Uitgave van oudere Noord-nederlandsche Meesterwerken

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Uitgave van oudere noord-nederlandsche meesterwerken ("Edition of older Northern Dutch masterpieces"), later (from volume 35) Uitgave… van de Vereeniging voor Nederlandsche Muziekgeschiedenis (Edition… of the Dutch Society for Music History) is one of the Maatschappij tot Bevordering der Toonkunst ( Society for the Promotion of Tonkunst) published a series with older northern Dutch masterpieces. She appeared in Utrecht, Amsterdam, Lpz. 1869–1939 (2 volumes until 1958) and comprises 45 volumes.

The Vereniging voor Nederlandse Muziekgeschiedenis (Society for Dutch Music History) was founded in 1868 by Jan Pieter Heije (1809–1876).

Contents overview

(after Riemann, 12th A., Sachteil. p. 208)

  • I (1869), JP Sweelinck , Regina Coeli;
  • II (1871), A. Valerius , Nederlandtsche Gedenck-Clanck (Ausw. D. Nld. Works);
  • III (1871), organ compositions v. JP Sweelinck et al. S. Scheidt ;
  • IV (1872), "Twaalf geuzeliedjess" (from the Geusen-Liederbiichem from 1588 and later);
  • V (1873), Madrigals a. Chansons (5 in total) v. C. Schuyt et al. JP Sweelinck;
  • VI – VII (1876/77), JP Sweelinck, 8 psalms and chansons (along with biographies);
  • VIII (1878), selection from J. Wannings LII Sententiae;
  • IX (1880), J. Obrecht, Messe Fortuna desperata;
  • X (1882), "Oudnederlandsche danswijzn" (in 4-hand small arrangement);
  • XI (1883), C. Huygens, Pathodia sacra et profana (along with the mus. Correspondence);
  • XII (1884), JP Sweelinck, 6 Psalms;
  • XIII – XIV (1886/87), JA Reinken, Hortus musicus u. Partite diverse sopra Varia “Take silence from women”;
  • XV (1888), JP Sweelinck, Hodie Christ natus est (Cantio sacra);
  • XVI (1890), "Vier en twintig liederen" from d. 15./16. Century (for singing and KX);
  • XVII (1891), JP Sweelinck, d. 150th Psalm (f. 8 St.);
  • XVIII (1894), J. Obrecht (erroneously attributed), Passio Domini (after Matthaus);
  • XIX (1898), A. van Noordt, Tabulatuur-Boeck;
  • XX (1897), "Oud-hollandsche boerenliedjes en contradansen" (f. V. and KX), no. 1 (see also XXIII, XXXIII, XXXVI);
  • XXI (1898), “March in gebruik bij het nederlandsche leger gedurende den spaansden successie oorlog” (in a 4-handed class arrangement); XXII (1899), C. Boscoop, Psalms Davids;
  • XXIII (1900), “Oud-hollandsche boerenliedjes ...”, no. 2 (see above XX);
  • XXIV (1901), J. Tollius, d. 6st. Madrigali;
  • XXV (1902), “Nederlandsche dansen d. 16de eeuw “(for class 4-handed), H. 1 (2 see below XXVII);
  • XXVI (1903), P. Phaleses anthology Een duytsch musyck boeck (1572);
  • XXVII (1905), “Nederlandsche dansen ...” (see above XXV), no.2, from P. Phaleses Premier livre de danseries (1574);
  • XXVIII (1907), J. Schenck, Scherzi musicali;
  • XXIX (1908), from T. Susato, Het derde musyck boexken (1551);
  • XXX (1910), "Driestemmige oud-nederlandsche liederen" (from the end of the 15th century);
  • XXXI (1911), P. Locatelli, 2 V. Sonatas (Op. 6 No. 7 and Op. 8 No. 5);
  • XXXII (1912), C. Fr. Hurlebusch, Compositioni musicali per il cembalo;
  • XXXIII (1912), "Oud-hollandsche boerenliedjes ...", H. 3/4 (see above XX);
  • XXXIV (1913), Orch.-Compositions v. Beginning of d. 17th century (Paduanen and Gaillarden by M. Borchgrevinck, B. Grep and N. Gistou);
  • XXXV (1915), A. Willaert, Missa super Benedicta;
  • XXXVI (1916), “Oud-holland-sche boerenliedjes ...”, no.5 (see above XX); XXXVII (1918), “Oud-nederlandsche klaviermusiko” (from the music book by Anna Maria van Eijl, 1671);
  • XXXVIII (1920), Ph. De Monte, Missa ad modulum Benedicta es;
  • XXXIX (1920), study v. M. Seiffert, Wat leren uns de schilderijen en prenten der 16de eeuw over de instrumentale begeleiding van den zang en den oorsprong van de muziek-gravure ?;
  • XL (1921), “Nederlandsche boerendansen”;
  • XLI (1926), P. Hellendaal, 4 Vc. Sonatas (from op. 5);
  • XLII (1931), C. Th. Padbrue, JV Vondels Kruisbergh en Klaght;
  • XLIII (1933), Dep. V. E. Reeser, De musical manuscripts van Alphons Diepenbrock;
  • XLIV (1936), “Drie oud-nederlandsche motetten” (by J. Obrecht, Josquin Desprez and J. Clemens non Papa);
  • XLV (3 H., 1937/38/48), C. Schuyt, “5-stemmed madrigalen”;
  • XLVI (1955), RP van Oevering , VI Suittes voor't clavier op. 1;
  • XLVII (1958), JP Sweelinck, suppl. To part I (works £. Org. And harpsichord) d. GA.

literature

  • Riemann Musiklexikon (12.A.), subject part, p. 208

Web links

See also