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{{Otherpersons|Charles Faulkner|Charles Faulkner (disambiguation)}}
{{Otherpersons|Charles Faulkner|Charles Faulkner (disambiguation)}}
'''Charles Joseph Faulkner''' (1833-92) was a [[mathematics|mathematician]] and fellow of [[University College, Oxford]] and a founding partner of [[Morris & Co.|Morris, Marshall, Faulkner and Co.]]
'''Charles Joseph Faulkner''' (1833–92) was a [[mathematics|mathematician]] and fellow of [[University College, Oxford]] and a founding partner of [[Morris & Co.|Morris, Marshall, Faulkner and Co.]]


Faulkner was part of a group of [[Birmingham]] men at [[Pembroke College, Oxford]] known among themselves as the "Brotherhood" and to historians as the "Pembroke set", along with [[Richard Watson Dixon]] and William Fulford. Through them he met [[William Morris]] and [[Edward Burne-Jones]], with whom he worked on a number of projects, including the [[Oxford Union murals]] and the decoration of [[Red House (London)|Red House]]. He left Oxford to train as a civil engineer in London in 1860, and in 1861 become a founder-shareholder and shortly thereafter financial manager of the decorative arts firm Morris, Marshall, Faulkner and Co. Faulkner participated in the firm's early design commissions including painting the chancel roof of [[St Michael's Church, Brighton]]. Faulkner's sisters Kate and Lucy were also associated with the firm as artists and designers.<ref name="Sussex">{{cite web|url=http://www.sussexparishchurches.org/content/view/330/40/|accessdate=4 October 2010|title=Sussex Parish Churches}}</ref><ref name="Waggoner">Waggoner (2003), pp. 33-36</ref><ref name="Parry1">Parry (1996), p. 13, 16, 258</ref> Two of Charles Faulkner's [[cartoon]]s or design drawings for [[stained glass]], part of a series depicting the story of [[Rich man and Lazarus|Dives and Lazarus]], are in the [[Victoria and Albert Museum]].<ref>Parry (1996), p. 121</ref>
Faulkner was part of a group of [[Birmingham]] men at [[Pembroke College, Oxford]] known among themselves as the "Brotherhood" and to historians as the "Pembroke set", along with [[Richard Watson Dixon]] and William Fulford. Through them he met [[William Morris]] and [[Edward Burne-Jones]], with whom he worked on a number of projects, including the [[Oxford Union murals]] and the decoration of [[Red House (London)|Red House]]. He left Oxford to train as a civil engineer in London in 1860, and in 1861 become a founder-shareholder and shortly thereafter financial manager of the decorative arts firm Morris, Marshall, Faulkner and Co. Faulkner participated in the firm's early design commissions including painting the chancel roof of [[St Michael's Church, Brighton]]. Faulkner's sisters Kate and Lucy were also associated with the firm as artists and designers.<ref name="Sussex">{{cite web|url=http://www.sussexparishchurches.org/content/view/330/40/|accessdate=4 October 2010|title=Sussex Parish Churches}}</ref><ref name="Waggoner">Waggoner (2003), pp. 33–36</ref><ref name="Parry1">Parry (1996), p. 13, 16, 258</ref> Two of Charles Faulkner's [[cartoon]]s or design drawings for [[stained glass]], part of a series depicting the story of [[Rich man and Lazarus|Dives and Lazarus]], are in the [[Victoria and Albert Museum]].<ref>Parry (1996), p. 121</ref>


Doubting the firm would ever achieve a sound financial footing, Faulkner resigned as financial manager in 1864 and returned to his fellowship at Oxford, although he maintained his ties to his erstwhile partners, accompanying Morris and [[Eiríkr Magnússon]] on their 1871 trip to Iceland and remaining a shareholder of the firm until it was reorganized as Morris & Co. in 1875. Faulkner resigned his Oxford fellowship due to illness in 1888 and died in 1892.<ref name="Sussex" /><ref>Waggoner (2003), pp. 33-36</ref><ref>Parry (1996), pp. 18, 57</ref>
Doubting the firm would ever achieve a sound financial footing, Faulkner resigned as financial manager in 1864 and returned to his fellowship at Oxford, although he maintained his ties to his erstwhile partners, accompanying Morris and [[Eiríkr Magnússon]] on their 1871 trip to Iceland and remaining a shareholder of the firm until it was reorganized as Morris & Co. in 1875. Faulkner resigned his Oxford fellowship due to illness in 1888 and died in 1892.<ref name="Sussex" /><ref>Waggoner (2003), pp. 33–36</ref><ref>Parry (1996), pp. 18, 57</ref>


==Notes==
==Notes==

Revision as of 18:42, 8 October 2010

Charles Joseph Faulkner (1833–92) was a mathematician and fellow of University College, Oxford and a founding partner of Morris, Marshall, Faulkner and Co.

Faulkner was part of a group of Birmingham men at Pembroke College, Oxford known among themselves as the "Brotherhood" and to historians as the "Pembroke set", along with Richard Watson Dixon and William Fulford. Through them he met William Morris and Edward Burne-Jones, with whom he worked on a number of projects, including the Oxford Union murals and the decoration of Red House. He left Oxford to train as a civil engineer in London in 1860, and in 1861 become a founder-shareholder and shortly thereafter financial manager of the decorative arts firm Morris, Marshall, Faulkner and Co. Faulkner participated in the firm's early design commissions including painting the chancel roof of St Michael's Church, Brighton. Faulkner's sisters Kate and Lucy were also associated with the firm as artists and designers.[1][2][3] Two of Charles Faulkner's cartoons or design drawings for stained glass, part of a series depicting the story of Dives and Lazarus, are in the Victoria and Albert Museum.[4]

Doubting the firm would ever achieve a sound financial footing, Faulkner resigned as financial manager in 1864 and returned to his fellowship at Oxford, although he maintained his ties to his erstwhile partners, accompanying Morris and Eiríkr Magnússon on their 1871 trip to Iceland and remaining a shareholder of the firm until it was reorganized as Morris & Co. in 1875. Faulkner resigned his Oxford fellowship due to illness in 1888 and died in 1892.[1][5][6]

Notes

  1. ^ a b "Sussex Parish Churches". Retrieved 4 October 2010.
  2. ^ Waggoner (2003), pp. 33–36
  3. ^ Parry (1996), p. 13, 16, 258
  4. ^ Parry (1996), p. 121
  5. ^ Waggoner (2003), pp. 33–36
  6. ^ Parry (1996), pp. 18, 57

References

  • Waggoner, Diane, The Beauty of Life: William Morris & the Art of Design, Thames and Hudson, 2003, ISBN 0-500-28434-2
  • Parry, Linda, ed., William Morris, Abrams, 1996, ISBN 0-8109-4282-8