy]].<ref>Oxford Anthology of the Brazilian Short Story</ref>


==Works==
==Works==
{{div col|2}}
* Abismo de Rosas (1976)
* Ah, É? (1994)
* ''Abismo de Rosas'' (1976)
* ''Ah, É?'' (1994)
* A Faca No Coração (1975)
* A Guerra Conjugal (1969)
* ''A Faca No Coração'' (1975)
* A Polaquinha (1985) (novel)
* ''A Guerra Conjugal'' (1969)
* ''A Polaquinha'' (1985) (novel)
* Arara Bêbada (2004)
* ''Arara Bêbada'' (2004)
* A Trombeta do Anjo Vingador (1977)
* ''A Trombeta do Anjo Vingador'' (1977)
* Capitu Sou Eu (2003)
* Cemitério de Elefantes (1964)
* ''Capitu Sou Eu'' (2003)
* ''Cemitério de Elefantes'' (1964)
* 111 Ais (2000)
* Chorinho Brejeiro (1981)
* ''111 Ais'' (2000)
* ''Chorinho Brejeiro'' (1981)
* Contos Eróticos (1984)
* Crimes de Paixão (1978)
* ''Contos Eróticos'' (1984)
* Desastres do Amor (1968)
* ''Crimes de Paixão'' (1978)
* ''Desastres do Amor'' (1968)
* Dinorá - Novos Mistérios (1994)
* ''Dinorá - Novos Mistérios'' (1994)
* 234 (1997)
* Em Busca de Curitiba Perdida (1992)
* ''234'' (1997)
* ''Em Busca de Curitiba Perdida'' (1992)
* Essas Malditas Mulheres (1982)
* ''Essas Malditas Mulheres'' (1982)
* Gente Em Conflito (com Antônio de Alcântara Machado) (2004)
* ''Gente Em Conflito'' (com Antônio de Alcântara Machado) (2004)
* Lincha Tarado (1980)
* ''Lincha Tarado'' (1980)
* Macho não ganha flor (2006)
* ''Macho não ganha flor'' (2006)
* Meu Querido Assassino (1983)
* ''Meu Querido Assassino'' (1983)
* Morte na Praça (1964)
* ''Morte na Praça'' (1964)
* Mistérios de Curitiba (1968)
* ''Mistérios de Curitiba'' (1968)
* Noites de Amor em Granada
* ''Noites de Amor em Granada''
* Novelas nada Exemplares (1959)
* ''Novelas nada Exemplares'' (1959)
* 99 Corruíras Nanicas (2002)
* ''99 Corruíras Nanicas'' (2002)
* O Grande Deflorador (2002)
* ''O Grande Deflorador'' (2002)
* O Pássaro de Cinco Asas (1974)
* ''O Pássaro de Cinco Asas'' (1974)
* O Rei da Terra (1972)
* ''O Rei da Terra'' (1972)
* O Vampiro de Curitiba (1965) (''The Vampire of Curitiba'')
* ''O Vampiro de Curitiba'' (1965) (''The Vampire of Curitiba'')
* Pão e Sangue (1988)
* ''Pão e Sangue'' (1988)
* Pico na veia (2002)
* ''Pico na veia'' (2002)
* Primeiro Livro de Contos (1979)
* ''Primeiro Livro de Contos'' (1979)
* Quem tem medo de vampiro? (1998)
* ''Quem tem medo de vampiro?'' (1998)
* Vinte Contos Menores (1979)
* ''Vinte Contos Menores'' (1979)
* Virgem Louca, Loucos Beijos (1979)
* ''Virgem Louca, Loucos Beijos'' (1979)
* Vozes do Retrato - Quinze Histórias de Mentiras e Verdades (1998)
* ''Vozes do Retrato - Quinze Histórias de Mentiras e Verdades'' (1998)
{{div col end}}

==References==
{{Reflist}}


==External links==
==External links==
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* [http://books.google.com.br/books?id=np_Cdps7IfYC&pg=PA378&lpg=PA378&dq=dalton+trevisan+brazilian+writer&source=bl&ots=RUOMlaEFFC&sig=ugiMgahtuJkv8tmf1kzgOoCGKdw&hl=pt-BR&sa=X&oi=book_result&resnum=7&ct=result Oxford Anthology of the Brazilian Short Story]
* [http://books.google.com.br/books?id=np_Cdps7IfYC&pg=PA378&lpg=PA378&dq=dalton+trevisan+brazilian+writer&source=bl&ots=RUOMlaEFFC&sig=ugiMgahtuJkv8tmf1kzgOoCGKdw&hl=pt-BR&sa=X&oi=book_result&resnum=7&ct=result Oxford Anthology of the Brazilian Short Story]
* [http://www.soundsandcolours.com/articles/brazil/the-rise-of-modern-literature-in-southern-brazil/ The Rise of Modern Literature in Southern Brazil]
* [http://www.soundsandcolours.com/articles/brazil/the-rise-of-modern-literature-in-southern-brazil/ The Rise of Modern Literature in Southern Brazil]

==References==
{{Reflist}}


{{Use dmy dates|date=August 2010}}
{{Use dmy dates|date=August 2010}}

Revision as of 17:17, 18 April 2011

Dalton Jérson Trevisan (born 14 June 1925) is a Brazilian author of short stories. He has been described as an "acclaimed short-story chronicler of lower-class mores and popular dramas."[1]

His short stories are inspired in the daily life of his home city of Curitiba, though featuring characters and situations of universal meaning. His extremely concise and refined tales have been called "Haikus in prose". They are often based on dialogue, using a popular language, and underline the torturing and absurd aspects of everyday life. Often brutal, his narratives can be considered the reverse of moral tales, exposing a culture of perversion and violence underlying middle class hypocrisy.[2]

Works

  • Abismo de Rosas (1976)
  • Ah, É? (1994)
  • A Faca No Coração (1975)
  • A Guerra Conjugal (1969)
  • A Polaquinha (1985) (novel)
  • Arara Bêbada (2004)
  • A Trombeta do Anjo Vingador (1977)
  • Capitu Sou Eu (2003)
  • Cemitério de Elefantes (1964)
  • 111 Ais (2000)
  • Chorinho Brejeiro (1981)
  • Contos Eróticos (1984)
  • Crimes de Paixão (1978)
  • Desastres do Amor (1968)
  • Dinorá - Novos Mistérios (1994)
  • 234 (1997)
  • Em Busca de Curitiba Perdida (1992)
  • Essas Malditas Mulheres (1982)
  • Gente Em Conflito (com Antônio de Alcântara Machado) (2004)
  • Lincha Tarado (1980)
  • Macho não ganha flor (2006)
  • Meu Querido Assassino (1983)
  • Morte na Praça (1964)
  • Mistérios de Curitiba (1968)
  • Noites de Amor em Granada
  • Novelas nada Exemplares (1959)
  • 99 Corruíras Nanicas (2002)
  • O Grande Deflorador (2002)
  • O Pássaro de Cinco Asas (1974)
  • O Rei da Terra (1972)
  • O Vampiro de Curitiba (1965) (The Vampire of Curitiba)
  • Pão e Sangue (1988)
  • Pico na veia (2002)
  • Primeiro Livro de Contos (1979)
  • Quem tem medo de vampiro? (1998)
  • Vinte Contos Menores (1979)
  • Virgem Louca, Loucos Beijos (1979)
  • Vozes do Retrato - Quinze Histórias de Mentiras e Verdades (1998)

References

  1. ^ Vieira, Nelson H. (1990). "World literature in review: Portuguese". World Literature Today. 64 (1): 85. 9610220281. As Brazil's acclaimed short-story chronicler of lower-class mores and popular dramas, Dalton Trevisan infuses his twenty-second publication with twenty-two narratives of blood-soaked violence, primarily the domestic kind frequently splashed across lurid tabloids that sensationalize the conjugal warfare between oppressive husbands and oppressed wives. {{cite journal}}: |access-date= requires |url= (help); Unknown parameter |month= ignored (help)
  2. ^ Oxford Anthology of the Brazilian Short Story

External links

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