Giuseppe Porta: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
Cydebot (talk | contribs)
m Robot - Moving category Italian painters of the 16th century to Category:16th-century Italian painters per CFD at Wikipedia:Categories for discussion/Log/2014 March 26.
add metadata
Line 1: Line 1:
{{Other people2|Salviati}}
'''Giuseppe Porta''' (1520–1575), also known as '''Giuseppe Salviati''', was an [[Italy|Italian]] painter of the late-[[Renaissance]] period, active mostly in [[Venice]].
'''Giuseppe Porta''' (1520–1575), also known as '''Giuseppe Salviati''', was an [[Italy|Italian]] painter of the late-[[Renaissance]] period, active mostly in [[Venice]].


Line 7: Line 8:


==References==
==References==
<!--===Secondary Sources===-->
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = [[Ralph Nicholson Wornum]] | pages = 132–133 | publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= http://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | authorlink= }}
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = [[Ralph Nicholson Wornum]] | pages = 132–133 | publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= http://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | authorlink= }}
*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= page 311| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |id= |url=http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1| authorlink=}}
*{{cite book| first=Michael| last=Bryan| year=1889| title=''Dictionary of Painters and Engravers, Biographical and Critical'' (Volume II L-Z)| editor = Walter Armstrong & Robert Edmund Graves| pages= page 311| publisher=George Bell and Sons|location=York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007 |id= |url=http://books.google.com/books?id=K2cCAAAAYAAJ&pg=PA1&dq=Michael+Bryan+Painters+Engravers#PPP7,M1| authorlink=}}
Line 21: Line 21:
| SHORT DESCRIPTION = Italian painter
| SHORT DESCRIPTION = Italian painter
| DATE OF BIRTH = 1520
| DATE OF BIRTH = 1520
| PLACE OF BIRTH = Castelnuovo di Garfagnana, Italy
| PLACE OF BIRTH = Castelnuovo di Garfagnana
| DATE OF DEATH = 1575
| DATE OF DEATH = 1575
| PLACE OF DEATH =
| PLACE OF DEATH = Venice
}}
}}
{{DEFAULTSORT:Porta, Giuseppe}}
{{DEFAULTSORT:Porta, Giuseppe}}

Revision as of 04:10, 13 July 2014

Giuseppe Porta (1520–1575), also known as Giuseppe Salviati, was an Italian painter of the late-Renaissance period, active mostly in Venice.

Biography

Born in Castelnuovo di Garfagnana, in 1535 he apprenticed with Francesco Salviati in Rome. He adopted his mentor’s last name when signing paintings. In 1539, he accompanied his master to Venice, and stayed there after Salviati left in 1541. From 1541 to 1552 he worked at Padua, painting in particular a series of ' Scenes from the Life of John the Baptist’‘, in the Selvático Palace. In 1565, he returned to Rome to paint frescoes, left incomplete by his master, for the Sala Regia (Emperor Frederick I. doing homage to Alexander III) in the Vatican. He returned to Venice in 1565 to paint both in the Doge's Palace and Biblioteca Marciana, where he painted Sibyls, the Prophets, and the Cardinal Virtues ; and for the chapel, the Dead Christ with his mother and Mary Magdalen. He was elected into the Florentine Accademia dell'Arte del Disegno. Much of his output was on now-lost external façade decoration. He also published a mathematically-oriented treatises on decorative column design. He painted a Descent from the Cross, with the Virgin, Mary Magdalene, and St. John for the Church Degli Angeli at Murano.

One of his pupils was Pietro Malombra.

References

  • Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006. pp. 132–133.
  • Bryan, Michael (1889). Walter Armstrong & Robert Edmund Graves (ed.). Dictionary of Painters and Engravers, Biographical and Critical (Volume II L-Z). York St. #4, Covent Garden, London; Original from Fogg Library, Digitized May 18, 2007: George Bell and Sons. pp. page 311. {{cite book}}: |pages= has extra text (help)CS1 maint: location (link)

External links

Template:Persondata