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{{short description|Italian composer and musician}} |
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[[File:Arrigoni 1732.JPG|thumb|250px|Carlo Arrigoni's chamber cantatas, published in 1732 and dedicated to the English queen]] |
[[File:Arrigoni 1732.JPG|thumb|250px|Carlo Arrigoni's chamber cantatas, published in 1732 and dedicated to the English queen]] |
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'''Carlo Arrigoni''' (6 December 1697 – 19 August 1744 was an Italian composer and musician who was active in several countries during the first half of the 18th century. |
'''Carlo Arrigoni''' (6 December 1697 – 19 August 1744) was an Italian composer and musician who was active in several countries during the first half of the 18th century. |
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==Life and work== |
==Life and work== |
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Arrigoni |
Arrigoni was born in Florence. Little is known of his early years or musical education. His first [[oratorio]] was performed in his native city in 1719 and was followed by ''Il Pentimento d’Accabo'' (Accabo’s repentance, 1722), a setting for five voices of a poem by his relative, Father Crisostomo Arrigoni.<ref>[https://books.google.com/books?id=Shig8YbKZEUC Google Books]</ref> His opera ''La Vedova'' (The widow) was also performed that same year in [[Foligno]]. The next mention of Arrigoni is in [[Brussels]], then part of the [[Austrian Netherlands]], where ''Il Pentimento d’Accabo'' was performed in 1728. At the start of the 1730s he was working at the Dublin Academy of Music, then transferred to London in 1732. There he published chamber cantatas dedicated to the English queen, [[Caroline of Ansbach]],<ref>[http://imslp.org/wiki/Cantate_da_Camera_%28Arrigoni,_Carlo%29 IMSLP]</ref> and shared in the musical life of the capital until 1736. |
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In April 1733 Arrigoni performed his own concerto for the lute and then became associated with the [[Opera of the Nobility]], set up in opposition to [[George Frideric Handel]]. Performances there of his opera ''Fernando'' earned him inclusion in [[John Arbuthnot]]’s satirical pamphlet, ''Harmony in an Uproar'' (dated 1733). This takes the form of a pastiche of Arrigoni's opera under the name of "The King of Arragon”.<ref>[http://ichriss.ccarh.org/HRD/1734%20Harmony%20in%20an%20Uproar.htm Handel Reference database]</ref> |
In April 1733 Arrigoni performed his own concerto for the lute and then became associated with the [[Opera of the Nobility]], set up in opposition to [[George Frideric Handel]]. Performances there of his opera ''Fernando'' earned him inclusion in [[John Arbuthnot]]’s satirical pamphlet, ''Harmony in an Uproar'' (dated 1733). This takes the form of a pastiche of Arrigoni's opera under the name of "The King of Arragon”.<ref>[http://ichriss.ccarh.org/HRD/1734%20Harmony%20in%20an%20Uproar.htm Handel Reference database]</ref> |
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Arrigoni was noted not only as a performer on lute and harpsichord, but also as a singer, and was eventually recruited to take part in Handel’s productions. During 1736 he is recorded as playing the lute at the premiere of Handel’s choral work ''Alexander’s Feast'' and in his concerto for lute (opus 4.6), as well as performing as tenor soloist in the cantata ''Cecilia, volgi un sguardo''.<ref>Paul McMahon, “Handel and the Voice Practitioner”, in ''Teaching Singing in the 21st Century'', Springer 2014, [https://books.google. |
Arrigoni was noted not only as a performer on lute and harpsichord, but also as a singer, and was eventually recruited to take part in Handel’s productions. During 1736 he is recorded as playing the lute at the premiere of Handel’s choral work ''Alexander’s Feast'' and in his concerto for lute (opus 4.6), as well as performing as tenor soloist in the cantata ''Cecilia, volgi un sguardo''.<ref>Paul McMahon, “Handel and the Voice Practitioner”, in ''Teaching Singing in the 21st Century'', Springer 2014, [https://books.google.com/books?id=BPUsBAAAQBAJ&dq=%22Carlo+Arrigoni%22&pg=PA280 p.280]</ref> <!--I assume the Handel concerto is the harp concerto that was also arranged for organ; from Opus 4--> |
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From London, Arrigoni went on to Vienna for two years, where he produced several cantatas and his oratorio, ''Ester'' (1738).<ref>[https://books.google. |
From London, Arrigoni went on to Vienna for two years, where he produced several cantatas and his oratorio, ''Ester'' (1738).<ref>[https://books.google.com/books?id=Aq1DAAAAcAAJ Google Books]</ref> On his return to Florence he was appointed composer to [[Francis I, Holy Roman Emperor|Francesco II, Grand Duke of Tuscany]]. His operas ''Sibace'' and ''Scipione nelle Spagne'' were performed in 1739. The second of these was a setting of the same libretto as Handel's 1726 opera of the same name. In 1743 a setting of another poem by Crisostomo Arrigoni was performed at a sacred concert.<ref>[https://books.google.com/books?id=22DhmW3iujcC Google Books]</ref> Arrigoni also wrote instrumental music. His chamber sonatas now have a growing and appreciative following. He died in Florence. |
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==Selected works== |
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*''Fernando'' (wrongly attributed by Burney to [[Nicola Porpora|Porpora]]) [[Opera of the Nobility]], London 1733–34<ref>A Biographical Dictionary of Actors, Actresses, Musicians, Dancers Philip H. Highfill, Jr., Kalman A. Burnim, Edward A. Langhans - 1973 0809305178 |
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The Opera of the Nobility gave four performances of his opera Fernando (wrongly attributed by Burney to Porpora) in 1733-34. Arrigoni played the harpsichord at three evening concerts given by the Earl of Egmont at his home on 15 February and 8 and 22 March 1734. At the last of these concerts Arrigoni also sang with the Earl's daughters. There was a concert for Arrigoni's benefit at [[Hickford's Room]]s on 27 March 1735 and another there on 5 March 1736, at which he played a solo.</ref> |
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==References== |
==References== |
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| ⚫ | Two works of reference have short articles on Arrigoni, ''A biographical dictionary or actors, actresses, musicians, dancers, managers and other stage personnel in London, 1660-1800'', Southern Illinois University 1973, [https://books.google. |
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{{reflist}} |
{{reflist}} |
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| ⚫ | Two works of reference have short articles on Arrigoni, ''A biographical dictionary or actors, actresses, musicians, dancers, managers and other stage personnel in London, 1660-1800'', Southern Illinois University 1973, [https://books.google.com/books?id=V8IutzpP0sYC&dq=%22Carlo+Arrigoni%22&pg=PA127 vol. 1, p.127-8]; and ''Dizionario Biografico degli Italiani'' [http://www.treccani.it/enciclopedia/carlo-arrigoni_%28Dizionario_Biografico%29 Volume 4 (1962)] |
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{{Authority control}} |
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{{DEFAULTSORT:Arrigoni, Carlo}} |
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[[Category:1697 births]] |
[[Category:1697 births]] |
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[[Category:1744 deaths]] |
[[Category:1744 deaths]] |
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[[Category:Italian composers]] |
[[Category:18th-century Italian composers]] |
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[[Category:Italian |
[[Category:Italian male composers]] |
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[[Category: |
[[Category:Musicians from Florence]] |
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[[Category:Musicians from the Grand Duchy of Tuscany]] |
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Latest revision as of 14:36, 6 February 2024
Carlo Arrigoni (6 December 1697 – 19 August 1744) was an Italian composer and musician who was active in several countries during the first half of the 18th century.
Life and work[edit]
Arrigoni was born in Florence. Little is known of his early years or musical education. His first oratorio was performed in his native city in 1719 and was followed by Il Pentimento d’Accabo (Accabo’s repentance, 1722), a setting for five voices of a poem by his relative, Father Crisostomo Arrigoni.[1] His opera La Vedova (The widow) was also performed that same year in Foligno. The next mention of Arrigoni is in Brussels, then part of the Austrian Netherlands, where Il Pentimento d’Accabo was performed in 1728. At the start of the 1730s he was working at the Dublin Academy of Music, then transferred to London in 1732. There he published chamber cantatas dedicated to the English queen, Caroline of Ansbach,[2] and shared in the musical life of the capital until 1736.
In April 1733 Arrigoni performed his own concerto for the lute and then became associated with the Opera of the Nobility, set up in opposition to George Frideric Handel. Performances there of his opera Fernando earned him inclusion in John Arbuthnot’s satirical pamphlet, Harmony in an Uproar (dated 1733). This takes the form of a pastiche of Arrigoni's opera under the name of "The King of Arragon”.[3] Arrigoni was noted not only as a performer on lute and harpsichord, but also as a singer, and was eventually recruited to take part in Handel’s productions. During 1736 he is recorded as playing the lute at the premiere of Handel’s choral work Alexander’s Feast and in his concerto for lute (opus 4.6), as well as performing as tenor soloist in the cantata Cecilia, volgi un sguardo.[4]
From London, Arrigoni went on to Vienna for two years, where he produced several cantatas and his oratorio, Ester (1738).[5] On his return to Florence he was appointed composer to Francesco II, Grand Duke of Tuscany. His operas Sibace and Scipione nelle Spagne were performed in 1739. The second of these was a setting of the same libretto as Handel's 1726 opera of the same name. In 1743 a setting of another poem by Crisostomo Arrigoni was performed at a sacred concert.[6] Arrigoni also wrote instrumental music. His chamber sonatas now have a growing and appreciative following. He died in Florence.
Selected works[edit]
- Fernando (wrongly attributed by Burney to Porpora) Opera of the Nobility, London 1733–34[7]
References[edit]
- ^ Google Books
- ^ IMSLP
- ^ Handel Reference database
- ^ Paul McMahon, “Handel and the Voice Practitioner”, in Teaching Singing in the 21st Century, Springer 2014, p.280
- ^ Google Books
- ^ Google Books
- ^ A Biographical Dictionary of Actors, Actresses, Musicians, Dancers Philip H. Highfill, Jr., Kalman A. Burnim, Edward A. Langhans - 1973 0809305178 The Opera of the Nobility gave four performances of his opera Fernando (wrongly attributed by Burney to Porpora) in 1733-34. Arrigoni played the harpsichord at three evening concerts given by the Earl of Egmont at his home on 15 February and 8 and 22 March 1734. At the last of these concerts Arrigoni also sang with the Earl's daughters. There was a concert for Arrigoni's benefit at Hickford's Rooms on 27 March 1735 and another there on 5 March 1736, at which he played a solo.
Two works of reference have short articles on Arrigoni, A biographical dictionary or actors, actresses, musicians, dancers, managers and other stage personnel in London, 1660-1800, Southern Illinois University 1973, vol. 1, p.127-8; and Dizionario Biografico degli Italiani Volume 4 (1962)
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