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{{Short description|Italian painter (1700–1777)}}
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{{Use dmy dates|date=April 2012}}

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{{Use dmy dates|date=June 2020}}
{{use list-defined references|date=July 2013}}
{{use list-defined references|date=July 2013}}
{{Infobox artist
{{Infobox artist
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| image_size = 300px
| image_size = 300px
| alt =
| alt =
| caption = Antonio Joli, ''Departure of Charles III from Naples'', [[Museo del Prado]], 1759
| caption = Antonio Joli, ''[[Charles III's Departure for Spain, Seen from the Land|Departure of Charles III of Spain from Naples]]'', {{Lang|es|[[Museo del Prado]]|italic=no}}, 1759 - he also painted a pair, [[Charles III's Departure for Spain, Seen from the Sea|showing the view from the sea]].
| birth_name =
| birth_name =
| birth_date = 1700
| birth_date = 13 March 1700
| birth_place = [[Modena]]
| birth_place = [[Modena]]
| death_date = 29 April 1777
| death_date = 29 April 1777
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}}
}}


'''Antonio Joli''' or '''Ioli''' (1700 – 29 April 1777) was an Italian painter of [[veduta|''vedute'']].
'''Antonio Francesco Lodovico Joli''' (13 March 1700 – 29 April 1777) was an Italian painter of [[veduta|''vedute'']] and [[capriccio (art)|''capricci'']].


==Biography==
Born in [[Modena]], he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under [[Giovanni Paolo Panini]], and in the studios of the [[Galli da Bibbiena]] family of scene-painters. He became a painter of stage sets in Modena and [[Perugia]]. In 1732 he moved to [[Venice]], where he worked as stage-painter for opera productions at the [[Teatro di San Giovanni Cristostomo]], the [[Teatro di San Samuele]] and the [[Teatro Grimani]]. In 1742 he went to [[Dresden]], and then to London (1744–48) and [[Madrid]] (1750–54).<ref name=tipton/> In London, he decorated the Richmond mansion of [[John James Heidegger]], then the director of the [[Her Majesty's Theatre|King's Theatre]] in the [[Haymarket, London|Haymarket]].<ref name=ralph/> Joli returned to Venice in 1754, where he became one of the 36 founding members of the [[Accademia di Belle Arti di Venezia]]. He moved to the [[House of Bourbon|Bourbon]] court of [[Naples]] in 1761,<ref name=tipton/> and died there on 29 April 1777.
Born in [[Modena]], he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under [[Giovanni Paolo Panini]], and in the studios of the [[Galli da Bibbiena]] family of scene-painters. He became a painter of stage sets in Modena and [[Perugia]]. In 1732 he moved to [[Venice]], where he worked as stage-painter for opera productions at the [[Teatro di San Giovanni Grisostomo]] and the [[Teatro San Samuele]] of the [[Grimani]] family. In 1742 he went to [[Dresden]], and then to London (1744–48) and [[Madrid]] (1750–54).<ref name=tipton/> In London, he decorated the Richmond mansion of [[John James Heidegger]], then the director of the [[Her Majesty's Theatre|King's Theatre]] in the [[Haymarket, London|Haymarket]].<ref name=ralph/> In 1749 Joli left London and went to Madrid where he was also involved in scene painting for the royal court, both at the Coliseo at Buen Retiro, the royal palace then just outside Madrid, and at the smaller opera house at the palace at Aranjuez. The opera performances for which he painted scenery were directed by Farinelli. He also made large-sized paintings of the Esquadra del Tajo, the fleet of royal barges and other vessels on the river Tajo at Aranjuez. Joli returned to Venice in 1754, where he became one of the 36 founding members of the [[Accademia di Belle Arti di Venezia]]. He moved to the [[House of Bourbon|Bourbon]] court of [[Naples]] in 1761,<ref name=tipton/> and died there on 29 April 1777.


==References==
==References==
{{reflist|refs=
{{reflist|refs=


<ref name=ralph>Ralph Toledano (2006). [http://books.google.it/books?ei=HzzjUYzUJ6mO4gTp4oC4DQ&id=YQRHAQAAIAAJ ''Antonio Joli: Modena 1700-1777 Napoli''] (in Italian). Torino: Artema. ISBN 9788880521006. p. 188.</ref>
<ref name=ralph>Ralph Toledano (2006). [https://books.google.com/books?ei=HzzjUYzUJ6mO4gTp4oC4DQ&id=YQRHAQAAIAAJ ''Antonio Joli: Modena 1700-1777 Napoli''] (in Italian). Torino: Artema. {{ISBN|9788880521006}}. p. 188.</ref>


<ref name=tipton>Susan Tipton (2010). [http://www.riha-journal.org/articles/2010/tipton-diplomatie-und-zeremoniell#1286197389 Diplomatie und Zeremoniell in Botschafterbildern von Carlevarijs und Canaletto] (in German). RIHA Journal: International Association of Research Institutes in the History of Art. 2010:0008. URN urn:nun:de:101:1-201010062457. Accessed July 2013.</ref>
<ref name=tipton>Susan Tipton (2010). [http://www.riha-journal.org/articles/2010/tipton-diplomatie-und-zeremoniell#1286197389 Diplomatie und Zeremoniell in Botschafterbildern von Carlevarijs und Canaletto] (in German). RIHA Journal: International Association of Research Institutes in the History of Art. 2010:0008. URN urn:nun:de:101:1-201010062457. Accessed July 2013.</ref>
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==Further reading==
==Further reading==
*{{cite book | first= J. G.|last= Links| year=1977| title= Canaletto and his Patrons| editor= | pages= 99 | publisher=Paul Elek |location=London| id= | url= }}
*{{cite book | first= J. G.|last= Links| year=1977| title= Canaletto and his Patrons| pages= 99 | publisher=[[Paul Elek]] |location=London}}
*[http://www.artnet.com/library/04/0450/T045066.asp Grove encyclopedia biography on Artnet]
*[http://www.artnet.com/library/04/0450/T045066.asp Grove encyclopedia biography on Artnet]


==Gallery==
==Gallery==
{{Gallery
{{Gallery
|width=220 |lines=4
|width=220 |align=center
|align=center
|style="font-size: 86%;"
|style="font-size: 86%;"
|File:Antonio Joli Auszug des Nuntius Stoppani aus dem Dogenpalast 1741.jpg|<small>''The departure of the [[nuncio]] Stoppani from the Doge's Palace after his audience''; [[National Gallery of Art, Washington]]</small>
|File:Antonio Joli Auszug des Nuntius Stoppani aus dem Dogenpalast 1741.jpg|<small>''The departure of the [[nuncio]] Stoppani from the Doge's Palace after his audience''; [[National Gallery of Art, Washington]]</small>
|File:Antonio Joli Einholung des Nuntius Stoppani 1741.jpg|<small>''The greeting of Nuncio Stoppani'', 1741; National Gallery of Art, Washington</small>
|File:Antonio Joli Einholung des Nuntius Stoppani 1741.jpg|<small>''The greeting of Nuncio Stoppani'', 1741; National Gallery of Art, Washington</small>
|File:ANTONIO JOLI ROME, A VIEW OF THE FORUM.jpg|<small>''Rome, A View of the Forum with the Campo Vaccino, the church of Santa Francesca and the Colosseum''</small>
|File:ANTONIO JOLI ROME, A VIEW OF THE FORUM.jpg|<small>''Rome, A View of the Forum with the Campo Vaccino, the church of Santa Francesca and the Colosseum''</small>
|File:Antonio Joli Prospect of London .jpg|<small>''Prospect of London''</small>
|File:Antonio_Joli_Prospect_of_London.jpg|<small>''Prospect of London''</small>
|File:View of the flooded Piazza Navona, Rome (by Antonio Joli).jpg|<small>''[[Piazza Navona]] Allagata''</small>
|File:Calle Alcalá por Antonio Joli.jpg|<small>''View of Calle de Alcalá, Madrid''</small>
}}
}}


==External links==
==External links==
{{Commons category}}
{{Commons category|Antonio Joli}}
* [http://www.wikigallery.org/wiki/artist38652/Antonio-Joli/page-1 Antonio Joli at Wikigallery.org]
* [http://www.wikigallery.org/wiki/artist38652/Antonio-Joli/page-1 Antonio Joli at Wikigallery.org]
* [http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/187741/rec/2 ''Italian Paintings, Venetian School''], a collection catalog containing information about Joli and his works (see index; plate 39).

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{{Authority control}}


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{{Authority control|VIAF=23025574}}
{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
| NAME = Joli, Antonio
| ALTERNATIVE NAMES = Ioli, Antonio
| SHORT DESCRIPTION = Italian vedutista painter
| DATE OF BIRTH = 1700
| PLACE OF BIRTH =Modena
| DATE OF DEATH = 29 April 1777
| PLACE OF DEATH =
}}
{{DEFAULTSORT:Joli, Antonio}}
{{DEFAULTSORT:Joli, Antonio}}
[[Category:1700 births]]
[[Category:1700 births]]
[[Category:1777 deaths]]
[[Category:1777 deaths]]
[[Category:People from Modena]]
[[Category:Painters from Modena]]
[[Category:Italian painters of the 18th century]]
[[Category:18th-century Italian painters]]
[[Category:Italian male painters]]
[[Category:Italian vedutisti]]
[[Category:Italian vedutisti]]
[[Category:18th-century Italian male artists]]

Latest revision as of 23:57, 28 December 2023

Antonio Joli
Antonio Joli, Departure of Charles III of Spain from Naples, Museo del Prado, 1759 - he also painted a pair, showing the view from the sea.
Born13 March 1700
Modena
Died29 April 1777
Naples
Movementvedutisti

Antonio Francesco Lodovico Joli (13 March 1700 – 29 April 1777) was an Italian painter of vedute and capricci.

Biography[edit]

Born in Modena, he first was apprenticed to Rafaello Rinaldi. He then studied in Rome under Giovanni Paolo Panini, and in the studios of the Galli da Bibbiena family of scene-painters. He became a painter of stage sets in Modena and Perugia. In 1732 he moved to Venice, where he worked as stage-painter for opera productions at the Teatro di San Giovanni Grisostomo and the Teatro San Samuele of the Grimani family. In 1742 he went to Dresden, and then to London (1744–48) and Madrid (1750–54).[1] In London, he decorated the Richmond mansion of John James Heidegger, then the director of the King's Theatre in the Haymarket.[2] In 1749 Joli left London and went to Madrid where he was also involved in scene painting for the royal court, both at the Coliseo at Buen Retiro, the royal palace then just outside Madrid, and at the smaller opera house at the palace at Aranjuez. The opera performances for which he painted scenery were directed by Farinelli. He also made large-sized paintings of the Esquadra del Tajo, the fleet of royal barges and other vessels on the river Tajo at Aranjuez. Joli returned to Venice in 1754, where he became one of the 36 founding members of the Accademia di Belle Arti di Venezia. He moved to the Bourbon court of Naples in 1761,[1] and died there on 29 April 1777.

References[edit]

  1. ^ a b Susan Tipton (2010). Diplomatie und Zeremoniell in Botschafterbildern von Carlevarijs und Canaletto (in German). RIHA Journal: International Association of Research Institutes in the History of Art. 2010:0008. URN urn:nun:de:101:1-201010062457. Accessed July 2013.
  2. ^ Ralph Toledano (2006). Antonio Joli: Modena 1700-1777 Napoli (in Italian). Torino: Artema. ISBN 9788880521006. p. 188.

Further reading[edit]

Gallery[edit]

  • The departure of the nuncio Stoppani from the Doge's Palace after his audience; National Gallery of Art, Washington
    The departure of the nuncio Stoppani from the Doge's Palace after his audience; National Gallery of Art, Washington
  • The greeting of Nuncio Stoppani, 1741; National Gallery of Art, Washington
    The greeting of Nuncio Stoppani, 1741; National Gallery of Art, Washington
  • Rome, A View of the Forum with the Campo Vaccino, the church of Santa Francesca and the Colosseum
    Rome, A View of the Forum with the Campo Vaccino, the church of Santa Francesca and the Colosseum
  • Prospect of London
    Prospect of London
  • Piazza Navona Allagata
    Piazza Navona Allagata
  • View of Calle de Alcalá, Madrid
    View of Calle de Alcalá, Madrid

External links[edit]

Wikimedia Commons has media related to Antonio Joli.
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