Jim Clayburgh: Difference between revisions
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{{notability|Biographies|date=September 2017}} |
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{{BLP sources|date=February 2015}} |
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'''Jim Clayburgh''' (b. 1949, New York City, NY) is a |
'''Jim (James) Clayburgh''' (b. 1949, New York City, NY) is a scenic designer. He was a founding member of [[The Wooster Group]] and served as the group's resident designer from 1975 to 1994. He lives in Brussels, Belgium, where he founded the company JOJI INC with choreographer and dancer [[Johanne Saunier]], and continues to design for theatre, film, dance and opera. |
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== |
== Life and career == |
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Jim Clayburgh is the brother of actress [[Jill Clayburgh]] (1944–2010). |
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He was part of the design team for the interior renovations of two major concert halls in Brussels: [[Flagey Building|La Maison de la Radio]] at Flagey, Ixelles, and [https://www.bozar.be/en Le Palais des Beaux Arts] in the centre. |
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Clayburgh holds a Bachelor of Arts degree from [[Claremont McKenna College]], majoring in design at [[Pomona College]], and a Master of Fine Arts degree in Theatre Design from [[New York University School of the Arts|New York University School Of The Arts]]. In the USA he has taught at MIT, New York Tisch School of the Arts, University of California Santa Cruz, University of Michigan, Hollins University, Simons Rock College of Art. In Europe, he has taught at St Luc's and the International School of Brussels. |
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Clayburgh was a member of the jury at [[Prague Quadrennial|Prague Quadrennial of Performance Design and Space]] in 2019, and was a key speaker at the 2015 edition. |
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== Awards and articles == |
== Awards and articles == |
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=== Awards === |
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OBIE award for Sustained Achievement (The Wooster Group) (1991).<ref>{{Cite web|title=91|url=https://www.obieawards.com/events/1990s/year-91/|access-date=2020-10-01|website=Obie Awards|language=en-US}}</ref> |
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OBIE award for Sustained Achievement In Design (1982).<ref>{{Cite web|title=82|url=https://www.obieawards.com/events/1980s/year-82/|access-date=2020-10-01|website=Obie Awards|language=en-US}}</ref> |
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=== Articles === |
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"A Space For Oedipus" – profile in Theatre Design & Technology, by Arnold Aronson (1978).<ref>{{Cite journal|last=Aronson|first=Arnold|date=1978|title=A Space For Oedipus|url=|journal=Theatre Design & Technology|volume=14 #2|pages=26–31|via=}}</ref> |
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"Plywood and electronics" – profile in Theatre Crafts, by Tish Dace (1984).<ref>{{Cite journal|last=Dace|first=Tish|date=1984|title=Plywood and electronics: Designer Jim Clayburgh of the Wooster Group|url=|journal=Theatre Crafts|volume=18 #2|pages=25–28, 54–55|via=}}</ref> |
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== Design work == |
== Design work == |
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=== [[The Wooster Group]] (1975–1994) === |
=== [[The Wooster Group]] (1975–1994) === |
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{| class="wikitable" |
{| class="wikitable" |
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|+ |
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!Production |
!Production |
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!Year |
!Year(s) |
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!Role |
!Role |
||
!Tour |
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|- |
|- |
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|Sakonnet Point |
|''Sakonnet Point'' |
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|1975 |
|1975 |
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|Set and lighting design |
|Set and lighting design |
||
| |
|||
|- |
|- |
||
|Rumstick Road |
|''Rumstick Road'' |
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|1979 |
|1979 |
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|Set and lighting design |
|Set and lighting design |
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| |
|||
|- |
|- |
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|Point Judith |
|''Point Judith'' |
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|1980 |
|1980 |
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|Set and lighting design |
|Set and lighting design |
||
| |
|||
|- |
|- |
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|3 Places in Rhode Island |
|''3 Places in Rhode Island'' |
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|1981 |
|1981 |
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|Set and lighting design |
|Set and lighting design |
||
| |
|||
|- |
|- |
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|Routes 1&9 |
|''Routes 1&9'' |
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|1981–85 |
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| |
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|Set and lighting design |
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| |
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| |
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|- |
|- |
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|''North Atlantic'' |
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| |
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|1984–1986 |
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| |
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|Set and lighting design |
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| |
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| |
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|- |
|- |
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|''L.S.D. (...Just the High Points...)'' |
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| |
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|1986–1990 |
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| |
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|Set and lighting design |
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| |
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| |
|- |
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|''Frank Dell's The Temptation of St Anthony'' |
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|1988–1990 |
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|Set and lighting design |
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|- |
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|''BRACE UP!'' |
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|1990–1994 |
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|Set design |
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|- |
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|''Fish Story'' |
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|1992–1996 |
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|Set design |
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|- |
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|''Emperor Jones'' |
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|1993–1996 |
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|Set design |
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|- |
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|''The Hairy Ape'' |
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|1994 |
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|Set design |
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|} |
|} |
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=== Scenic design (other) === |
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{| class="wikitable" |
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!Production |
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!Director |
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!Year |
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!Producer |
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|- |
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|''Marie and Bruce'' |
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|[[Wilford Leach]] |
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|1979 |
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|[[New York Shakespeare Festival|NY Shakespeare Festival]] |
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|- |
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|''Mary Stewart'' |
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|[[Des McAnuff]] |
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|1981 |
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|[[The Public Theater|The Public Theatre]] |
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|- |
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|''My Sister In This House'' |
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|[[Inverna Lockpez|Iverna Lockpez]] |
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|1981 |
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|[[Second Stage Theater|Second Stage]] |
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|- |
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|''The Confessions of a Dopefiend'' |
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|Matthew Maguire |
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|1982 |
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|Creation Company |
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|- |
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|''Necessary Ends'' |
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|Jim Milton |
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|1983 |
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|NY Shakespeare Festival |
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|- |
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|''Something Different'' |
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|[[Michael Kahn (theatre director)|Michael Kahn]] |
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|1983 |
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|Second Stage |
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|- |
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|''Miss Universal Happiness'' |
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|[[Richard Foreman]] |
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|1985 |
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|[[Ontological-Hysteric Theater|Ontological-Hysteric Theatre]] |
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|- |
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|''North Atlantic (remix)'' |
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|[[Elizabeth LeCompte]] |
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|2001 |
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|The Wooster Group |
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|- |
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|''BRACE UP! (2003)'' |
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|Elizabeth LeCompte |
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|2003 |
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|The Wooster Group |
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|- |
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|''In The Wind Of Time'' |
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|Isabella Soupart |
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|2005 |
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|Kunstenfestival des arts |
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|- |
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|''KOD'' |
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|Isabella Soupart |
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|2007 |
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|Kunstenfestival des arts |
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|} |
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=== Lighting design (dance) === |
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{| class="wikitable sortable" |
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!Production |
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!Director/Choreographer |
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!Year |
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!Producer |
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|- |
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|''Erts'' |
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|[[Anne Teresa De Keersmaeker|Anne-Terese de Keersmaeker]] |
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|1993 |
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|[[Rosas Company|Rosas]] |
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|- |
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|''Philoctetes Variations'' |
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|Jan Ritsema |
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|1994 |
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|Kaaitheater |
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|- |
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|''Solo'' |
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|Michèle Anne de Mey |
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|1995 |
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|Company M.A. de Mey |
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|- |
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|''Cahiers'' |
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|Michèle Anne de Mey |
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|1996 |
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|Company M.A. de Mey |
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|- |
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|''De l'air et du vent'' |
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|[[Pierre Droulers]] |
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|1996 |
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|Company P. Droulers |
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|- |
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|''Petites formes'' |
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|Pierre Droulers |
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|1997 |
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|Company P. Droulers |
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|- |
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|''Katamenia'' |
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|Michèle Anne de Mey |
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|1997 |
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|Company M.A. de Mey |
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|- |
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|''Sans les voix des maîtres'' |
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|Johanne Saunier |
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|1997 |
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|JOJI INC |
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|- |
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|''Charms'' |
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|Judith Vindevogel |
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|1997 |
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|Walpurgis |
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|- |
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|''Jewish Songs'' |
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|[[Douglas Becker]] |
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|1997 |
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|Conservatoire de Paris |
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|- |
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|''Multum in Parvo'' |
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|Pierre Droulers |
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|1998 |
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|Company P. Droulers |
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|- |
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|''Soon'' |
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|[[Hal Hartley]] |
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|1998 |
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|Salzburg Theatre Festival |
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|- |
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|''The Day of Heaven and Hell'' |
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|[[Wim Vandekeybus]] |
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|1998 |
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|Royal Flemish Theatre |
|||
|- |
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|''Choree'' |
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|Renaud de Putters |
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|2000 |
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|Bureau des pianos |
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|- |
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|''Ma'' |
|||
|Pierre Droulers |
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|2000 |
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|Company P. Droulers |
|||
|- |
|||
|''Mo-ten-tion'' |
|||
|Istok Kovacs |
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|2001 |
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|En Knap |
|||
|- |
|||
|''Rappresentazione di Anima et di Corpo'' |
|||
|Pierre Droulers |
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|2002 |
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|[[La Monnaie]] |
|||
|- |
|||
|''Apparitions'' |
|||
|Renard de Putters |
|||
|2003 |
|||
|Bureau des pianos |
|||
|- |
|||
|''Each To His Own'' |
|||
|Douglas Becker |
|||
|2003 |
|||
|Ballet de Genève |
|||
|- |
|||
|''Inoui'' |
|||
|Pierre Droulers |
|||
|2004 |
|||
|Company P. Droulers |
|||
|} |
|||
=== Scenic & lighting design (other) === |
|||
{| class="wikitable sortable" |
|||
!Production |
|||
!Director / Choreographer |
|||
!Year |
|||
!Producer |
|||
|- |
|||
|Nightcoil |
|||
|Matthew Maguire |
|||
|1989 |
|||
|Creation Company |
|||
|- |
|||
|Goose and Tom-Tom |
|||
|[[David Rabe]] |
|||
|1986–90 |
|||
|NY Shakespeare Festival |
|||
|- |
|||
|Seventy Scenes of Halloween |
|||
|Matthew Maguire |
|||
|1992 |
|||
|Creation Company |
|||
|- |
|||
|An Evening of Music and Video |
|||
|Kit Fitzgerald |
|||
|1994 |
|||
|[[On the Boards|On The Boards]], Seattle |
|||
|- |
|||
|Adventures |
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|P. Droulers / J. Clayburgh |
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|1999 |
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|La Monnaie |
|||
|- |
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|Landscape |
|||
|Johanne Saunier |
|||
|2001 |
|||
|JOJI INC |
|||
|- |
|||
|Salto |
|||
|JOJI INC |
|||
|2001 |
|||
|Bureau des arts |
|||
|- |
|||
|It's Like |
|||
|Johanne Saunier |
|||
|2002 |
|||
|JOJI INC |
|||
|- |
|||
|Cara Lucia |
|||
|Sharon Fogarty |
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|2003/2007 |
|||
|[[Mabou Mines]] |
|||
|- |
|||
|It's Like (installation) |
|||
|Johanne Saunier |
|||
|2004 |
|||
|JOJI INC |
|||
|- |
|||
|Erase-E(x) parts 1–6 |
|||
|Johanne Saunier / various |
|||
|2004–2007 |
|||
|JOJI INC |
|||
|- |
|||
|Mozart Choreographies |
|||
|Salva Sanchez et. al. |
|||
|2007 |
|||
|[[Mozarteum University Salzburg|Mozarteum]], Salzburg |
|||
|- |
|||
|Lolita, an opera |
|||
|Jim Clayburgh |
|||
|2008 |
|||
|GMEM Marseille |
|||
|} |
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==External links== |
==External links== |
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{{reflist}} |
{{reflist}} |
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{{DEFAULTSORT:Clayburgh, Jim}} |
{{DEFAULTSORT:Clayburgh, Jim}} |
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[[Category:American theatre |
[[Category:American theatre]] |
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[[Category:Living people]] |
[[Category:Living people]] |
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{{Theat-bio-stub}} |
Revision as of 16:23, 1 October 2020
The topic of this article may not meet Wikipedia's notability guideline for biographies. (September 2017) |
Jim (James) Clayburgh (b. 1949, New York City, NY) is a scenic designer. He was a founding member of The Wooster Group and served as the group's resident designer from 1975 to 1994. He lives in Brussels, Belgium, where he founded the company JOJI INC with choreographer and dancer Johanne Saunier, and continues to design for theatre, film, dance and opera.
Life and career
Jim Clayburgh is the brother of actress Jill Clayburgh (1944–2010).
He was part of the design team for the interior renovations of two major concert halls in Brussels: La Maison de la Radio at Flagey, Ixelles, and Le Palais des Beaux Arts in the centre.
Clayburgh holds a Bachelor of Arts degree from Claremont McKenna College, majoring in design at Pomona College, and a Master of Fine Arts degree in Theatre Design from New York University School Of The Arts. In the USA he has taught at MIT, New York Tisch School of the Arts, University of California Santa Cruz, University of Michigan, Hollins University, Simons Rock College of Art. In Europe, he has taught at St Luc's and the International School of Brussels.
Clayburgh was a member of the jury at Prague Quadrennial of Performance Design and Space in 2019, and was a key speaker at the 2015 edition.
Awards and articles
Awards
OBIE award for Sustained Achievement (The Wooster Group) (1991).[1]
OBIE award for Sustained Achievement In Design (1982).[2]
Articles
"A Space For Oedipus" – profile in Theatre Design & Technology, by Arnold Aronson (1978).[3]
"Plywood and electronics" – profile in Theatre Crafts, by Tish Dace (1984).[4]
Design work
The Performance Group (1972–1980)
Production | Director | Year | Role |
---|---|---|---|
The Tooth of Crime | Richard Schechner | 1973 | Lighting design |
The Tooth of Crime | Richard Schechner | 1974 | Set and lighting design |
A Wing and a Prayer | Ellen LeCompte | 1975 | Lighting design |
Thirty Years War | Richard Schechner | 1975 | Set and lighting design |
Mother Courage and Her Children | Richard Schechner | 1975 | Set and lighting design |
Taxi-Boy Rescued from the Path | Stephen Borst | 1976 | Set and lighting design |
The Marilyn Project | Richard Schechner | 1976 | Set and lighting design |
Oedipus | Richard Schechner | 1977 | Set and lighting design |
Cops | Richard Schechner | 1978 | Set and lighting design |
The Wooster Group (1975–1994)
Production | Year(s) | Role |
---|---|---|
Sakonnet Point | 1975 | Set and lighting design |
Rumstick Road | 1979 | Set and lighting design |
Point Judith | 1980 | Set and lighting design |
3 Places in Rhode Island | 1981 | Set and lighting design |
Routes 1&9 | 1981–85 | Set and lighting design |
North Atlantic | 1984–1986 | Set and lighting design |
L.S.D. (...Just the High Points...) | 1986–1990 | Set and lighting design |
Frank Dell's The Temptation of St Anthony | 1988–1990 | Set and lighting design |
BRACE UP! | 1990–1994 | Set design |
Fish Story | 1992–1996 | Set design |
Emperor Jones | 1993–1996 | Set design |
The Hairy Ape | 1994 | Set design |
Scenic design (other)
Production | Director | Year | Producer |
---|---|---|---|
Marie and Bruce | Wilford Leach | 1979 | NY Shakespeare Festival |
Mary Stewart | Des McAnuff | 1981 | The Public Theatre |
My Sister In This House | Iverna Lockpez | 1981 | Second Stage |
The Confessions of a Dopefiend | Matthew Maguire | 1982 | Creation Company |
Necessary Ends | Jim Milton | 1983 | NY Shakespeare Festival |
Something Different | Michael Kahn | 1983 | Second Stage |
Miss Universal Happiness | Richard Foreman | 1985 | Ontological-Hysteric Theatre |
North Atlantic (remix) | Elizabeth LeCompte | 2001 | The Wooster Group |
BRACE UP! (2003) | Elizabeth LeCompte | 2003 | The Wooster Group |
In The Wind Of Time | Isabella Soupart | 2005 | Kunstenfestival des arts |
KOD | Isabella Soupart | 2007 | Kunstenfestival des arts |
Lighting design (dance)
Production | Director/Choreographer | Year | Producer |
---|---|---|---|
Erts | Anne-Terese de Keersmaeker | 1993 | Rosas |
Philoctetes Variations | Jan Ritsema | 1994 | Kaaitheater |
Solo | Michèle Anne de Mey | 1995 | Company M.A. de Mey |
Cahiers | Michèle Anne de Mey | 1996 | Company M.A. de Mey |
De l'air et du vent | Pierre Droulers | 1996 | Company P. Droulers |
Petites formes | Pierre Droulers | 1997 | Company P. Droulers |
Katamenia | Michèle Anne de Mey | 1997 | Company M.A. de Mey |
Sans les voix des maîtres | Johanne Saunier | 1997 | JOJI INC |
Charms | Judith Vindevogel | 1997 | Walpurgis |
Jewish Songs | Douglas Becker | 1997 | Conservatoire de Paris |
Multum in Parvo | Pierre Droulers | 1998 | Company P. Droulers |
Soon | Hal Hartley | 1998 | Salzburg Theatre Festival |
The Day of Heaven and Hell | Wim Vandekeybus | 1998 | Royal Flemish Theatre |
Choree | Renaud de Putters | 2000 | Bureau des pianos |
Ma | Pierre Droulers | 2000 | Company P. Droulers |
Mo-ten-tion | Istok Kovacs | 2001 | En Knap |
Rappresentazione di Anima et di Corpo | Pierre Droulers | 2002 | La Monnaie |
Apparitions | Renard de Putters | 2003 | Bureau des pianos |
Each To His Own | Douglas Becker | 2003 | Ballet de Genève |
Inoui | Pierre Droulers | 2004 | Company P. Droulers |
Scenic & lighting design (other)
Production | Director / Choreographer | Year | Producer |
---|---|---|---|
Nightcoil | Matthew Maguire | 1989 | Creation Company |
Goose and Tom-Tom | David Rabe | 1986–90 | NY Shakespeare Festival |
Seventy Scenes of Halloween | Matthew Maguire | 1992 | Creation Company |
An Evening of Music and Video | Kit Fitzgerald | 1994 | On The Boards, Seattle |
Adventures | P. Droulers / J. Clayburgh | 1999 | La Monnaie |
Landscape | Johanne Saunier | 2001 | JOJI INC |
Salto | JOJI INC | 2001 | Bureau des arts |
It's Like | Johanne Saunier | 2002 | JOJI INC |
Cara Lucia | Sharon Fogarty | 2003/2007 | Mabou Mines |
It's Like (installation) | Johanne Saunier | 2004 | JOJI INC |
Erase-E(x) parts 1–6 | Johanne Saunier / various | 2004–2007 | JOJI INC |
Mozart Choreographies | Salva Sanchez et. al. | 2007 | Mozarteum, Salzburg |
Lolita, an opera | Jim Clayburgh | 2008 | GMEM Marseille |
External links
References
- ^ "91". Obie Awards. Retrieved 2020-10-01.
- ^ "82". Obie Awards. Retrieved 2020-10-01.
- ^ Aronson, Arnold (1978). "A Space For Oedipus". Theatre Design & Technology. 14 #2: 26–31.
- ^ Dace, Tish (1984). "Plywood and electronics: Designer Jim Clayburgh of the Wooster Group". Theatre Crafts. 18 #2: 25–28, 54–55.