Hugues Lebailly: Difference between revisions

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*'Dr Dodgson et Mr Carroll: de la caricature au portrait.' ('Dr. Dodgson and Mr. Carroll: from caricature to portrait.') ''Cahiers Victoriens et Edouardiens'' n° 43, April 1996, Presses Universitaires de Montpellier.
*'Dr Dodgson et Mr Carroll: de la caricature au portrait.' ('Dr. Dodgson and Mr. Carroll: from caricature to portrait.') ''Cahiers Victoriens et Edouardiens'' n° 43, April 1996, Presses Universitaires de Montpellier.
*'The Powerful and the Sweet:dialectique du masculin et du féminin dans la critique d'art victorienne'. [The Dialectics of Masculinity and Femininity in Victorian Art Criticism.] ''Masculin/Féminin, Littératures et cultures anglo-saxonnes'', proceedings of the 38th Congress of the S.A.E.S. Presses Universitaires de Rennes, May 1999 (pp. 151-163).
*'The Powerful and the Sweet:dialectique du masculin et du féminin dans la critique d'art victorienne'. ('The Dialectics of Masculinity and Femininity in Victorian Art Criticism.') ''Masculin/Féminin, Littératures et cultures anglo-saxonnes'', proceedings of the 38th Congress of the S.A.E.S. Presses Universitaires de Rennes, May 1999 (pp. 151-163).
*'Ordering disorder: la fonction normative de la critique d'art victorienne.' [Ordering Disorder : the normative function of Victorian art criticism.] ''Littérature et Ordre Social'', proceedings of the second International Congress of the University of Le Havre, headed by Jean-Paul Barbiche: Paris, l'Harmattan, 1999 (pp. 73-83).
*'Ordering disorder: la fonction normative de la critique d'art victorienne.' ('Ordering Disorder: the normative function of Victorian art criticism.') ''Littérature et Ordre Social'', proceedings of the second International Congress of the University of Le Havre, headed by Jean-Paul Barbiche: Paris, l'Harmattan, 1999 (pp. 73-83).
*'C. L. Dodgson and the Victorian Cult of the Child', ''The Carrollian'', The Lewis Carroll Journal n° 4, autumn 1999 (pp. 3-31).
*'C. L. Dodgson and the Victorian Cult of the Child', ''The Carrollian'', The Lewis Carroll Journal n° 4, autumn 1999 (pp. 3-31).
*[http://contrariwise.wild-reality.net/distort.html Through a Distorting Looking-Glass: Charles Lutwidge Dodgson's artistic interests as mirrored in his nieces' edited version of his diaries']
*[http://contrariwise.wild-reality.net/distort.html Through a Distorting Looking-Glass: Charles Lutwidge Dodgson's artistic interests as mirrored in his nieces' edited version of his diaries']

Revision as of 15:47, 22 February 2010

Hugues Lebailly is a French academic and Senior Lecturer in English Cultural Studies at the Sorbonne. He is known for his work on nineteenth-century English literature, particularly his studies of Lewis Carroll which, in combination with the work of Karoline Leach and others, have begun a reassessment of Carroll's life and personality. His work on Carroll's place within what he has termed the "Victorian Child-Cult" has helped shape a new understanding of the man's sexuality and his artistry.[1]

His publications include:

  • 'Dr Dodgson et Mr Carroll: de la caricature au portrait.' ('Dr. Dodgson and Mr. Carroll: from caricature to portrait.') Cahiers Victoriens et Edouardiens n° 43, April 1996, Presses Universitaires de Montpellier.
  • 'The Powerful and the Sweet:dialectique du masculin et du féminin dans la critique d'art victorienne'. ('The Dialectics of Masculinity and Femininity in Victorian Art Criticism.') Masculin/Féminin, Littératures et cultures anglo-saxonnes, proceedings of the 38th Congress of the S.A.E.S. Presses Universitaires de Rennes, May 1999 (pp. 151-163).
  • 'Ordering disorder: la fonction normative de la critique d'art victorienne.' ('Ordering Disorder: the normative function of Victorian art criticism.') Littérature et Ordre Social, proceedings of the second International Congress of the University of Le Havre, headed by Jean-Paul Barbiche: Paris, l'Harmattan, 1999 (pp. 73-83).
  • 'C. L. Dodgson and the Victorian Cult of the Child', The Carrollian, The Lewis Carroll Journal n° 4, autumn 1999 (pp. 3-31).
  • Through a Distorting Looking-Glass: Charles Lutwidge Dodgson's artistic interests as mirrored in his nieces' edited version of his diaries'
  • Charles Lutwidge Dodgson's relationship with the weaker and more aesthetic sex re-examined

References

See also