Intermediate dominant

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Intermediate dominants or secondary dominants are chords with a dominant character that dissolve into a sound different from the tonic .

They are used to initiate a modulation or evasion , but can also only appear briefly, i.e. without any further-reaching consequences.
Since secondary dominants not only head of its own material of the home key can be formed, is always a use of accidentals necessary. In order to absorb the strangeness of these sounds in a harmonic context and at the same time underline the effect, intermediate dominants often appear as
dominant seventh chords (see also: Characteristic dissonance ). Often they emerge chromatically from the previous sound, which in turn creates cohesion.

Special cases are the double dominant and the double subdominant .

Example in C major

Intermediate
dominant
Chords C. A7 d G7 C.
Functions T (D7) Sp D7 T

Sub-dominants are usually bracketed in function notation and refer to the next function.

Sound examples without intermediate dominant (left) and with intermediate dominant (right):

{\ new PianoStaff << \ new Staff \ relative c '{\ set Staff.midiInstrument = # "violin" <ce g> 2 |  <df a> 4 |  <g, d 'f b> |  <ceg c>} >>}
{\ new PianoStaff << \ new Staff \ relative c '{\ set Staff.midiInstrument = # "violin" <ce g> |  <a cis e g> |  <df a> |  <g, d 'f b> |  <ceg c>} >>}

See also