Industrial dance

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Industrial dance is an umbrella term used mainly in North America for music groups from the post-industrial environment, which in Europe are assigned to the directions Electronic Body Music , Electro-Industrial or Dark Electro . The name implies both a reference to the post-industrial environment and the focus on (mostly) danceable, predominantly electronically generated compositions, as they were in the second half of the 1980s on both sides of the Atlantic on the occasion of the serial development of samplers and Sequencers became popular.

The term industrial dance has been popular since the mid-1980s and is used by music magazines such as SPIN Magazine and the CMJ New Music Monthly , as well as numerous non-fiction books, to describe the music of groups such as Cabaret Voltaire , Die Krupps , Portion Control , The Neon Judgment , Clock DVA , Nitzer Ebb , Front 242 ,, Skinny Puppy Front Line Assembly , Ministry (mid-80s phase), KMFDM , Yeht Mae or early Spahn Ranch .

Labels associated with industrial dance were Wax Trax! in Chicago and Nettwerk in Vancouver, followed in the 1990s by Cleopatra Records in Los Angeles, Metropolis Records in Philadelphia and COP International in San Francisco. Under the title A Dilettante's Guide to Industrial Dance Music , SPIN Magazine presented a detailed report in March 1989, which mainly focused on the Wax-Trax! Environment, with bands like Ministry, 1000 Homo DJs, Lead Into Gold, Pailhead and Front 242, as well as Nettwerk, with artists such as Skinny Puppy, Manufacture and Keith LeBlanc ( Tackhead ).

Web links

Individual evidence

  1. ^ Gail Priest: Experimental Music: Audio Explorations in Australia , p. 48, University of New South Wales Press, 2009, ISBN 1-921410-07-8
  2. ↑ Holly George-Warren / Patricia Romanowski / Jon Pareles: The Rolling Stone Encyclopedia of Rock & Roll , p. 140, Fireside , 2001, ISBN 0-7432-0120-5
  3. ↑ a b c David Nobahkt: Suicide: No Compromise , p. 166, SAF Publishing Ltd., 2004, ISBN 0-946719-71-3
  4. ↑ The Wire, Vols. 269-274, p. 32, C. Parker, 2006
  5. ↑ a b Rudy von Bitter Rucker / RU Sirius / Queen Mu: Mondo 2000: A User's Guide to the New Edge , HarperPerennial, 1992, ISBN 0-06-096928-8
  6. ↑ Tony Fletcher: Hard-boiled Ebb - Interview with Nitzer Ebb , SPIN Magazine , February 1992, p. 17
  7. ^ A b Christian Zingales: Electronica , p. 59, Giunti Gruppo Editoriale, 2002, ISBN 88-09-02523-7
  8. ↑ Tony Fletcher: Let's Go - Lollapalooza '93 , SPIN Magazine , July 1993, p. 44
  9. ↑ Piero Scaruffi: A History of Rock Music 1951-2000 , p. 312, iUniverse Inc. 2003, ISBN 0-595-29565-7
  10. ↑ David Jarman: Review of the album "Flavor of the Weak" by Front Line Assembly , CMJ New Music Monthly, p. 50, April 1998
  11. ↑ David Jarman: Review of the album "Implode" by Front Line Assembly , CMJ New Music Monthly, p. 44, August 1999
  12. ↑ Vladimir Bogdanov / Chris Woodstra / Stephen Thomas Erlewine: All Music Guide to Electronica: The Definitive Guide to Electronic Music , p. 198, Backbeat Books, 2001, ISBN 0-87930-628-9
  13. ↑ Jim DeRogatis: Milk it !: Collected Musings on the Alternative Music Explosion of the 90s , p. 95, Da Capo Press, 2003, ISBN 0-306-81271-1
  14. ↑ Chuck Eddy: Description of the album "Naïve" by KMFDM , SPIN Magazine , July 1992, p. 71
  15. ↑ Amy Sciarretto: Wax Trax! / TVT Offers KMFDM's Final Statement with "Adios," CMJ New Music Report, p. 1, April 5, 1999
  16. ↑ Amy Sciarretto: Review of the album "MDFMK" by MDFMK , CMJ New Music Report, p. 22, February 14, 2000
  17. ↑ David Jarman: Review of the album "Beat Noir" by Spahn Ranch , CMJ New Music Monthly, p. 51, January 1999
  18. ↑ Holly George-Warren / Patricia Romanowski / Jon Pareles: The Rolling Stone Encyclopedia of Rock & Roll , p. 140, Fireside, 1995, ISBN 0-7432-0120-5
  19. ↑ Will Straw: Popular Music: Style and Identity , p. 195, 1995
  20. ^ Roy Shuker: Popular Music: The Key Concepts , p. 144, Routledge Chapman & Hall, 2005, ISBN 0-415-34769-6
  21. ^ Peter Spellman: The Self-promoting Musician: Strategies for Independent Music Success , p. 63, Hal Leonard Corporation, 2006, ISBN 0-634-00644-4
  22. ^ Dan Sicko / Bill Brewster: Techno Rebels: The Renegades of Electronic Funk , p. 89, Wayne State University Press 2010, ISBN 0-8143-3438-5
  23. ^ John Leland: A Dilettante's Guide to Industrial Dance Music , SPIN Magazine , March 1989, p. 78