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{{short description|Italian painter}}

[[Image:9810 - Venezia - Scola di san Fantin, Aula magna - Leonardo Corona, episodio della Passione - Foto G. Dall'Orto, 12-Aug-2007.jpg|thumb|300px|right|Passion of Christ, Scuola di San Fantin, Aula Magna, Venice]]
[[Image:9810 - Venezia - Scola di san Fantin, Aula magna - Leonardo Corona, episodio della Passione - Foto G. Dall'Orto, 12-Aug-2007.jpg|thumb|300px|right|Passion of Christ, Scuola di San Fantin, Aula Magna, Venice]]
[[Image:Leonardo Corona - The Crowning with Thorns - San Giovanni in Bragora, Venice.jpg|thumb|300px|right|The Crowning with Thorns - San Giovanni in Bragora, Venice]]
[[Image:Leonardo Corona - The Crowning with Thorns - San Giovanni in Bragora, Venice.jpg|thumb|300px|right|The Crowning with Thorns - San Giovanni in Bragora, Venice]]
'''Leonardo Corona''' (1561–1605) was an [[Italy|Italian]] painter of the [[Renaissance]] period, active mainly in [[Venice]]. Born in [[Murano]]. For the church of [[Santi Giovanni e Paolo, Venice|Santi Giovanni e Paolo]] in Venice, he painted an ''Annunciation''; while for [[Santo Stefano, Venice|Santo Stefano]], he painted an ''Assumption''. For [[San Giovanni in Bragora]] he painted a ''Coronation with Thorns'' and a ''Flagellation''.<ref>[http://www.sgbattistainbragora.it/index.php?id=20&lang=it San Giovanni Battista in Bragora] {{in lang|it}}</ref> He is said to have been a pupil of the elder [[Titian]], and completed some of his canvases after the master's death. His pupils included [[Santo Peranda]] and [[Baldasarre Anna]].
'''Leonardo Corona''' (1561–1605) was an Italian painter of the [[Renaissance]] period, active mainly in [[Venice]]. Born in [[Murano]]. For the church of [[Santi Giovanni e Paolo, Venice|Santi Giovanni e Paolo]] in Venice, he painted an ''Annunciation''; while for [[Santo Stefano, Venice|Santo Stefano]], he painted an ''Assumption''. For [[San Giovanni in Bragora]] he painted a ''Coronation with Thorns'' and a ''Flagellation''.<ref>[http://www.sgbattistainbragora.it/index.php?id=20&lang=it San Giovanni Battista in Bragora] {{in lang|it}}</ref> He is said to have been a pupil of the elder [[Titian]], and completed some of his canvases after the master's death. His pupils included [[Santo Peranda]] and [[Baldasarre Anna]].


==References==
==References==
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===Secondary Sources===
===Secondary Sources===
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum| editor-link = Ralph Nicholson Wornum| page = 49 | publisher= Woodfall & Kinder, Angel Court, Skinner Street, London; Digitized by Googlebooks from Oxford University copy on Jun 27, 2006| id= | url= https://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | author-link= }}
*{{cite book | first= Maria|last= Farquhar| year=1855| title= Biographical catalogue of the principal Italian painters| editor = Ralph Nicholson Wornum| editor-link = Ralph Nicholson Wornum| page = 49 | publisher= Woodfall & Kinder |location=London | id= | url= https://books.google.com/books?q=intitle:Wornum+intitle:principal+intitle:painters | author-link= }}
*''Works of Art Discovered in Venice'', Alethea Wiel. The Burlington Magazine for Connoisseurs (1909) 15(78):p.&nbsp;368-9. (On Corona works found in the rafters of San Zulian).
*''Works of Art Discovered in Venice'', Alethea Wiel. The Burlington Magazine for Connoisseurs (1909) 15(78):p.&nbsp;368-9. (On Corona works found in the rafters of San Zulian).
*{{cite book| first= Francesco | last= Milizia | year=1797| title= Dizionario delle Belle Arti del Disegno y Estratto in Gran Parte dalla Enciclopedia Metodica da Francesco Milizia, Seconda Edizione, Tomo Secondo | editor = | pages= 145–146 | publisher= |location= Bassano, Italy |id=|url= https://books.google.com/books?id=bvhYAAAAYAAJ | author-link=}}
*{{cite book| first= Francesco | last= Milizia | year=1797| title= Dizionario delle Belle Arti del Disegno y Estratto in Gran Parte dalla Enciclopedia Metodica da Francesco Milizia, Seconda Edizione, Tomo Secondo | editor = | pages= 145–146 | publisher= |location= Bassano, Italy |id=|url= https://books.google.com/books?id=bvhYAAAAYAAJ | author-link=}}

Latest revision as of 02:25, 1 May 2022

Passion of Christ, Scuola di San Fantin, Aula Magna, Venice
The Crowning with Thorns - San Giovanni in Bragora, Venice

Leonardo Corona (1561–1605) was an Italian painter of the Renaissance period, active mainly in Venice. Born in Murano. For the church of Santi Giovanni e Paolo in Venice, he painted an Annunciation; while for Santo Stefano, he painted an Assumption. For San Giovanni in Bragora he painted a Coronation with Thorns and a Flagellation.[1] He is said to have been a pupil of the elder Titian, and completed some of his canvases after the master's death. His pupils included Santo Peranda and Baldasarre Anna.

References[edit]

  1. ^ San Giovanni Battista in Bragora (in Italian)

Secondary Sources[edit]

  • Farquhar, Maria (1855). Ralph Nicholson Wornum (ed.). Biographical catalogue of the principal Italian painters. London: Woodfall & Kinder. p. 49.
  • Works of Art Discovered in Venice, Alethea Wiel. The Burlington Magazine for Connoisseurs (1909) 15(78):p. 368-9. (On Corona works found in the rafters of San Zulian).
  • Milizia, Francesco (1797). Dizionario delle Belle Arti del Disegno y Estratto in Gran Parte dalla Enciclopedia Metodica da Francesco Milizia, Seconda Edizione, Tomo Secondo. Bassano, Italy. pp. 145–146.

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