Elizabeth Boutell: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
m Reverted edits by 223.223.148.189 (talk) to last version by KasparBot
 
(34 intermediate revisions by 9 users not shown)
Line 1: Line 1:
{{Use dmy dates|date=October 2019}}

{{Short description|British actress}}
'''Elizabeth Boutell''', née Davenport (early 1650s?—1715), was a British [[actress]].
'''Elizabeth Boutell''' (early 1650s?—1715), was a [[British actress]].


==Life==
==Life==
She joined, soon after its formation, the company at the [[Theatre Royal, Drury Lane|Theatre Royal]], subsequently known as Drury Lane, and was accordingly one of the first women to appear on the stage. Her earliest recorded appearance took place presumably in 1663 or 1664, as Estifania in ''Rule a Wife and Have a Wife''. She joined the [[King's Company]] about 1670 and played many important roles in the 1670s, including Benzayda in [[John Dryden]]'s ''[[The Conquest of Granada]]'' (December 1670 and January 1671), and probably Rosalinda in [[Nathaniel Lee]]'s ''[[Sophonisba]]'' (3 April 1675).
She joined, soon after its formation, the company at the [[Theatre Royal, Drury Lane|Theatre Royal]], subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English stage. Her earliest recorded appearance took place presumably in 1663 or 1664, as Estifania in ''Rule a Wife and Have a Wife''. She joined the [[King's Company]] about 1670 and played many important roles in the 1670s, including Benzayda in [[John Dryden]]'s ''[[The Conquest of Granada]]'' (December 1670 and January 1671), and probably Rosalinda in [[Nathaniel Lee]]'s ''[[Sophonisba (Lee play)|Sophonisba]]'' (3 April 1675).


She "created" among other characters, Melantha in Dryden's ''[[Marriage à la mode (play)|Marriage à la mode]]'' (c. April 1672), Margery Pinchwife in [[William Wycherley]]'s ''[[The Country Wife]]'' (12 January 1675), Cleopatra in Dryden's ''[[All for Love (play)]]'', and Mrs. Termagant in Shadwell's ''Squire of Alsatia''. Cibber somewhat curiously omits from his ''Apology'' all mention of her name.
She "created" among other characters, Melantha in Dryden's ''[[Marriage à la mode (play)|Marriage à la mode]]'' (c. April 1672), Margery Pinchwife in [[William Wycherley]]'s ''[[The Country Wife]]'' (12 January 1675), Cleopatra in Dryden's ''[[All for Love (play)|All for Love]]'', and Mrs. Termagant in Shadwell's ''[[The Squire of Alsatia]]''. Cibber somewhat curiously omits from his ''Apology'' all mention of her name.


Her most famous role was the loving and trustful Queen Statira in ''The Rival Queens'' (17 March 1677). She formed a notable acting partnership with [[Rebecca Marshall]] in a series of fashionable "women in conflict" plays, in which Boutell played the virtuous heroine to Marshall's darker antagonist.<ref>Howe, pp. 152-3.</ref> Boutell specialized in [[breeches role]]s, such as Fidelia in Wycherley's ''[[The Plain Dealer (play)|The Plain Dealer]]'' (11 December 1676).
Her most famous role was the loving and trustful Queen Statira in ''The Rival Queens'' (17 March 1677). She formed a notable acting partnership with [[Rebecca Marshall]] in a series of fashionable "women in conflict" plays, in which Boutell played the virtuous heroine to Marshall's darker antagonist.<ref>Howe, pp. 152-3.</ref> Boutell specialized in [[breeches role]]s, such as Fidelia in Wycherley's ''[[The Plain Dealer (play)|The Plain Dealer]]'' (11 December 1676).
Line 14: Line 15:
A well-known story holds that, having for the character of Statira obtained from the property-man a veil to which Mrs. Barry, who played Roxana, thought herself entitled, an argument ensued between the two actresses, and Mrs. Barry dealt so forcible a blow with a dagger as to pierce through Mrs. Boutel's stays, and inflict a wound a quarter of an inch in length. During her active and busy career in the 1670s, she was according to the ''Biographical Dictionary of Actors'' generally considered a "very talented, popular, beautiful, and [[Female promiscuity|promiscuous young woman]]".
A well-known story holds that, having for the character of Statira obtained from the property-man a veil to which Mrs. Barry, who played Roxana, thought herself entitled, an argument ensued between the two actresses, and Mrs. Barry dealt so forcible a blow with a dagger as to pierce through Mrs. Boutel's stays, and inflict a wound a quarter of an inch in length. During her active and busy career in the 1670s, she was according to the ''Biographical Dictionary of Actors'' generally considered a "very talented, popular, beautiful, and [[Female promiscuity|promiscuous young woman]]".


Davies, in his 'Dramatic Miscellanies,' (vol. ii. p.&nbsp;404), speaks of Mrs. Boutel as 'celebrated for the gentler parts in tragedy such as Aspatia in the "Maid's Tragedy." ' No roles are recorded for her between March 1678 and April 1688. Her husband Barnaby Boutell had a lieutenant's commission from 1681, and the ''Biographical Dictionary of Actors'' speculates that she may have followed him to the Continent in the 1680s. Her last recorded role was with Thomas Betterton's company at Lincoln's Inn Fields in 1696, where she played Thomyris in ''Cyrus the Great''.
Davies, in his 'Dramatic Miscellanies,' (vol. ii. p.&nbsp;404), speaks of Mrs. Boutel as 'celebrated for the gentler parts in tragedy such as Aspatia in the "Maid's Tragedy." ' No roles are recorded for her between March 1678 and April 1688. Her husband Barnaby Boutell had a lieutenant's commission from 1681, and the ''Biographical Dictionary of Actors'' speculates that she may have followed him to the Continent in the 1680s. Her last recorded role was with Thomas Betterton's company at Lincoln's Inn Fields in 1696, where she played Thomyris in ''Cyrus the Great''.


In 1697 she left for Holland with her husband. She appears to have lived in comfort for some years subsequently. She made a will in 1714, which was proved the following year.
In 1697 she left for Holland with her husband. She appears to have lived in comfort for some years subsequently. She made a will in 1714, which was proved the following year.

==Selected roles==
* Donna Theodosia in ''[[An Evening's Love]]'' by [[John Dryden]] (1668)
* Aurelia in ''[[The Roman Empress]]'' by William Joyner (1670)
* Benzayda in ''[[The Conquest of Granada]]'' by [[John Dryden]] (1671)
* Christina in ''[[Love in a Wood (play)|Love in a Wood]]'' by [[William Wycherley]] (1671)
* Lysander in ''[[The Generous Enemies]]'' by John Corye (1671)
* Melantha in ''[[Marriage à la mode (play)|Marriage à la mode]]'' by [[John Dryden]] (1672)
* Laura in ''[[The Assignation]]'' by [[John Dryden]] (1672)
* Alcinda in ''[[The Spanish Rogue]]'' by [[Thomas Duffett]] (1673)
* Cyara in ''[[Nero (play)|Nero]]'' by [[Nathaniel Lee]] (1674)
* Clara in ''[[The Amorous Old Woman ]]'' by [[Thomas Duffett]] (1674)
* Margery in ''[[The Country Wife]]'' by [[William Wycherley]] (1675)
* Bellinganna in ''[[Love in the Dark (play)|Love in the Dark]]'' by [[Francis Fane (dramatist)|Francis Fane]] (1675)
* Fidelia in ''[[The Plain Dealer (play)|The Plain Dealer]]'' by [[William Wycherley]] (1676)
* Statira in ''[[The Rival Queens]]'' by [[Nathaniel Lee]] (1677)
* Matilda in ''[[King Edgar and Alfreda]]'' by [[Thomas Ravenscroft]] (1677)
* Glorianda in ''[[Wits Led by the Nose]]'' by [[William Chamberlayne (poet)|William Chamberlayne]] (1677)
* Cleopatra in ''[[All for Love (play)|All for Love]]'' by [[John Dryden]] (1677)
* Clarona in ''[[The Destruction of Jerusalem (play)|The Destruction of Jerusalem]]'' by [[John Crowne]] (1677)
* Semandra in ''[[Mithridates, King of Pontus]]'' by [[Nathaniel Lee]] (1678)
* Cellida in ''[[Trick for Trick (1678 play)|Trick for Trick]]'' by [[Thomas D'Urfey]] (1678)
* Rosalinda in ''[[Sophonisba (Lee play)|Sophonisba]]'' by [[Nathaniel Lee]] (1681)
* Aurelia in ''[[A Fool's Preferment]]'' by [[Thomas D'Urfey]] (1688)
* Mrs Termagant in ''[[The Squire of Alsatia]]'' by [[Thomas Shadwell]] (1688)
* Mrs Fantast in ''[[Bury Fair]]'' by [[Thomas Shadwell]] (1689)
* Semanthe in ''[[The Treacherous Brothers]]'' by [[George Powell (playwright)|George Powell]] (1690)
* Lady Credulous in ''[[The English Frier]]'' by [[John Crowne]] (1690)
* Dowdy in ''[[She Ventures and He Wins]]'' by [[Ariadne (writer)|Ariadne]] (1695)
* Thomyris in ''[[Cyrus the Great (play)|Cyrus the Great]]'' by [[Joseph Banks]] (1695)
* Constantia in ''[[The She-Gallants]]'' by [[George Granville]] (1695)
* Clara in ''[[The City Bride]]'' by [[Joseph Harris (stage actor)|Joseph Harris]] (1696)
* Francilia in ''[[Love's a Jest]]'' by [[Peter Motteux]] (1696)


==References==
==References==
Line 28: Line 62:


==External links==
==External links==
*[http://www.str.org.uk/publications/notebook/index.html ''Theatre Notebook'']
*[https://web.archive.org/web/20090706073909/http://www.str.org.uk/publications/notebook/index.html ''Theatre Notebook'']

{{authority control}}


{{DEFAULTSORT:Boutell, Elizabeth}}
{{DEFAULTSORT:Boutell, Elizabeth}}
Line 35: Line 71:
[[Category:17th-century English actresses]]
[[Category:17th-century English actresses]]
[[Category:Year of birth unknown]]
[[Category:Year of birth unknown]]
[[Category:Women of the Stuart period]]

Latest revision as of 19:58, 1 August 2021

Elizabeth Boutell (early 1650s?—1715), was a British actress.

Life[edit]

She joined, soon after its formation, the company at the Theatre Royal, subsequently known as Drury Lane, and was accordingly one of the first women to appear on the English stage. Her earliest recorded appearance took place presumably in 1663 or 1664, as Estifania in Rule a Wife and Have a Wife. She joined the King's Company about 1670 and played many important roles in the 1670s, including Benzayda in John Dryden's The Conquest of Granada (December 1670 and January 1671), and probably Rosalinda in Nathaniel Lee's Sophonisba (3 April 1675).

She "created" among other characters, Melantha in Dryden's Marriage à la mode (c. April 1672), Margery Pinchwife in William Wycherley's The Country Wife (12 January 1675), Cleopatra in Dryden's All for Love, and Mrs. Termagant in Shadwell's The Squire of Alsatia. Cibber somewhat curiously omits from his Apology all mention of her name.

Her most famous role was the loving and trustful Queen Statira in The Rival Queens (17 March 1677). She formed a notable acting partnership with Rebecca Marshall in a series of fashionable "women in conflict" plays, in which Boutell played the virtuous heroine to Marshall's darker antagonist.[1] Boutell specialized in breeches roles, such as Fidelia in Wycherley's The Plain Dealer (11 December 1676).

Edmund Curll described Boutell in The History of the English Stage (1741), a work supposedly based on the notes of the famous actor Thomas Betterton, who was the King's Company's de facto manager in the 1670s:

A very considerable Actress; she was low of Stature, had very agreeable Features, a good Complexion, but a Childish Look. Her Voice was weak, tho' very mellow; she generally acted the young, innocent Lady whom all the Heroes are mad in Love with; she was a Favourite of the Town.

A well-known story holds that, having for the character of Statira obtained from the property-man a veil to which Mrs. Barry, who played Roxana, thought herself entitled, an argument ensued between the two actresses, and Mrs. Barry dealt so forcible a blow with a dagger as to pierce through Mrs. Boutel's stays, and inflict a wound a quarter of an inch in length. During her active and busy career in the 1670s, she was according to the Biographical Dictionary of Actors generally considered a "very talented, popular, beautiful, and promiscuous young woman".

Davies, in his 'Dramatic Miscellanies,' (vol. ii. p. 404), speaks of Mrs. Boutel as 'celebrated for the gentler parts in tragedy such as Aspatia in the "Maid's Tragedy." ' No roles are recorded for her between March 1678 and April 1688. Her husband Barnaby Boutell had a lieutenant's commission from 1681, and the Biographical Dictionary of Actors speculates that she may have followed him to the Continent in the 1680s. Her last recorded role was with Thomas Betterton's company at Lincoln's Inn Fields in 1696, where she played Thomyris in Cyrus the Great.

In 1697 she left for Holland with her husband. She appears to have lived in comfort for some years subsequently. She made a will in 1714, which was proved the following year.

Selected roles[edit]

References[edit]

  1. ^ Howe, pp. 152-3.

Stephen, Leslie, ed. (1886). "Boutel, Mrs." . Dictionary of National Biography. Vol. 6. London: Smith, Elder & Co.

Sources[edit]

  • Highfill, Philip Jr, Burnim, Kalman A., and Langhans, Edward (1973–93). Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660–1800. 16 volumes. Carbondale, Illinois: Southern Illinois University Press.
  • Howe, Elizabeth (1992). The First English Actresses: Women and Drama, 1660–1700. Cambridge: Cambridge University Press.
  • Milhous, Judith (1985). "Elizabeth Bowtell and Elizabeth Davenport: some puzzles solved" in Theatre Notebook, 39. London: The Society for Theatre Research pp. 124–34

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Elizabeth_Boutell&oldid=1036634757"