Credo (Vivaldi): Difference between revisions

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{{multi-listen item|filename=Vivaldi - Credo - 1. Credo in Unum Deum.ogg|title=Credo - 1. Credo in Unum Deum|description=Performed by The Advent Chamber Orchestra with the Advent Choir directed by Gabriel Pavel|format=[[ogg]]}}
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{{multi-listen item|filename=Vivaldi - Credo - 2. Et Incarnatus Est.ogg|title=Credo - 2. Et Incarnatus Est|description=Performed by The Advent Chamber Orchestra with the Advent Choir directed by Gabriel Pavel|format=[[ogg]]}}
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{{multi-listen item|filename=Vivaldi - Credo - 3. Crucifixus.ogg|title=Credo - 3. Crucifixus|description=Performed by The Advent Chamber Orchestra with the Advent Choir directed by Gabriel Pavel|format=[[ogg]]}}
{{multi-listen item|filename=Vivaldi - Credo - 3. Crucifixus.ogg|title=Credo - 3. Crucifixus|description=Performed by the Advent Chamber Orchestra with the Advent Choir directed by Gabriel Pavel|format=[[ogg]]}}
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Revision as of 12:37, 15 February 2008

The Credo in E minor (RV 591) by Antonio Vivaldi is the only extant setting the composer wrote of the Nicene Creed. Another setting exists (RV 592) but is of dubious authenticity.

Settings

RV 591

Figure 1. Measures 1 and 2 of the Violini I e II staff of RV 591.

RV 591 is comprised for four movements, all choral. In a style similar to his psalm setting of In exitu Israel (RV 604), the first movement adorns the chorus' simple rhythms of crochets and minims with the orchestra playing semiquavers and quavers. The second movement is a brief choral episode in the [stile antico] Error: {{Lang}}: text has italic markup (help), borrowing thematic material from the composer's Magnificat. In the third movement, based on the [Crucifixus] Error: {{Lang}}: text has italic markup (help) portion of the Nicene Creed, Vivaldi establishes pain and grief with constant quavers (followed by a rest of the same duration) in the orchestra and the use of the lamento pattern (chromatic steps descending from the tonic to the dominant). The third movement is similar to the first, based on the similar semiquaver-quaver motif, yet ends with a fugue.

Figure 2. Measures 129 and 130 of the Violino I staff of RV 588.

RV 591 is connected to Gloria RV 588 by the rhythmic similarity in the first and fourth movements and its date of composition.

Movements

  1. Credo in unum Deum
  2. Et incarnatus est
  3. Crucifixus
  4. Et Resurrexit

Media

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RV 592

RV 592 is a disputed composition, attributed to Johann Adolph Hasse.


External links