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'''E.M.A.K''', or '''Elektronische Musik Aus: Köln''' (with "Köln" sometimes rendered as "Koeln" on album covers), was a German band and production collective based in [[Cologne]] in the 1980s. It produced experimental minimalist electronic dance and ambient pop music. E.M.A.K.’s music only rarely included vocals. |
'''E.M.A.K''', or '''Elektronische Musik Aus: Köln''' (with "Köln" sometimes rendered as "Koeln" on album covers), was a German band and production collective based in [[Cologne]] in the 1980s. It produced experimental minimalist electronic dance and ambient pop music. E.M.A.K.’s music only rarely included vocals. |
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==Members== |
==Members== |
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| language = English |
| language = English |
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}}</ref> |
}}</ref> |
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==Musical Style== |
==Musical Style== |
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E.M.A.K.’s influences include [[Kraftwerk]], [[Neu!]], [[Klaus Schulze]], [[Tangerine Dream]], ''Neue Musik'' and ''[[musique concrète]]'', with much of their musical style being formed from experimentation with the instruments they used. These included analogue synthesizers such as a [[Minimoog|Mini-Moog]] and a Synthorama (a German synthesizer similar to a large Moog system), a [[Rhodes piano|Fender Rhodes piano]] (customized by Stühlen with external treatments such as distortion, echo chambers, and improvised effects), and a [[Roland TR-808]] drum machine. ''E.M.AK. 1'' and ''2'' were released pre-sampler and pre-midi and so took a manual tape-based approach to looping and ''musique concrète'' parts. ''E.M.A.K. 3'' used the [[Sampler_(musical_instrument)#Akai|AKAI S612]] midi sampler. Although part of the general history of German electronic music, E.M.A.K.’s location in Cologne during the 1980s meant they could pursue their own musical interests, relatively undisturbed by the demands of markets or fashions. The track “Filmmusik” from ''E.M.A.K. 1'' was a local club hit in Cologne.<ref name=linernotes></ref> |
E.M.A.K.’s influences include [[Kraftwerk]], [[Neu!]], [[Klaus Schulze]], [[Tangerine Dream]], ''Neue Musik'' and ''[[musique concrète]]'', with much of their musical style being formed from experimentation with the instruments they used. These included analogue synthesizers such as a [[Minimoog|Mini-Moog]] and a Synthorama (a German synthesizer similar to a large Moog system), a [[Rhodes piano|Fender Rhodes piano]] (customized by Stühlen with external treatments such as distortion, echo chambers, and improvised effects), and a [[Roland TR-808]] drum machine. ''E.M.AK. 1'' and ''2'' were released pre-sampler and pre-midi and so took a manual tape-based approach to looping and ''musique concrète'' parts. ''E.M.A.K. 3'' used the [[Sampler_(musical_instrument)#Akai|AKAI S612]] midi sampler. Although part of the general history of German electronic music, E.M.A.K.’s location in Cologne during the 1980s meant they could pursue their own musical interests, relatively undisturbed by the demands of markets or fashions. The track “Filmmusik” from ''E.M.A.K. 1'' was a local club hit in Cologne.<ref name=linernotes></ref> |
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==Vintage Synthesizers== |
==Vintage Synthesizers== |
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==Album Covers== |
==Album Covers== |
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The first three E.M.A.K. albums feature distinctively simple covers, which arrange the words of the group’s name in uppercase letters against a monochorome background to form the letter ‘E’. This was deliberate tribute to the early album covers of Neu! And Kraftwerk. |
The first three E.M.A.K. albums feature distinctively simple covers, which arrange the words of the group’s name in uppercase letters against a monochorome background to form the letter ‘E’. This was deliberate tribute to the early album covers of Neu! And Kraftwerk. |
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==The Originalton Label== |
==The Originalton Label== |
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Initially set up to release Becker’s and E.M.A.K.’s music, the Originalton label also released music by other German experimentalists such as Oskar Sala, Claus Brüse, (the German) Camera Obscura, and Michael Peters, as well as Greek [[Rebetiko]] and African music. |
Initially set up to release Becker’s and E.M.A.K.’s music, the Originalton label also released music by other German experimentalists such as Oskar Sala, Claus Brüse, (the German) Camera Obscura, and Michael Peters, as well as Greek [[Rebetiko]] and African music. |
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==Discography== |
==Discography== |
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* ''Vintage Synths Vol. 2'' (Originalton West, 1992) |
* ''Vintage Synths Vol. 2'' (Originalton West, 1992) |
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* ''Vintage Synths Vol. 3'' (Originalton West, 1994) |
* ''Vintage Synths Vol. 3'' (Originalton West, 1994) |
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===Singles=== |
===Singles=== |
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* "Sunken Galleons and Pirate Pictures" (1986)<ref name=Discogs>{{cite web |
* "Sunken Galleons and Pirate Pictures" (1986)<ref name=Discogs>{{cite web |
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}}</ref> |
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* "Tanz in den Himmel" (2011, Soul Jazz) |
* "Tanz in den Himmel" (2011, Soul Jazz) |
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===Compilations=== |
===Compilations=== |
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* ''Best of E.M.A.K.: Vol. 1-3'' (Originalton West, 1994) |
* ''Best of E.M.A.K.: Vol. 1-3'' (Originalton West, 1994) |
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* ''A Synthetic History of E.M.A.K. 1982-88'' (Soul Jazz Records, 2011) |
* ''A Synthetic History of E.M.A.K. 1982-88'' (Soul Jazz Records, 2011) |
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==References== |
==References== |
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Revision as of 05:55, 22 September 2012
E.M.A.K | |
|---|---|
 | |
| Background information | |
| Origin | Cologne, West Germany |
| Genres | Krautrock Electronic Ambient |
| Years active | 1981– |
| Labels | Originalton West |
| Members | Matthias Becker |
| Past members | Michael Filz Kurt Mill Michael Peschko Klaus Stühlen |
| Website | http://www.originaltonwest.de/ |
E.M.A.K, or Elektronische Musik Aus: Köln (with "Köln" sometimes rendered as "Koeln" on album covers), was a German band and production collective based in Cologne in the 1980s. It produced experimental minimalist electronic dance and ambient pop music. E.M.A.K.’s music only rarely included vocals.
Members
The group was founded in 1981 in a small 8-track studio known as "Originalton West," run by Matthias Becker in the basement of the Cologne music store Hört-Hört. In January 1982 Becker released the first E.M.A.K. record, E.M.A.K. 1 on the Originalton West record label.
Besides Becker, the members of E.M.A.K. included Michael Filz (who left after the release of E.M.A.K. 1), Kurt Mill (who left after the release of E.M.A.K. 2), Klaus Stühlen, and later Michael Peschko. In its initial form, E.M.A.K. was very much a collective of individuals, with Filz and Stühlen working on tracks alone, while Becker and Mill worked more collaboratively in the studio, and also acted as producers and final mixers on all E.M.A.K. tracks. Later, for the Vintage Synths releases, E.M.A.K. became a project led more firmly by Becker, with significant compositional help from Stühlen.[1]
Musical Style
E.M.A.K.’s influences include Kraftwerk, Neu!, Klaus Schulze, Tangerine Dream, Neue Musik and musique concrète, with much of their musical style being formed from experimentation with the instruments they used. These included analogue synthesizers such as a Mini-Moog and a Synthorama (a German synthesizer similar to a large Moog system), a Fender Rhodes piano (customized by Stühlen with external treatments such as distortion, echo chambers, and improvised effects), and a Roland TR-808 drum machine. E.M.AK. 1 and 2 were released pre-sampler and pre-midi and so took a manual tape-based approach to looping and musique concrète parts. E.M.A.K. 3 used the AKAI S612 midi sampler. Although part of the general history of German electronic music, E.M.A.K.’s location in Cologne during the 1980s meant they could pursue their own musical interests, relatively undisturbed by the demands of markets or fashions. The track “Filmmusik” from E.M.A.K. 1 was a local club hit in Cologne.[1]
Vintage Synthesizers
In 1987 Becker began writing a column for a German music magazine called “Synthesizer von Gestern”. This developed into the Vintage Synths project. Three Vintage Synths albums were released. These albums collected compositions for various specific synthesizers, each piece produced using only one particular synth. The albums were also accompanied by books with historical and photographic studies of the various synthesizers.[1] [2]
Album Covers
The first three E.M.A.K. albums feature distinctively simple covers, which arrange the words of the group’s name in uppercase letters against a monochorome background to form the letter ‘E’. This was deliberate tribute to the early album covers of Neu! And Kraftwerk.
The Originalton Label
Initially set up to release Becker’s and E.M.A.K.’s music, the Originalton label also released music by other German experimentalists such as Oskar Sala, Claus Brüse, (the German) Camera Obscura, and Michael Peters, as well as Greek Rebetiko and African music.
Discography
Albums
- E.M.A.K. 1 (Originalton West, 1982)
- E.M.A.K. 2 (Originalton West, 1983)
- E.M.A.K. 3 (Originalton West, 1985)
- Vintage Synths Vol. 1 (Originalton West, 1990)
- Vintage Synths Vol. 2 (Originalton West, 1992)
- Vintage Synths Vol. 3 (Originalton West, 1994)
Singles
- "Sunken Galleons and Pirate Pictures" (1986)[3]
- "Tanz in den Himmel" (2011, Soul Jazz)
Compilations
- Best of E.M.A.K.: Vol. 1-3 (Originalton West, 1994)
- A Synthetic History of E.M.A.K. 1982-88 (Soul Jazz Records, 2011)
References
- ^ a b c (Media notes). UK: Soul Jazz Records. 2011. p. 8.
{{cite AV media notes}}:|format=requires|url=(help); Missing or empty|title=(help); Unknown parameter|artist=ignored (|others=suggested) (help); Unknown parameter|name=ignored (help) - ^ Becker, Matthias. "Catalogue for Originalton West Records" (in German and English). Cologne, Germany: Originalton West Records.
{{cite web}}: CS1 maint: unrecognized language (link) - ^ "Discogs entry for E.M.A.K."