Julius Bechstein

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Julius Bechstein , also Gyula Bechstein or Julius Beckstein (also: Beckstein) (* in the 19th century; † in the 20th century) was a composer of silent film music .

Life

Bechstein composed music for silent films around 1918/20, after having been employed as a cinema conductor in 1916. He never gave his full first name, only gave the first letter G. His Hungarian name Gyula (German: Julius) can only be recognized by a single complete information on a film. His surname is alternately given as Beckstein or Bechstein, which further obscures his identity.

He wrote the music for films by Ernst Lubitsch , Manfred Noa , Paul von Woringen and Friedrich Zelnik . He arranged music compilations and wrote film songs for the lecture in the movie theater.

His compositions were published by CM Roehr and AM Schlesinger.

Works

a) at Hofmeister, musical-literary monthly reports:

  • Beckstein, G .: Narrenlied: “It sat on the rocky slope” from the film “Lache, Narr” f. 1 singing, m. Puffs. Berlin, Roehr - Hofmeister (1919)
  • Beckstein, G .: film chants m. Puffs. Berlin, Schlesinger: The spring song. Film singing m. Pfte or harp. Berlin, Schlesinger M 1.90 n. - Hofmeister (1920)

b) in Birett, silent film music pp. 21–22 performed as Bechstein, G .:

  • Margarete: Margarete, shattered alive. Berlin: Schlesinger 14/18
  • The winner: O my happiness. Berlin: Schlesinger 14/18
  • The Spring Song: Bleaching My Curls, from Eugene Onegin . Berlin: Schlesinger 19/23
  • The dancer: If you were mine. Berlin: Schlesinger 19/23
  • Laugh, fool: It was sitting on the cliff ... Berlin: Roehr 19/23

Filmography

  • 1918 The spring song
  • 1918: the winners
  • 1918/19: confusion of love. Laugh, fool ...
  • 1919: mountain flower
  • 1919: The ladies with the emeralds
  • 1919: The journey into the blue
  • 1919: Towards happiness
  • 1919: Hotel Medusa
  • 1919: In the service of love
  • 1919: The red sarafan
  • 1919: The Dancer - I.
  • 1919: The Dancer - II
  • 1919: A great box
  • 1919: When friends become rivals
  • 1920: The gala performance of the Circus Cesare Marselli
  • 1920: The yellow grimace
  • 1920: Romeo and Juliet in the snow

literature

  • Herbert Birett: Silent film music. Material collection. Deutsche Kinemathek Berlin 1970.
  • Marie von Ebner-Eschenbach: Margarete. Stuttgart: Verlag JG Cotta, 1891.
  • Heinrich Fraenkel: Immortal Film. The great chronicle. From the magic lantern to the sound film. Part of the picture by Wilhelm Winckel. Munich: Kindler, 1956, 469 pp.
  • Felix Hollaender: The Dancer - A novel in three books (bound in one). Berlin: S. Fischer Verlag, January 1918.
  • Irene Stratenwert with Hermann Simon (Ed.): Pioneers in Celluloid. Jews in the early film world. Berlin: Henschel, 2004. ISBN 3-89487-471-6 . Here pp. 29, 32, 284-287, 291, 293.
  • Uli Jung, Walter Schatzberg: Beyond Caligari: The Films of Robert Wiene. Berghahn Series. Illustrated edition, Verlag Berghahn Books, 1999. ISBN 9781571811967 . Length 238 pages.
  • Lothar Prox: Perspectives on the reprocessing of silent film music, in: Silent film music yesterday and today. Edited by of the Deutsche Kinemathek Foundation. Verlag Volker Spiess, Berlin 1979, pp. 9-26.
  • Katja Uhlenbrok (editor): MusikSpektakelFilm. Music theater and dance culture in German film 1922 - 1937. Munich: edition text + kritik 1998, 176 pages.
  • Michael Wedel: Schizophrenic technique, sensual happiness. Film opera, film operetta, film singing game. In: The German music film. Archeology of a genre. München, Edition Text + Critique 2007. ISBN 978-3883778358 . Pp. 69-191.
  • Friedrich von Zglinicki: The way of the film. History of cinematography and its predecessors. Berlin: Rembrandt Verlag, 1956.

Web links

Single receipts

  1. so at Hofmeister, monthly reports
  2. at the premiere of the Messter production “Lehmanns Brautfahrt” by Robert Wiene in the Mozartsaal Berlin in November 1916 cf. Lehmanns Brautfahrt (1916) on The German Early Cinema DatabaseTemplate: GECD title / maintenance / ID is missing in Wikidata
  3. cf. “Music compilation: Julius Bechstein”, at GECD # 22764
  4. Compilations of film accompaniment music from parts of works by various composers; an example is printed in Prox, Perspektiven, pp. 18–19: the music lineup for "Titanic" by Hansheinrich Dransmann , Berlin.
  5. on the phenomenon of singing in silent film cinema cf. Wedel p. 69 f.
  6. ^ Adolf Martin Schlesinger , initially Abraham Moses Schlesinger, Berlin. Later Robert Lienau (from 1864)