Film recording
A movie recording (short: FAZ) is a set of techniques to digital or analog ( video -) images on film auszubelichten .
1950s to 1970s
In the 1950s to 1970s, the kinescope technique (also called telerecording ) was used, in which a special film camera frame and a film camera (usually 16 mm film was used) were attached in front of a television monitor . The frame shaded the television picture so that no side light could enter. The camera was then operated at 25 frames per second and synchronized with the television signal to produce the television picture without problems, i.e. H. without tread u. Ä. to be able to record. So could broadcasts that were broadcast live on MAZ were recorded präserviert and the video tape to be reused. The picture of such a FAZ is comparatively bad, since every second field is missing and thus the vertical resolution is reduced by half and the movement does not appear so smooth. However, this ensured that the recording was still clear later or that it could be exported to countries with other television standards. Often, color broadcasts were also recorded in black and white in order to later export them to countries with a less modern television system without color. Thanks to the universal film medium, there were no problems with the various video formats ( PAL , NTSC , SECAM ).
Situation today
Today, the term FAZ has largely been incorporated into that of the digital intermediate , as the majority of all cinema films are now digitally mastered. For the theatrical release of the norm of coming here next film makers increasingly digital master, mostly DCI used, in which the FAZ is superfluous.
Different types of imagesetters deliver different quality at different costs. The spectrum ranges from the cheapest DV filming - as used, for example, for Dogma 95 - to the rare and cost-intensive 4K technology.