Hugues Lebailly: Difference between revisions
m Robot-assisted fixing links to disambiguation page (you can help!): French |
Mikeleach56 (talk | contribs) No edit summary |
||
| Line 1: | Line 1: | ||
'''Hugues Lebailly''' is a [[France|French]] academic and Senior Lecturer in English Cultural Studies at the [[Sorbonne]]. He is known for his work on nineteenth-century English literature, particularly his studies of [[Lewis Carroll]] which, in combination with the work of [[Karoline Leach]] and others, have begun a reassessment of Carroll's life and personality. |
'''Hugues Lebailly''' is a [[France|French]] academic and Senior Lecturer in English Cultural Studies at the [[Sorbonne]]. He is known for his work on nineteenth-century English literature, particularly his studies of [[Lewis Carroll]] which, in combination with the work of [[Karoline Leach]] and others, have begun a reassessment of Carroll's life and personality. His work on Carroll's place within what he has termed the "Victorian Child-Cult" has helped shape a new understanding of the man's sexuality and his artistry. |
||
His publications include: |
His publications include: |
||
Revision as of 13:26, 8 September 2007
Hugues Lebailly is a French academic and Senior Lecturer in English Cultural Studies at the Sorbonne. He is known for his work on nineteenth-century English literature, particularly his studies of Lewis Carroll which, in combination with the work of Karoline Leach and others, have begun a reassessment of Carroll's life and personality. His work on Carroll's place within what he has termed the "Victorian Child-Cult" has helped shape a new understanding of the man's sexuality and his artistry.
His publications include:
'Dr Dodgson et Mr Carroll: de la caricature au portrait.' [Dr. Dodgson and Mr. Carroll : from caricature to portrait.] Cahiers Victoriens et Edouardiens n° 43, April 1996, Presses Universitaires de Montpellier.
'The Powerful and the Sweet:dialectique du masculin et du féminin dans la critique d'art victorienne'. [The Dialectics of Masculinity and Femininity in Victorian Art Criticism.] Masculin/Féminin, Littératures et cultures anglo-saxonnes, proceedings of the 38th Congress of the S.A.E.S. Presses Universitaires de Rennes, May 1999 (pp. 151-163).
'Ordering disorder: la fonction normative de la critique d'art victorienne.' [Ordering Disorder : the normative function of Victorian art criticism.] Littérature et Ordre Social, proceedings of the second International Congress of the University of Le Havre, headed by Jean-Paul Barbiche: Paris, l'Harmattan, 1999 (pp. 73-83).
'C. L. Dodgson and the Victorian Cult of the Child', The Carrollian, The Lewis Carroll Journal n° 4, autumn 1999 (pp. 3-31).
'Through a Distorting Looking-Glass: Charles Lutwidge Dodgson's artistic interests as mirrored in his nieces' edited version of his diaries' (http://contrariwise.wild-reality.net/distort.html)
'Charles Lutwidge Dodgson's relationship with the weaker and more aesthetic sex re-examined' (http://www.lookingforlewiscarroll.com/cldandfemales.html)